| Videos |
| Robert Duvall | ... | Mac Sledge | |
| Tess Harper | ... | Rosa Lee | |
| Betty Buckley | ... | Dixie | |
| Wilford Brimley | ... | Harry | |
| Ellen Barkin | ... | Sue Anne | |
| Allan Hubbard | ... | Sonny | |
| Lenny von Dohlen | ... | Robert (as Lenny Von Dohlen) | |
| Paul Gleason | ... | Reporter | |
| Michael Crabtree | ... | Lewis Menefee | |
| Norman Bennett | ... | Reverend Hotchkiss | |
| Andrew Scott Hollon | ... | Larue | |
| Rick Murray | ... | Jake - Slater Mill Boys Member | |
| Stephen Funchess | ... | Bertie - Slater Mill Boys Member | |
| Glen Fleming | ... | Steve - Slater Mill Boys Member | |
| James Aaron | ... | Henry - Slater Mill Boys Member | |
| Jerry Biggs | ... | Man in Bar | |
| Sheila Bird | ... | Concessionaire | |
| Robert E. Blackburn III | ... | Boy at Dance | |
| Eli Cummins | ... | Doorman | |
| Tony Frank | ... | Man at Motel | |
| Berkley Garrett | ... | Man at Dixie's House (as Berkley H. Garrett) | |
| Helena Humann | ... | Woman with Groceries | |
| Suzanne Jacobs | ... | Nurse | |
| Barbara Jones | ... | Country Woman | |
| Jerry Jones | ... | Country Man | |
| Harlan Jordan | ... | Waiter | |
| Robert P. Kelley | ... | Choirmaster | |
| Ray LePere | ... | Man in Bar / Restaurant | |
| Pat Minter | ... | Man at Dixie's Douse | |
| Terry Schoolcraft | ... | Ada - Dixie's Driver | |
| Oliver Seale | ... | Man at Dixie's House | |
| Denise Simek | ... | Concessionaire | |
| Robert Stewart | ... | Concessionaire | |
| Susan Aston | ... | Woman at Dance | |
| Vicki Neff | ... | Woman at Dance | |
| Pamela Putnam | ... | Woman at Dance | |
| Jerry Abbot | ... | Piano - Country Blues Band Member | |
| Bobby Hibbitts | ... | Drums - Country Blues Band Member | |
| Buddie Hrabal | ... | Steel Guitar - Country Blues Band Member | |
| Jerry Matheny | ... | Guitar - Country Blues Band Member | |
| Wayne Milligan | ... | Bass - Country Blues Band Member | |
| rest of cast listed alphabetically: | |||
| Don 'Tex' Clark | ... | Bar Patron (uncredited) | |
Directed by | |||
| Bruce Beresford | |||
Writing credits | ||
| Horton Foote | (written by) | |
Produced by | |||
| Robert Duvall | .... | co-producer | |
| Horton Foote | .... | co-producer | |
| Mary-Ann Hobel | .... | associate producer | |
| Philip Hobel | .... | produced by (as Philip S. Hobel) | |
Original Music by | |||
| George Dreyfus | (music by) | ||
Cinematography by | |||
| Russell Boyd | (director of photography) | ||
Film Editing by | |||
| William M. Anderson | (as William Anderson) | ||
Art Direction by | |||
| Jeannine Claudia Oppewall | (as Jeannine Oppewall) | ||
Set Decoration by | |||
| Daniel Loren May | (as Daniel L. May) | ||
Makeup Department | |||
| Lynn Decker | .... | hairstylist | |
| Paul Huntley | .... | wigs: Betty Buckley's | |
| Michael J. Randall | .... | assistant hairstylist | |
| Carla Rulien | .... | assistant make-up | |
| Jimi White | .... | make-up artist | |
Production Management | |||
| Tom Joyner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Richard Luke Rothschild | .... | first assistant director | |
| Kelly Wimberly | .... | second assistant director | |
Art Department | |||
| E.W. Bradford | .... | construction coordinator (as Bill Bradford) | |
| James R. Cox | .... | swing man | |
| Glenn Dunn | .... | lead man | |
| Johnny Gutierrez | .... | construction assistant (as Johnny L. Guiterrez) | |
| Mike Parsons | .... | property master | |
| Roy W. Wahlstrom | .... | painter | |
| William Vance White | .... | assistant props | |
Sound Department | |||
| Stan Bochner | .... | sound editor | |
| Angelo Corrao | .... | assistant sound editor | |
| Jay Dranch | .... | sound editor | |
| Bruce Kitzmeyer | .... | assistant sound editor | |
| Stuart Lieberman | .... | assistant sound editor | |
| Dan Lieberstein | .... | sound editor | |
| Dennis Maitland II | .... | boom man (as Dennis L. Maitland II) | |
| Christopher Newman | .... | sound mixer (as Chris Newman) | |
| Maurice Schell | .... | supervising sound editor | |
| Magdaline Volaitis | .... | assistant sound editor | |
| Dick Vorisek | .... | rerecording supervisor | |
| Maurice Schell | .... | foley artist (uncredited) | |
Stunts | |||
| Randy Fife | .... | stunt double | |
| Ben Loggins | .... | utility stunts (as Ben E. Loggins) | |
| Russell Towery | .... | utility stunts | |
Camera and Electrical Department | |||
| Thomas Alcala | .... | electrician | |
| Mike Apsey | .... | playback operator | |
| Curtis Bingham | .... | grip (as Curt Bingham) | |
| Don Broughton | .... | playback operator | |
| Jerry G. Callaway | .... | camera operator | |
| Murray K. Campbell | .... | gaffer | |
| Michael P. Henning | .... | electrician (as Michael Henning) | |
| John Knight | .... | best boy grip | |
| Leo MacWilliam | .... | electrician | |
| J. Michael McClary | .... | first assistant camera | |
| Fred L. McLane | .... | second assistant camera (as Frederick L. McLane) | |
| Ron Phillips | .... | still photographer | |
| Tony Poston | .... | dolly grip | |
| Kerry Rike | .... | key grip | |
| Dave Roberts | .... | electrician | |
| Johnny Smith | .... | grip | |
| Darrel D. Tawney | .... | best boy (as Darrel Tawney) | |
| Philip C. Pfeiffer | .... | second camera operator (uncredited) | |
Casting Department | |||
| Robin Boehme | .... | extras casting | |
| Shari Rhodes | .... | casting: Texas | |
Costume and Wardrobe Department | |||
| Jane Greenwood | .... | costumes: Betty Buckley's | |
| Elizabeth McBride | .... | costumer | |
| Joan Thomas | .... | costume assistant | |
Editorial Department | |||
| Norman Buckley | .... | second assistant editor | |
| Emily Paine | .... | first assistant editor | |
| Charles Simmons | .... | location assistant editor (as Charles A. Simmons) | |
| Mary Sweeney | .... | apprentice editor | |
Music Department | |||
| Charles Feldman | .... | country music advisor | |
| Tommy Oliver | .... | arranger: country music | |
Other crew | |||
| Billy Barnes | .... | craft service (as Billy E. Barnes) | |
| Linda Barnes | .... | craft service | |
| Dominique Bruballa | .... | assistant accountant | |
| Betty A. Buckley | .... | production coordinator | |
| Kathleen Caton | .... | assistant to the producer | |
| Stan Cohen | .... | caterer (as Stanley J. Cohen) | |
| Dawn Easterling | .... | production assistant | |
| Nick Felix | .... | dance instructor | |
| Max Ferris | .... | security | |
| Danette Goss Alberts | .... | location manager (as Danette Goss) | |
| Karen Hall | .... | production secretary | |
| Sandra K. Jantzen | .... | production assistant (as Sandy Jantzen) | |
| Charles N. Johnson | .... | caterer | |
| John Kane | .... | unit publicist | |
| Janet Lucas Lawler | .... | first aid (as Janet L. Lawler) | |
| Kathleen McGill | .... | production accountant (as Kathy McGill) | |
| Don Miller | .... | production accountant | |
| Anne Rapp | .... | script supervisor | |
| Erica Rogalla | .... | production assistant | |
| Earlane Simpson | .... | tutor | |
| Diane Smith | .... | assistant to the producer | |
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| Short Cuts | The Night of the Hunter | The Sweet Hereafter | The Last Picture Show | Giant |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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This movie demonstrates what happens when the rare, magical perfect combination clicks together. Duvall, Beresford and Foote blended their talents marvelously and managed to fool the critics by producing a film that is absolutely one of the best ever. Its draw at the box office and on video may have surprised the critics, but is understood by those who place a high value on well-written and well-acted drama. I have nearly worn out my VHS copy from multiple viewings but I have never worn out the experience. The film is uplifting because it is all about unhoped hope finding fulfillment.
The movie combines tragedy and pathos with love, warmth and redemption in a manner that rarely occurs in a Hollywood production. To top it off, it does it so that there is not a phoney or contrived moment in the picture. Excellent and somewhat surprising supporting performances came from newcomer Tess Harper (discovered for this film by Duvall and Beresford) Ellen Barkin and Betty Buckley. Brimley (impossible to dislike in any role) is perfect as Buckley's manager.
One of the best scenes in the movie occurs when the young band drops over to "just say howdy" to the ex-singer. Harper is guarded and protective at first, but the pure hearts and openly embarrassed intent of the young men quickly win her and the viewer over. It is a touching and beautiful scene. It reminds you that there is still decency and humility among American youth (maybe we should all visit east Texas once in a while, although you can easily find it in most parts of rural USA).
No action flik this. The best word I know to describe Tender Mercies is "heartwarming." If you have not yet watched it, by all means do yourself a favor: beg, borrow, rent or steal a copy without delay. You'll never think of Duvall or Texas or country music the same again.