| Felissa Rose | ... | Angela | |
| Jonathan Tiersten | ... | Ricky (as Jonathan Tierston) | |
| Karen Fields | ... | Judy | |
| Christopher Collet | ... | Paul | |
| Mike Kellin | ... | Mel | |
| Katherine Kamhi | ... | Meg | |
| Paul DeAngelo | ... | Ronnie | |
| Tom Van Dell | ... | Mike | |
| Loris Sallahian | ... | Billy | |
| John E. Dunn | ... | Kenny (as John Dunn) | |
| Willy Kuskin | ... | Mozart | |
| Desiree Gould | ... | Aunt Martha | |
| Owen Hughes | ... | Artie | |
| Robert Earl Jones | ... | Ben | |
| Susan Glaze | ... | Susie | |
| Frank Trent Saladino | ... | Gene | |
| Rick Edrich | ... | Jeff | |
| Fred Greene | ... | Eddie | |
| Allen Breton | ... | Frank The Cop | |
| Michael C. Mahon | ... | Hal the Lifeguard (as Mike Mahon) | |
| John Churchill | ... | Doctor | |
| Dan Tursi | ... | John | |
| James Paradise | ... | Lenny | |
| Paul Poland | ... | Craig | |
| Alyson Mord | ... | Mary Ann | |
| Carol Robinson | ... | Dolores | |
| Bram Hand | ... | Scott | |
| Brad Frankel | ... | Joey | |
| Dee Dee Friedman | ... | Marie | |
| Julie Delisio | ... | Betsy | |
| Michael Lerman | ... | Greg | |
| Lisa Buckler | ... | Leslie | |
| Colette Lee Corcoran | ... | Young Angela | |
| Frank Sorrentino | ... | Young Peter | |
| rest of cast listed alphabetically: | |||
| Tim Clark | ... | Boy (uncredited) | |
| Glenn-Thomas Ford | ... | Asst. Cook (uncredited) | |
| Mike Tatosian | ... | Assistant Cook (uncredited) | |
Directed by | |||
| Robert Hiltzik | |||
Writing credits(in alphabetical order) | ||
| Robert Hiltzik | writer | |
Produced by | |||
| Robert Hiltzik | .... | executive producer | |
| Jerry Silva | .... | producer | |
| Michele Tatosian | .... | producer | |
Original Music by | |||
| Edward Bilous | |||
Cinematography by | |||
| Benjamin Davis | |||
Film Editing by | |||
| Ron Kalish | |||
| Sharyn L. Ross | |||
Production Design by | |||
| William Bilowit | |||
Makeup Department | |||
| Ed French | .... | makeup illusions | |
Sound Department | |||
| Oded Carmi | .... | boom operator | |
| Jack Cooley | .... | sound re-recording mixer | |
| Rolf Pardula | .... | sound mixer | |
| Sharyn L. Ross | .... | sound editor | |
| Linda Shamest | .... | sound editor | |
Special Effects by | |||
| William Bilowit | .... | special effects coordinator | |
| Ed Fountain | .... | special mechanical effects | |
Stunts | |||
| Cliff Cudney | .... | stunt coordinator | |
| Norman Lopez | .... | stunt helper | |
| Rick Schierbaum | .... | stunts | |
| Webster Whinery | .... | assistant stunt coordinator | |
Camera and Electrical Department | |||
| Chaim Kantor | .... | first assistant camera | |
| Nick Tallo | .... | key grip | |
Editorial Department | |||
| David M. Perkins | .... | final colorist (2000 DVD) | |
Music Department | |||
| Piers Plaskitt | .... | music recording consultant | |
Other crew | |||
| René Simon Cruz Jr. | .... | key production assistant | |
| Robin Grey | .... | production auditor | |
|
|
|
|
|
| Friday the 13th | Night of the Demon | Reazione a catena | Cosa avete fatto a Solange? | Silent Night, Deadly Night |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
Horror films seemed the easy way to make a quick buck in the 80's. There was an abundance of them that graced video. I don't think half of them actually made it to the big screen. You can add Sleepaway Camp to that list. This is a typical scary film. It has it's moments and it is scary in some parts. It has some nice humour especially when they play camp jokes on each other. But having said all that, this movie is as good as it is and it's not too bad ) because the mother in this film is creepier than Mrs. Bates and she actually makes you want to kill her. But the two parts that I will never forget are images that are firmly planted in my brain, especially the part of it that stores nasty horror elements in it.
The first was the death by curling iron. It is so horrific that it bothered me so much that I had to cover my eyes the second time I saw it. It is qutie graphic, not because of what they show, but because you know how nasty it is.
But the one thing that will stay with me and probably anyone else that has seen this film is the very end. That last shot is so horrific, so way out of left field that you never see it coming. It just hits you and then it ends. It has a power of its own. And judging by the comment on here from other users, they feel the same way. This is a film absolutely worth checking out.