| Meryl Streep | ... | Karen Silkwood | |
| Kurt Russell | ... | Drew Stephens | |
| Cher | ... | Dolly Pelliker | |
| Craig T. Nelson | ... | Winston | |
| Fred Ward | ... | Morgan | |
| Diana Scarwid | ... | Angela | |
| Ron Silver | ... | Paul Stone | |
| Charles Hallahan | ... | Earl Lapin | |
| Josef Sommer | ... | Max Richter | |
| Sudie Bond | ... | Thelma Rice | |
| Henderson Forsythe | ... | Quincy Bissell | |
| E. Katherine Kerr | ... | Gilda Schultz | |
| Bruce McGill | ... | Mace Hurley | |
| David Strathairn | ... | Wesley | |
| J.C. Quinn | ... | Curtis Schultz | |
| Kent Broadhurst | ... | Carl | |
| Richard Hamilton | ... | Georgie | |
| Les Lannom | ... | Jimmy | |
| M. Emmet Walsh | ... | Walt Yarborough | |
| Graham Jarvis | ... | Doctor at Union Meeting | |
| James Rebhorn | ... | Los Alamos Doctor | |
| Ray Baker | ... | Pete Dawson | |
| Michael Bond | ... | 2nd Los Alamos Doctor | |
| Bill Cobbs | ... | Man in Lunchroom | |
| Norman Colvin | ... | Zachary (as Norm Colv in) | |
| Haskell Craver | ... | Ham | |
| Kathie Dean | ... | Stewardess | |
| Gary Grubbs | ... | Randy Fox | |
| Susan McDaniel | ... | Karen's Child | |
| Tana Hensley | ... | Karen's Child | |
| Anthony Fernandez | ... | Karen's Child | |
| Betty Harper | ... | May Bissell | |
| Tess Harper | ... | Linda Dawson | |
| Anthony Heald | ... | 2nd Doctor at Union Meeting | |
| Nancy Hopton | ... | Nurse | |
| Betty King | ... | Nurse | |
| Dan Lindsey | ... | Man at Fence | |
| John Martin | ... | Man with Flashlight | |
| Will Patton | ... | Joe | |
| Vern Porter | ... | Bill Charlton | |
| Christopher Saylors | ... | Buddy | |
| Don Slatton | ... | Man in Moonsuit (as Don Slaton) | |
| Tom Stovall | ... | 3rd Los Alamos Doctor | |
| rest of cast listed alphabetically: | |||
| John Addington | ... | Airline passenger (uncredited) | |
| Jim Beaver | ... | Plant Manager (uncredited) | |
| Pamela Clay | ... | Woman in Bar (uncredited) | |
Directed by | |||
| Mike Nichols | |||
Writing credits | ||
| Nora Ephron | (written by) & | |
| Alice Arlen | (written by) | |
Produced by | |||
| Larry Cano | .... | executive producer | |
| Michael Hausman | .... | producer | |
| Buzz Hirsch | .... | executive producer | |
| Mike Nichols | .... | producer | |
| Tom Stovall | .... | associate producer | |
| Joel Tuber | .... | associate producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Miroslav Ondrícek | (director of photography) (as Miroslav Ondricek) | ||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Mary Goldberg | |||
Production Design by | |||
| Patrizia von Brandenstein | (as Patrizia Von Brandenstein) | ||
Art Direction by | |||
| Richard D. James | (as Richard James) | ||
Set Decoration by | |||
| Derek R. Hill | |||
| Dennis W. Peeples | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Silvia Abascal | .... | hair stylist | |
| J. Roy Helland | .... | makeup artist | |
| Bob Mills | .... | makeup artist | |
| Marina Pedraza | .... | hair stylist | |
Production Management | |||
| Richard Brick | .... | production manager | |
| Herb Jellinek | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Michael Hausman | .... | first assistant director | |
| Joel Tuber | .... | second assistant director | |
Art Department | |||
| Joe Acord | .... | constructionn coordinator | |
| Bradly E. Breitbarth | .... | assistant property master | |
| John Dapper | .... | assistant art director | |
| Russell Goble | .... | property master | |
| Michael D. Murray | .... | set designer | |
| Tom Bartholomew | .... | key set painter (uncredited) | |
| Glenn Dunn | .... | propmaker (uncredited) | |
| Floyd Gentry | .... | set painter/on-camera artist (uncredited) | |
Sound Department | |||
| Clint Althouse | .... | boom operator | |
| Stan Bochner | .... | sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Randal A. Goya | .... | foley mixer | |
| Larry Jost | .... | production sound mixer | |
| Stuart Lieberman | .... | assistant sound editor | |
| Dan Lieberstein | .... | sound editor | |
| Philip Rogers | .... | sound recordist | |
| Fred Rosenberg | .... | assistant sound editor | |
| Dick Vorisek | .... | sound re-recording mixer | |
| Bob Olari | .... | sound recordist (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Stunts | |||
| Gary Paul | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert Connors | .... | best boy | |
| Tom Gilligan | .... | best boy grip | |
| Bob Hall | .... | second assistant camera | |
| Robert Horne | .... | first assistant camera | |
| Billy Kerwick | .... | key rigging grip | |
| Mary Ellen Mark | .... | special photography | |
| Tom Priestley Jr. | .... | camera operator | |
| Richard Quinlan | .... | gaffer | |
| Ed Quinn | .... | key grip | |
| Don Reddy | .... | camera operator: second unit | |
| Brian H. Reynolds | .... | grip | |
| Zade Rosenthal | .... | still photographer | |
Editorial Department | |||
| Jeff Freeman | .... | assistant editor | |
| David Siegel | .... | assistant editor | |
| Norman Buckley | .... | assistant editor (uncredited) | |
Music Department | |||
| Georges Delerue | .... | conductor | |
| Jack Fitzstephens | .... | music editor | |
| Howard Shore | .... | music coordinator | |
Transportation Department | |||
| James E. Foote | .... | transportation coordinator | |
| Andy Straub | .... | transportation captain | |
Other crew | |||
| John Anderson | .... | technical advisor | |
| Lynn Covey | .... | production assistant | |
| Stuart Fink | .... | publicist | |
| Karen Hall | .... | production office coordinator | |
| Cathy Hausman | .... | production assistant | |
| Karen Koch | .... | production office coordinator | |
| Susan MacNair | .... | assistant: Mr Nichols | |
| John F. Massie | .... | production assistant | |
| Lee R. Mayes | .... | location manager | |
| Marshall Schlom | .... | script supervisor | |
| Mark Schotte | .... | production assistant | |
| Tom Styron | .... | assistant: Mr Nichols | |
| Mike Childress | .... | stage manager (uncredited) | |
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| The Plutonium Incident | The China Syndrome | Serpico | Syriana | Saboteur |
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One of the things that many movies are missing these days are the small details and things that happen in everyday life - and how we are able to learn about characters through small visual clues rather than the large hammer of exposition-driven dialogue.
For instance, in the scene where the characters are looking at the slides of the trip to Washington: towards the end are two photos with Streep and Ron Silver's character. In the second photo, she leans into him a little bit. That tiny bit of body language makes us wonder - and Kurt Russell's character too. He suddenly moves his arm from around Streep's and suddenly she's aware that something's wrong. It's all in the unspoken. There isn't a preceding scene where she picks up the other guy, or goes to bed with him or even lies to Kurt Russell. It just cuts to this scene, and we the viewer learn along with Kurt that she's been unfaithful - which also reveals a little more about this person Karen Silkwood.
She's not a perfect hero - she's flighty, irresponsible, impulsive and non-committal - so the question becomes, why did she change? Why did she risk her life when she finally truly understood the risks? And how does Kurt Russell come to terms with this changed person he is in love with, given that he is just a guy who knows how to fix a car not save the world?
Watch Mike Nichols' inspired direction; he rarely cuts away in the middle of a scene. A lot of Kurt, Cher and Meryl's acting happens all in one take. *That's* truly good acting and directing.
Good dialogue in a film is in knowing what's happening without it being said. Don't fast forward the first hour - really pay attention and see how much you learn from the small details that will enrich your viewing of this film.