Nora Ephron (written by) &
Alice Arlen (written by)
14 December 1983 (USA) more
On November 13, 1974, Karen Silkwood, an employee of a nuclear facility, left to meet with a reporter from the New York Times. She never got there.
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant. full summary | add synopsis
Nominated for 5 Oscars. Another 2 wins & 7 nominations more
Before There Were Websites... (Pt 1)
(From FilmExperience. 8 September 2009, 12:30 PM, PDT)
Meryl Streep: Has she ever starred in a masterpiece?
(From EW.com - PopWatch. 28 August 2009, 7:42 AM, PDT)
Considering the time period, a pretty good film. more (54 total)
| Meryl Streep | ... | Karen Silkwood | |
| Kurt Russell | ... | Drew Stephens | |
| Cher | ... | Dolly Pelliker | |
| Craig T. Nelson | ... | Winston | |
| Fred Ward | ... | Morgan | |
| Diana Scarwid | ... | Angela | |
| Ron Silver | ... | Paul Stone | |
| Charles Hallahan | ... | Earl Lapin | |
| Josef Sommer | ... | Max Richter | |
| Sudie Bond | ... | Thelma Rice | |
| Henderson Forsythe | ... | Quincy Bissell | |
| E. Katherine Kerr | ... | Gilda Schultz | |
| Bruce McGill | ... | Mace Hurley | |
| David Strathairn | ... | Wesley | |
| J.C. Quinn | ... | Curtis Schultz | |
| Kent Broadhurst | ... | Carl | |
| Richard Hamilton | ... | Georgie | |
| Les Lannom | ... | Jimmy | |
| M. Emmet Walsh | ... | Walt Yarborough | |
| Graham Jarvis | ... | Doctor at Union Meeting | |
| James Rebhorn | ... | Los Alamos Doctor | |
| Ray Baker | ... | Pete Dawson | |
| Michael Bond | ... | 2nd Los Alamos Doctor | |
| Bill Cobbs | ... | Man in Lunchroom | |
| Norman Colvin | ... | Zachary (as Norm Colv in) | |
| Haskell Craver | ... | Ham | |
| Kathie Dean | ... | Stewardess | |
| Gary Grubbs | ... | Randy Fox | |
| Susan McDaniel | ... | Karen's Child | |
| Tana Hensley | ... | Karen's Child | |
| Anthony Fernandez | ... | Karen's Child | |
| Betty Harper | ... | May Bissell | |
| Tess Harper | ... | Linda Dawson | |
| Anthony Heald | ... | 2nd Doctor at Union Meeting | |
| Nancy Hopton | ... | Nurse | |
| Betty King | ... | Nurse | |
| Dan Lindsey | ... | Man at Fence | |
| John Martin | ... | Man with Flashlight | |
| Will Patton | ... | Joe | |
| Vern Porter | ... | Bill Charlton | |
| Christopher Saylors | ... | Buddy | |
| Don Slatton | ... | Man in Moonsuit (as Don Slaton) | |
| Tom Stovall | ... | 3rd Los Alamos Doctor | |
| rest of cast listed alphabetically: | |||
| John Addington | ... | Airline passenger (uncredited) | |
| Jim Beaver | ... | Plant Manager (uncredited) | |
| Pamela Clay | ... | Woman in Bar (uncredited) | |
Directed by | |||
| Mike Nichols | |||
Writing credits | ||
| Nora Ephron | (written by) & | |
| Alice Arlen | (written by) | |
Produced by | |||
| Larry Cano | .... | executive producer | |
| Michael Hausman | .... | producer | |
| Buzz Hirsch | .... | executive producer | |
| Mike Nichols | .... | producer | |
| Tom Stovall | .... | associate producer | |
| Joel Tuber | .... | associate producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Miroslav Ondrícek | (director of photography) (as Miroslav Ondricek) | ||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Mary Goldberg | |||
Production Design by | |||
| Patrizia von Brandenstein | (as Patrizia Von Brandenstein) | ||
Art Direction by | |||
| Richard D. James | (as Richard James) | ||
Set Decoration by | |||
| Derek R. Hill | |||
| Dennis W. Peeples | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Silvia Abascal | .... | hair stylist | |
| J. Roy Helland | .... | makeup artist | |
| Bob Mills | .... | makeup artist | |
| Marina Pedraza | .... | hair stylist | |
Production Management | |||
| Richard Brick | .... | production manager | |
| Herb Jellinek | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Michael Hausman | .... | first assistant director | |
| Joel Tuber | .... | second assistant director | |
Art Department | |||
| Joe Acord | .... | constructionn coordinator | |
| Bradly E. Breitbarth | .... | assistant property master | |
| John Dapper | .... | assistant art director | |
| Russell Goble | .... | property master | |
| Michael D. Murray | .... | set designer | |
| Tom Bartholomew | .... | key set painter (uncredited) | |
| Glenn Dunn | .... | propmaker (uncredited) | |
| Floyd Gentry | .... | set painter/on-camera artist (uncredited) | |
Sound Department | |||
| Clint Althouse | .... | boom operator | |
| Stan Bochner | .... | sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Randal A. Goya | .... | foley mixer | |
| Larry Jost | .... | production sound mixer | |
| Stuart Lieberman | .... | assistant sound editor | |
| Dan Lieberstein | .... | sound editor | |
| Philip Rogers | .... | sound recordist | |
| Fred Rosenberg | .... | assistant sound editor | |
| Dick Vorisek | .... | sound re-recording mixer | |
| Bob Olari | .... | sound recordist (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Stunts | |||
| Gary Paul | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert Connors | .... | best boy | |
| Tom Gilligan | .... | best boy grip | |
| Bob Hall | .... | second assistant camera | |
| Robert Horne | .... | first assistant camera | |
| Billy Kerwick | .... | key rigging grip | |
| Mary Ellen Mark | .... | special photography | |
| Tom Priestley Jr. | .... | camera operator | |
| Richard Quinlan | .... | gaffer | |
| Ed Quinn | .... | key grip | |
| Don Reddy | .... | camera operator: second unit | |
| Brian H. Reynolds | .... | grip | |
| Zade Rosenthal | .... | still photographer | |
Editorial Department | |||
| Jeff Freeman | .... | assistant editor | |
| David Siegel | .... | assistant editor | |
| Norman Buckley | .... | assistant editor (uncredited) | |
Music Department | |||
| Georges Delerue | .... | conductor | |
| Jack Fitzstephens | .... | music editor | |
| Howard Shore | .... | music coordinator | |
Transportation Department | |||
| James E. Foote | .... | transportation coordinator | |
| Andy Straub | .... | transportation captain | |
Other crew | |||
| John Anderson | .... | technical advisor | |
| Lynn Covey | .... | production assistant | |
| Stuart Fink | .... | publicist | |
| Karen Hall | .... | production office coordinator | |
| Cathy Hausman | .... | production assistant | |
| Karen Koch | .... | production office coordinator | |
| Susan MacNair | .... | assistant: Mr Nichols | |
| John F. Massie | .... | production assistant | |
| Lee R. Mayes | .... | location manager | |
| Marshall Schlom | .... | script supervisor | |
| Mark Schotte | .... | production assistant | |
| Tom Styron | .... | assistant: Mr Nichols | |
| Mike Childress | .... | stage manager (uncredited) | |
131 min
Color (Technicolor)
1.85 : 1 more
Australia:M | Iceland:16 | Singapore:NC-16 | Argentina:18 | Chile:18 | Finland:K-12 | Sweden:11 | UK:15 | USA:R | West Germany:16
The scene where Silkwood set off the radiation alarms actually happened. Her level of contamination was forty times the safe limit. more
Continuity: When men looking for radiation search the house, Karen and Dolly are questioned and Dolly is taken away. Soon afterward, in a close shot of Karen, Dolly is in the background. more
[on the deceased former workers of a nuclear plant]
Angela:
They all look as though they died before they were dead.
more
Referenced in "Sabrina, the Teenage Witch: It's a Mad Mad Mad Mad Season Opener (#3.1)" (1998) more
Amazing Grace more
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| The Plutonium Incident | The China Syndrome | Serpico | Syriana | Saboteur |
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| News articles | IMDb Biography section | IMDb USA section |
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I took the time to register with IMDB just to present a more accurate review of this movie than the person that wrote that the movie was a joke. While not one of the best movies of its type, it's still pretty well done. The story moves along well....clues are dropped throughout the movie to show the possible conspiracy at work. I would consider "The Insider" as one of the better movies of this type that was made in recent years, and even that movie shows traces of having evolved from movies like Silkwood.
I find most movies of this type that were done in the 80s as generally pretty cheesy. Silkwood does a pretty good job of "not being too cheesy". And if there is any trace of "cheesiness" (if you will), it's represented in the way that the townspeople react to Karen Silkwood. And the reactions worked for me, because when I think of how seriously people reacted to issues like nuclear or toxic contamination back in the late 70s/early 80s, there was a lot less info available. Nowadays in the "Oprah" and "11 o'clock news warnings" generation, where there's something new that we should be cautious of everyday, these types of stories are much more believable.
Meryl Streep (as expected) far outshines the rest of the cast. Kurt Russell turns out a pretty nice performance. Cher's performance was ok. I think at the time she probably received a lot more recognition for this role because it began to show her range. But she's been better in subsequent roles.
All in all, Silkwood is a movie that doesn't suprise or open the eyes of all the conspiracy- conscious people that are alive in 2003, but it does provide a touching story about a town that was dealing with the prospect of having to choose between the risk of toxic infection and their livelihood. But the real story here is about the one woman that cared enough to dig a little and ask a few questions and the danger that developed from taking a stand. 8 out of 10.