| Photos (see all 105 | slideshow) | Videos (see all 13 NEW) |
| Al Pacino | ... | Tony Montana | |
| Steven Bauer | ... | Manny Ribera | |
| Michelle Pfeiffer | ... | Elvira Hancock | |
| Mary Elizabeth Mastrantonio | ... | Gina Montana | |
| Robert Loggia | ... | Frank Lopez | |
| Miriam Colon | ... | Mama Montana | |
| F. Murray Abraham | ... | Omar Suarez | |
| Paul Shenar | ... | Alejandro Sosa | |
| Harris Yulin | ... | Mel Bernstein | |
| Ángel Salazar | ... | Chi Chi | |
| Arnaldo Santana | ... | Ernie | |
| Pepe Serna | ... | Angel | |
| Michael P. Moran | ... | Nick The Pig | |
| Al Israel | ... | Hector The Toad | |
| Dennis Holahan | ... | Jerry The Banker | |
| Mark Margolis | ... | Alberto The Shadow | |
| Michael Alldredge | ... | Sheffield | |
| Ted Beniades | ... | Seidelbaum | |
| Richard Belzer | ... | M.C. at Babylon Club | |
| Paul Espel | ... | Luis | |
| John Brandon | ... | Immigration Officer #3 | |
| Tony Perez | ... | Immigration Officer #2 | |
| Garnett Smith | ... | Immigration Officer #1 | |
| Loren Almaguer | ... | Dr. Munoz | |
| Gil Barreto | ... | Cuban Refugee | |
| Heather Benna | ... | Gutierrez Child | |
| Sue Bowser | ... | Miriam (as Dawnell Bowers) | |
| Tina Leigh Cameron | ... | Saleslady | |
| Victor Campos | ... | Ronnie Echevierra | |
| Robert Hammer Cannerday | ... | Marielito | |
| Rene Carrasco | ... | Shooter | |
| Albert Carrier | ... | Pedro Quinn | |
| John Carter | ... | Vic Phillips | |
| Richard Caselnova | ... | Driver | |
| Gary Cervantes | ... | Shooter #1 | |
| Carlos Cestero | ... | Matos | |
| Johnny Contardo | ... | Miguel Echevierra | |
| Roberto Contreras | ... | Rebenga | |
| Caesar Cordova | ... | Taco stand cook | |
| Gregory Cruz | ... | Shooter #2 (as Gregory N. Cruz) | |
| Dante D'Andre | ... | General Strasser (as Dante D'André) | |
| Richard Delmonte | ... | Fernando | |
| Wayne Doba | ... | Octavio The Clown | |
| Michel François | ... | Maitre d' | |
| Ben Frommer | ... | Male Patron | |
| Edward R. Frommer | ... | Taco Stand Customer | |
| John Gamble | ... | Helicopter Pilot | |
| Troy Isaacs | ... | Cuban Refugee | |
| Ronald G. Joseph | ... | Car Salesman (as Ronald Joseph) | |
| Mario Machado | ... | Interviewer | |
| Joe Marmo | ... | Nacho 'El Gordo' | |
| Ray Martel | ... | Nacho's Bodyguard | |
| John McCann | ... | Bank Spokesman | |
| Richard Mendez | ... | Gina's Killer | |
| Victor Millan | ... | Ariel Bleyer | |
| Santos Morales | ... | Waldo | |
| Mike Moroff | ... | Gaspar's Bodyguard | |
| Angela Nisi | ... | Gutierrez Child | |
| Manuel Padilla Jr. | ... | Kid #2 | |
| Tony Pann | ... | Driver | |
| Ilka Tanya Payan | ... | Mrs. Gutierrez (as Ilka Payan) | |
| Barbra Perez | ... | Marta | |
| Michael Rougas | ... | Monsignor | |
| Anthony Saenz | ... | Cuban Refugee | |
| Geno Silva | ... | The Skull | |
| Arnold Tafolla | ... | Kid #1 | |
| Charles A. Tamburro | ... | Helicopter Pilot (as Chuck Tamburo) | |
| Jim Towers | ... | Cuban Refugee | |
| Robert Vandenberg | ... | Gaspar Gomez (as Robert Van den Berg) | |
| Bob Yanez | ... | Cuban Man | |
| Angela Aames | ... | Woman at Babylon Club | |
| Nancy Lee Andrews | ... | Woman at Babylon Club | |
| Dona Baldwin | ... | Woman at Babylon Club | |
| Rosa Lee Benton | ... | Woman at Babylon Club | |
| Cynthia Burr | ... | Woman at Babylon Club | |
| Lana Clarkson | ... | Woman at Babylon Club | |
| Karen Criswell | ... | Woman at Babylon Club | |
| Margo Kelly | ... | Woman at Babylon Club | |
| Ava Lazar | ... | Woman at Babylon Club | |
| Emilia Crow | ... | Woman at Babylon Club (as Emilia Lesniak) | |
| Marii Mak | ... | Woman at Babylon Club | |
| Shelley Taylor Morgan | ... | Woman at Babylon Club | |
| Catharine Richardson | ... | Woman at Babylon Club | |
| Pat Simmons | ... | Woman at Babylon Club | |
| Terri Taylor | ... | Woman at Babylon Club | |
| Charlie Adiano | ... | Woman at Babylon Club | |
| Lisa Katz | ... | Woman at Babylon Club | |
| Jeanette Linne | ... | Woman at Babylon Club (as Jeanette Linné) | |
| Margaret Michaels | ... | Woman at Babylon Club | |
| Rhonda Sandberg | ... | Woman at Babylon Club | |
| Katt Shea | ... | Woman at Babylon Club (as Kathy Shea) | |
| Marcia Wolf | ... | Woman at Babylon Club | |
| rest of cast listed alphabetically: | |||
| Fidel Castro | ... | Himself (archive footage) (uncredited) | |
| Barclay DeVeau | ... | Ambassador's Daughter (uncredited) | |
| Charles Durning | ... | Immigration Officer (voice) (uncredited) | |
| Dennis Franz | ... | Immigration Officer (voice) (uncredited) | |
| Gregg Henry | ... | Charles Goodson (uncredited) | |
| Richard Jasen | ... | Little Boy at Pool (uncredited) | |
| Henry Kingi | ... | Colombian hitman (uncredited) | |
| Brett Ratner | ... | Boy lying on raft in pool (uncredited) | |
| Marcus Shirock | ... | Boy at pool (uncredited) (unconfirmed) | |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Armitage Trail | (novel) uncredited | |
| Ben Hecht | (1932 screenplay) uncredited and | |
| Howard Hawks | (1932 screenplay) uncredited | |
| Oliver Stone | (screenplay) | |
Produced by | |||
| Martin Bregman | .... | producer | |
| Peter Saphier | .... | co-producer | |
| Louis A. Stroller | .... | executive producer | |
Original Music by | |||
| Giorgio Moroder | |||
Cinematography by | |||
| John A. Alonzo | |||
Film Editing by | |||
| Gerald B. Greenberg | (as Jerry Greenberg) | ||
| David Ray | |||
Casting by | |||
| Alixe Gordin | |||
Art Direction by | |||
| Edward Richardson | (as Ed Richardson) | ||
Set Decoration by | |||
| Bruce Weintraub | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup artist (as Steve Abrums) | |
| Janice D. Brandow | .... | hair stylist (as Janice Brandow) | |
| Barbara Guedel | .... | makeup artist | |
| Toni-Ann Walker | .... | hair stylist (as Toni Walker) | |
Production Management | |||
| Raymond Hartwick | .... | unit production manager (as Ray Hartwick) | |
Second Unit Director or Assistant Director | |||
| David Dreyfuss | .... | second unit director (as David Hans Dreyfuss) | |
| James Herbert | .... | additional second assistant director | |
| Joe Napolitano | .... | first assistant director | |
| Chris Soldo | .... | second assistant director | |
| Robert Yannetti | .... | dga trainee | |
| Jerry Ziesmer | .... | first assistant director | |
| Lewis Gould | .... | second assistant director (uncredited) | |
Art Department | |||
| Jim Allen | .... | assistant art director | |
| Casey Hallenbeck | .... | set dresser | |
| Geoff Hubbard | .... | set designer | |
| Peter Ivy | .... | carpenter foreman | |
| Peter Lamppu | .... | carpenter foreman | |
| Daniel Loren May | .... | lead man (as Dan May) | |
| Clarence Lynn Price | .... | construction coordinator (as Lynn Price) | |
| Blake Russell | .... | set designer | |
| Carlos Salinas | .... | carpenter foreman | |
| Ferdinando Scarfiotti | .... | visual consultant | |
| Steven Schwartz | .... | set designer (as Steve Schwartz) | |
| Edmund Villa | .... | assistant property master (as Ed Villa) | |
| Will Waters | .... | set dresser | |
| 'Dangerous' Bob Widin | .... | assistant property master (as Bob Widin) | |
| John Zemansky | .... | property master | |
| Ronald S. Baratie | .... | greensman (uncredited) | |
| Robert Misetich | .... | painter (uncredited) | |
| John Sweeney | .... | props (uncredited) | |
Special Effects by | |||
| Stan Parks | .... | special effects | |
| Ken Pepiot | .... | special effects | |
| George Zamora | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Bill Hansard | .... | rear projection | |
Camera and Electrical Department | |||
| Sidney Ray Baldwin | .... | still photographer (as Sidney Baldwin) | |
| Michael Barrett | .... | electrician | |
| Michael A. Chavez | .... | assistant camera (as Michael Chavez) | |
| Michael Ferris | .... | camera operator | |
| James W. Finnerty | .... | grip: New York | |
| Donald Glenn | .... | best boy grip (as Don Glenn) | |
| Bud Heller | .... | key grip | |
| Susan C. Ingram | .... | assistant camera (as Susan Ingram) | |
| Horace Jordan | .... | assistant camera (as Horace Jordan Jr.) | |
| Thomas Laughridge | .... | camera operator (as Tom Laughridge) | |
| Bob Mundell | .... | best boy | |
| Dutch Presley | .... | best boy | |
| Kevin Presley | .... | electrician | |
| Donald Schmitz | .... | grip (as Don Schmitz) | |
| Clyde Smith | .... | dolly grip | |
| Stuart A. Spohn | .... | gaffer (as Stuart Spohn) | |
| John Toll | .... | camera operator | |
| Mario Zavala | .... | assistant camera | |
| Vincent Contarino | .... | electrician (uncredited) | |
| Michael J. Schwartz | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Karl Brindle | .... | extras casting | |
| Billy Cardenas | .... | extras casting | |
| Bob Morones | .... | additional casting | |
| Judy Dennis | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Linda Henrikson | .... | costumer | |
| Gregory B. Peña | .... | costumer (as Greg Pena) | |
| G. Tony Scarano | .... | costumer (as Tony Scarano) | |
| Randi Mavestrand | .... | costumer (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Michael Bregman | .... | editing room assistant | |
| Laura Civiello | .... | assistant film editor | |
| Phil Hetos | .... | color consultant: Technicolor | |
| Ray Hubley | .... | assistant film editor | |
| Alfred Laurence Kahn | .... | editing room assistant | |
| Lori Kornspun | .... | editing room assistant | |
| Paul Neshamkin | .... | editor: title sequence | |
| David Oakden | .... | assistant film editor | |
| Debby Paley | .... | editing room assistant | |
| Bill Pankow | .... | associate film editor | |
| Shari Smith | .... | editing room assistant | |
| Robert Yang | .... | editing room assistant | |
| Rick Derby | .... | apprentice editor (uncredited) | |
| J. Kathleen Gibson | .... | apprentice editor (uncredited) | |
Music Department | |||
| Arthur Barrows | .... | music arranger | |
| Jim Henrikson | .... | music editor | |
| Laurie Kanner | .... | music coordinator | |
| Sylvester Levay | .... | music arranger | |
| Giorgio Moroder | .... | music arranger | |
| Kristian Schultze | .... | music arranger | |
| Richie Zito | .... | music arranger | |
| Daniel J. Johnson | .... | co-music editor (uncredited) | |
| Daniel Walker | .... | score arranger (uncredited) | |
Transportation Department | |||
| Dan Anglin | .... | transportation coordinator (as Danny Anglin) | |
| Richard Brehm | .... | driver | |
| Bob Cornell | .... | transportation co-captain (as Bob Cornnell) | |
| Tony Emerzian | .... | driver | |
| Frankie Hernandez | .... | driver | |
| Junior Newman | .... | driver | |
| Ted Reed | .... | transportation captain | |
| Pat Seran | .... | driver | |
| Frank Khoury | .... | driver (uncredited) | |
Thanks | |||
| Howard Hawks | .... | dedicatee | |
| Ben Hecht | .... | dedicatee | |
| Rafael Hernandez Jr. | .... | special thanks | |
| Nick Navarro | .... | special thanks | |
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| The Departed | The Godfather: Part II | La coda dello scorpione | Batoru rowaiaru | Wild at Heart |
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In 1983, Director Brian De Palma set out to make a film about the rise and fall of an American gangster, and that he did-- with the help of a terrific screenplay by Oliver Stone and some impeccable work by an outstanding cast. The result was `Scarface,' starring Al Pacino in one of his most memorable roles. The story begins in May of 1980, when Castro opened the harbor at Mariel, Cuba, to allow Cuban nationals to join their families in the United States. 125,000 left Cuba at that time, for the greener pastures of freedom in America, and most were honest, hard-working people, thankful for the opportunity they had been granted. But not all. Among the `Marielitos' who streamed into Florida, approximately 25,000 had criminal records and were nothing less than the dregs of Cuba's jails-- criminals considered beyond redemption, who Castro had merely wanted to be rid of. And they, too, saw America as a land of opportunity, even as Al Capone had considered Chicago some fifty years earlier. And among the most ambitious was a man named Tony Montana (Pacino), known to his associates as `Caracortada.' Scarface.
Now that he was free of the yoke of Communism under which he had grown up, Montana wanted what he felt was coming to him, and he wanted it now; and from the moment he stepped off the boat in Florida, he was determined to have it all. Wealth and power-- that was Montana's dream, and he would get it by doing what he did best, beginning with a favor for a man living in Miami by the name of Frank Lopez (Robert Loggia). Lopez, it seems, had a brother in Cuba who had met an untimely end at the hands of one of Castro's goons, a man who, having outlived his usefulness to Castro, had been summarily discarded and was currently being held in `Little Havana,' along with Montana and all of the Cubans just off the boats, where they awaited their papers from the government that would effect their transition into their new lives. And in short order, Montana sees to it that Lopez's brother has been avenged, and it sets the stage for his own entrance into the underworld of America.
Lopez, a wealthy businessman with the right connections, in return for the favor gets Montana and his friend, Manny (Steven Bauer), released from the holding camp, and puts them to work. In his day, Capone may have had bootlegging as a means through which to line his coffers with illicit gain, but Lopez has the modern day equivalent, and it's even more lucrative: Cocaine. Lopez takes Montana under his wing and indoctrinates him into the life, but once he has a taste of it, Montana isn't satisfied with whatever crumbs Lopez sees fit to throw his way, and he sets a course that will take him to where he wants to be: At the `top.' With a cold-blooded, iron will, Montana decides he'll do whatever it takes to get there, no matter what the cost. but before it's over, he will realize the price for his dream, and he'll pay it; but for a brief moment, perhaps he will know what it's like to be The Man. And he will also know whether or not it was worth it.
In step with De Palma's vision, Pacino plays Montana larger-than-life, and he does it beautifully. From the accent he affects (which he researched thoroughly to make sure he got it right-- and he did), to the body language and the attitude, he's got it all, and it makes Montana convincing and very real. What he brings to the role is nuance and style, in a way that few actors (De Niro would be one) can. This is definitely not a character that is sympathetic in any way, nor is there anything about Montana that you can readily relate to on a personal level; but Pacino's screen presence is so strong that it makes him a thoroughly engrossing character, even though it's hard to become emotionally involved with him. It's quite simply a dynamic, memorable performance.
Michelle Pfeiffer gives a solid performance, as well, in the role that put her on the path to stardom. As Elvira, the woman who becomes an integral part of Montana's dream, Pfeiffer is subtle and understated, giving that sense of something going on underneath, while affecting a rather cold and distant exterior countenance. She, like Pacino, definitely makes her presence felt as she fairly glides across the screen with a stoic, enigmatic and sultry demeanor.
The supporting cast includes Mary Elizabeth Mastrantonio (Gina), Miriam Colon (Mama Montana), F. Murray Abraham (Omar), Paul Shenar (Sosa) and Harris Yulin (Bernstein). An excellent precursor to the more recent and highly acclaimed `Traffic,' and `Blow,' and well as having a climactic scene reminiscent of Peckinpah's `The Wild Bunch,' De Palma's `Scarface,' originally panned by critics, has since been cited by many as being the definitive American gangster saga. Much of the violence is implied rather than graphic, but this film still has an edge of realism to it that many may find somewhat disturbing. But if you stay with it, there is a lesson to be learned in the end. And like many lessons in life, the most valuable are often the hardest to take at the time. But the reward is always worth it, and that's the way it is with this film. I rate this one 8/10.