| Photos (see all 12 | slideshow) | Videos |
| Rutger Hauer | ... | John Tanner | |
| John Hurt | ... | Lawrence Fassett | |
| Craig T. Nelson | ... | Bernard Osterman | |
| Dennis Hopper | ... | Richard Tremayne | |
| Chris Sarandon | ... | Joseph Cardone | |
| Meg Foster | ... | Ali Tanner | |
| Helen Shaver | ... | Virginia Tremayne | |
| Cassie Yates | ... | Betty Cardone | |
| Sandy McPeak | ... | Stennings | |
| Christopher Starr | ... | Steve Tanner | |
| Burt Lancaster | ... | Maxwell Danforth | |
| Cheryl Carter | ... | Marcia Heller | |
| John Bryson | ... | Honeymoon Groom | |
| Anne Haney | ... | Honeymoon Bride | |
| Kristen Peckinpah | ... | Tremayne's Secretary | |
| Marshall Ho'o | ... | Martial Arts Instructor | |
| Jan Triska | ... | Mikalovich | |
| Hansford Rowe | ... | General Keever | |
| Merete Van Kamp | ... | Zuna Brickman | |
| Bruce A. Block | ... | Floor Manager (as Bruce Block) | |
| Buddy Joe Hooker | ... | Kidnapper | |
| Tim Thomerson | ... | Motorcycle Cop | |
| Deborah Chiaramonte | ... | Nurse | |
| Walter Kelley | ... | Agent #1 | |
| Brick Tilley | ... | Agent #2 | |
| Eddy Donno | ... | Agent #3 | |
| Den Surles | ... | Assailant | |
| Janeen Davis | ... | Stage Manager #1 | |
| Bob Kensinger | ... | Stage Manager #2 | |
| Buckley Norris | ... | Technician (as Buckley F. Norris) | |
| Gregory Joe Parr | ... | Helicopter Pilot | |
| Don Shafer | ... | Helicopter Agent | |
| Irene Gorman Wright | ... | Executive Assistant | |
| rest of cast listed alphabetically: | |||
| Julie Wakefield | ... | Secretary (uncredited) | |
| Jimmy Williams | ... | CIA agent (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits(in alphabetical order) | ||
| Robert Ludlum | novel | |
| Ian Masters | adaptation | |
| Alan Sharp | writer | |
Produced by | |||
| Guy Collins | .... | executive producer | |
| Peter S. Davis | .... | producer | |
| Don Guest | .... | associate producer | |
| Larry N. Jones | .... | executive producer (as Larry Jones) | |
| Larry Jones | .... | executive producer | |
| E.C. Monell | .... | associate producer | |
| Michael T. Murphy | .... | executive producer (as Michael Timothy Murphy) | |
| William N. Panzer | .... | producer | |
| Marc W. Zavat | .... | executive producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| John Coquillon | |||
Film Editing by | |||
| Edward M. Abroms | (as Edward Abroms) | ||
| David Rawlins | |||
Casting by | |||
| Michael McLean | |||
Production Design by | |||
| Robb Wilson King | (uncredited) | ||
Art Direction by | |||
| Robb Wilson King | |||
Set Decoration by | |||
| Keith Hein | |||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| Shirley Padgett | .... | hair stylist | |
| Robert Sidell | .... | makeup artist | |
Production Management | |||
| Don Guest | .... | production manager | |
Art Department | |||
| Richard Baum | .... | set dresser | |
| Nick F. Caprarelli | .... | assistant property master (as Nick Caprarelli) | |
| Cheryl Cutler | .... | set dresser | |
| Rick Cutler | .... | construction coordinator | |
| J. Rae Fox | .... | set dresser (as Rae Fox) | |
| Eva Giera | .... | assistant to art director | |
| Eric A. Holst | .... | set dresser (as Eric Holst) | |
| Douglas E. Madison | .... | property master (as Douglas Madison) | |
| Louise Sharp | .... | set dresser | |
| Frederick B. Van Brunt | .... | lead man (as Fred Van Brunt III) | |
Sound Department | |||
| David D. Caldwell | .... | sound editor (as David Caldwell) | |
| Bayard Carey | .... | sound recordist | |
| Carl Fischer | .... | boom operator (as Carl Alan Fischer) | |
| Richard Bryce Goodman | .... | sound mixer | |
| Russ Hill | .... | sound editor (as Russell Hill) | |
| Alan Howarth | .... | electronic sound designer | |
| Bruce Lacey | .... | sound editor | |
| Anthony Magro | .... | sound editor | |
| William L. McCaughey | .... | sound re-recording mixer | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Tally Paulos | .... | adr supervisor (as Tally J. Paulos) | |
| Terry Porter | .... | sound re-recording mixer | |
| Richard Raderman | .... | sound editor | |
| Kevin Spears | .... | sound editor | |
| David E. Stone | .... | sound editor (as David Stone) | |
| James Troutman | .... | sound supervisor (as Jim Troutman) | |
| Clancy T. Troutman | .... | sound designer (uncredited) | |
Special Effects by | |||
| Peter Chesney | .... | special effects coordinator | |
| Wayne Beauchamp | .... | pyrotechnician (uncredited) | |
| Rodd Matsui | .... | special effects technician (uncredited) | |
Stunts | |||
| Joanne Anderson | .... | stunts | |
| Bobby Bass | .... | stunts | |
| Janet Brady | .... | stunts | |
| Carl Ciarfalio | .... | stunts | |
| Steve M. Davison | .... | stunts | |
| Justin De Rosa | .... | stunts | |
| Donna Garrett | .... | stunts | |
| Norman Howell | .... | stunts | |
| Tommy J. Huff | .... | stunt coordinator | |
| Steve Hulin | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Rex Pierson | .... | stunts | |
| Fred M. Waugh | .... | stunts (as Fred Waugh) | |
| George P. Wilbur | .... | stunts | |
| Glenn R. Wilder | .... | stunts | |
| Scott Wilder | .... | stunts | |
| Spiro Razatos | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Mike Benson | .... | camera operator (as Michael Benson) | |
| Margot Blair | .... | electrician | |
| Nathaniel James Dunn | .... | key grip (as Nathaniel Dunn) | |
| Eugene Earle | .... | assistant camera | |
| Don E. FauntLeRoy | .... | assistant camera (as Don Fauntleroy) | |
| Carl Alan Fischer | .... | electrician | |
| Jacques Haitkin | .... | cinematographer: second unit | |
| Stephen King | .... | best boy | |
| Julio Macat | .... | assistant camera | |
| Dick McNartis | .... | assistant camera | |
| Arthur Mele | .... | special photography | |
| Roger Olkowski | .... | gaffer | |
| Roger Sandler | .... | still photographer | |
| Mike Ansbach | .... | camera operator: video segments (uncredited) | |
| Wick Finch | .... | lighting consultant (uncredited) | |
Costume and Wardrobe Department | |||
| George L. Little | .... | key costumer (as George Little) | |
| Bernadene C. Mann | .... | costumer | |
| Priscilla Panzer | .... | assistant costumer | |
Editorial Department | |||
| Douglas Clark | .... | apprentice film editor | |
| David H. Lloyd | .... | assistant editor (as David Lloyd) | |
| Randy D. Thornton | .... | first assistant film editor | |
Music Department | |||
| Dan Carlin Sr. | .... | music editor | |
| David Franco | .... | music supervisor | |
| Rick Riccobono | .... | music mixer | |
| Gary Stockdale | .... | electronic music assistant | |
Transportation Department | |||
| Michael McDuffee | .... | transportation captain | |
| Richard Padgett | .... | transportation coordinator | |
Other crew | |||
| Katie Carlson | .... | assistant to producers | |
| Richard Davis Jr. | .... | location manager (as Richard Davis) | |
| Bonnie Engels | .... | assistant: Mr. Peckinpah | |
| Susan Figueroa | .... | assistant: Mr. Peckinpah | |
| Jeff Freedman | .... | promotion service | |
| Susan Gelb | .... | computerized accounting system | |
| Todd Grodnick | .... | video coordinator | |
| Bob Kensinger | .... | production assistant (as Robert Kensinger) | |
| Janeen Davis Magorien | .... | first aid | |
| Susan Malerstein | .... | script supervisor | |
| Dianne Mapp-Cheek | .... | assistant production coordinator (as Dianne Lisa Cheek) | |
| Gene Margoluis | .... | producer's representative | |
| Ray Mercer | .... | title designer | |
| David Mirsky | .... | promotional services | |
| Karen Altman Morgenstern | .... | production coordinator (as Karen Altman) | |
| Karen Morris | .... | assistant: Patricia Roedig | |
| Cheryl Parker | .... | welfare worker | |
| Debbie Pinthus | .... | production assistant | |
| Judith Pritchard | .... | production coordinator | |
| Pattee Roedig | .... | representative: Cine Guarantors (as Patricia Roedig) | |
| Jeffrey Semel | .... | computer programmer | |
| Anne Thompson | .... | unit publicist | |
| James Thompson | .... | location manager (as Jim Thompson) | |
| Patrick Wachsberger | .... | distribution consultant | |
| Robert Weatherwax | .... | animal trainer | |
| Ray Zimmerman | .... | assistant production accountant | |
| Tom Lackey | .... | location scout (uncredited) | |
| Beth Tate | .... | location scout (uncredited) | |
Thanks | |||
| Helmut Dantine | .... | dedicatee | |
| Andrea Rabb | .... | special thanks | |
| Dan River | .... | special thanks | |
| Andrew Wald | .... | special thanks | |
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| Tightrope | La coda dello scorpione | Giallo a Venezia | Basic Instinct | I, the Jury |
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After the utterly ridiculous good-ol'-boy trucker film CONVOY in 1978, Sam Peckinpah languished for five years before returning in 1983 with what would prove to be his final film--THE OSTERMAN WEEKEND, based on Robert Ludlum's maddeningly complex 1972 spy novel.
Despite the fact that it is often cold and sometimes confusing, this film's weakest moments are far superior to even the strongest moments of CONVOY. Rutger Hauer stars as a hard-hitting TV talk show host with a habit of skewering people inside the U.S. government. As this film opens, he is about to have a reunion with five friends of his from the good old days of 1960s radical college politics.
But then a CIA operative (John Hurt) drops a bombshell on him: Those friends of his (Craig T. Nelson, Dennis Hopper, Helen Shaver, Cassie Yates, Chris Sarandon) are supposedly traitors working for the Soviets in a scheme involving germ warfare sabotage. The result is that Hurt, with Hauer's reluctant acceptance, sets up surveillance equipment throughout Hauer's property to document further evidence of his friends' betrayal. When those people start coming unglued, however, more is at stake than just national security or the Cold War. So are peoples' lives!
Though Peckinpah was clearly on his last run while making it, THE OSTERMAN WEEKEND shows that he still could deliver the goods when it came to setting up great action sequences. The final shootout between Hurt's CIA underlings and Hauer and Nelson is edited in such a way as to resemble THE WILD BUNCH, while its actual filming suggests still another Peckinpah masterpiece, STRAW DOGS. Lalo Schifrin's score brilliantly accentuates things. Peckinpah, in depicting the head of the CIA (Burt Lancaster) as the heavy, also clearly makes a statement against America's heavy-handed approach toward Communism in the Reagan era.
All in all, despite its slight confusion, THE OSTERMAN WEEKEND works for those willing to give it a go.