| Peter Weller | ... | Bart Hughes | |
| Jennifer Dale | ... | Lorrie Wells | |
| Lawrence Dane | ... | Eliot Riverton | |
| Kenneth Welsh | ... | James Hall | |
| Louis Del Grande | ... | Clete | |
| Shannon Tweed | ... | Meg Hughes | |
| Keith Knight | ... | Hardware salesman | |
| Maury Chaykin | ... | Dan Errol | |
| Leif Anderson | ... | Peter Hughes | |
| Jimmy Tapp | ... | Meg's father | |
| Gayle Garfinkle | ... | Janis Wycoff | |
| Earl Pennington | ... | Mr. Thompson | |
| Jacklin Webb | ... | Newspaper Vendor | |
| Bronwen Mantel | ... | Florence Riverton | |
| Monik Nantel | ... | Secretary | |
| Aimée Castle | ... | Birthday Party Child (as Aimee Castle) | |
| Jesse Grasis | ... | Birthday Party Child | |
| Tara O'Donnell | ... | Birthday Party Child | |
| rest of cast listed alphabetically: | |||
| Amber T. Chase | ... | Dan Errol's Wife (uncredited) | |
Directed by | |||
| George P. Cosmatos | |||
Writing credits | ||
| Chauncey G. Parker III | (novel "The Visitor") | |
| Brian Taggert | (screenplay) | |
Produced by | |||
| Pierre David | .... | executive producer | |
| Claude Héroux | .... | producer | |
Original Music by | |||
| Kenneth Wannberg | (as Ken Wannberg) | ||
Cinematography by | |||
| René Verzier | |||
Film Editing by | |||
| Roberto Silvi | |||
Casting by | |||
| Deirdre Bowen | |||
| Ginette D'Amico | |||
Production Design by | |||
| Anne Pritchard | |||
Art Direction by | |||
| Rose Marie McSherry | (as Rosemarie McSherry) | ||
Set Decoration by | |||
| Serge Bureau | |||
Costume Design by | |||
| Paul-André Guérin | |||
Makeup Department | |||
| Michèle Dion | .... | makeup artist | |
| Chantal Ethier | .... | makeup artist | |
| Martin Ménard | .... | hair stylist | |
| Constant Natale | .... | hair stylist | |
Production Management | |||
| Roger Héroux | .... | production supervisor | |
| François Ouimet | .... | unit manager (as Francois Ouimet) | |
| Bill Wiggins | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| John Fretz | .... | first assistant director | |
| Frank Ruszczynski | .... | assistant director | |
| Michael Sarao | .... | assistant director | |
Art Department | |||
| Tina Boden | .... | art department coordinator | |
| Peter Borowski | .... | sculptor (as Peter Borowsky) | |
| Jacques Chamberland | .... | property master | |
| Tom Coulter | .... | set dresser | |
| Violette Daneau | .... | set dresser | |
| Michael Devine | .... | construction crew | |
| Frank DiGiacomo | .... | construction crew | |
| Peter Dowker | .... | sculptor | |
| Jean-Vincent Fournier | .... | assistant set props (as Jean Vincent Fournier) | |
| Denis Hamel | .... | set dresser | |
| Serge LaForest | .... | construction crew | |
| Larry Lamont | .... | construction crew | |
| P. Karen Langshaw | .... | sculptor | |
| Abraham Lee | .... | set dresser | |
| Jak Oliver | .... | construction crew | |
| Marc Rainville | .... | construction crew | |
| Barbara Shrier | .... | set dresser | |
| Jean-Baptiste Tard | .... | set dresser (as Jean Baptiste Tard) | |
| Harold Thrasher | .... | construction coordinator | |
| Maurice Tremblay | .... | set dresser | |
Sound Department | |||
| Peter Burgess | .... | sound effects editor | |
| Terry Burke | .... | foley artist | |
| Don Cohen | .... | sound | |
| Paul Coombe | .... | sound re-recording mixer | |
| Gary Daprato | .... | assistant sound editor | |
| Leslie Hodgson | .... | supervising sound editor | |
| Mike Hoogenboom | .... | sound re-recording mixer (as Michael Hoogenboom) | |
| Kerry Kohler | .... | assistant sound editor | |
| Dick Lewzey | .... | sound recording engineer | |
| Alban Streeter | .... | dialogue editor (as Al Streeter) | |
| Haydn Streeter | .... | assistant sound editor | |
| Eric Zimmer | .... | boom operator | |
Special Effects by | |||
| Louis Craig | .... | special effects | |
| Stephan Dupuis | .... | special effects makeup | |
| Jacques Godbout | .... | special effects | |
Stunts | |||
| Jean Lysight | .... | stunts | |
| Marie-Patricia St-Laurent | .... | stunts | |
Camera and Electrical Department | |||
| Claude Alarie | .... | best boy | |
| Peter Benison | .... | camera operator | |
| Claude Brasseur | .... | electrician | |
| Marc Charlebois | .... | electrician | |
| Jean Courteau | .... | electrician | |
| Jean-Maurice de Ernsted | .... | grip | |
| Marc de Ernsted | .... | key grip | |
| Gilles Fortier | .... | electrician | |
| Jacques Fortier | .... | gaffer | |
| Denis Gingras | .... | focus puller | |
| Paul Gravel | .... | focus puller | |
| Serge Ladouceur | .... | camera operator | |
| Glen MacPherson | .... | focus puller | |
| Piroska Mihalka | .... | still photographer | |
| Patti Morein | .... | loader | |
| Christine Pelletier | .... | loader | |
| Jean-François Pouliot | .... | loader (as Jean Francois Pouliot) | |
| Jean Trudeau | .... | electrician | |
| René Verzier | .... | camera operator (as Rene Verzier) | |
| Normand Viau | .... | electrician | |
| Serge Ladouceur | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Rosina Bucci | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Laura Drew | .... | wardrobe | |
| Louise Gagne | .... | wardrobe | |
| Hazel Pethig | .... | wardrobe (as Hazel Pethig-Cote) | |
Editorial Department | |||
| Chantal Bowen | .... | assistant editor | |
| Teresa De Luca | .... | assistant editor | |
Music Department | |||
| David Franco | .... | music supervisor | |
| Albert Woodbury | .... | orchestrator | |
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| Weekend at Bernie's | Willard | Nightmares | It's a Wonderful Life | The Princess Bride |
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Peter Weller anchors a cast of Canadian actors in this entertaining low budget thriller directed by George Cosmatos. Plenty of action and a good through line of how an obsessively detailed individual would battle a threat to his environment. Louis "Seeing Things" Del Grande is very good as the helpful janitor next door to Weller's yuppie palace. Features rising Canadian actors Kenneth Welsh, Jennifer Dale and a slimmer Maury Chaykin. The Canadian Tax Credit system helped put this film in Montreal, doubling as New York. With little to work with in terms of sets and exteriors, Cosmatos shows his chops as a director who tries to make each shot pay off in a particular way. The overhead shot of Weller looking out over the "human" rat race crossing the street draws an interesting parallel with the main story. More than a couple of 'homages' to Jaws, which Cosmatos admits was one of his favourite movies.A bit repetitive at times but better than 'Willard'. Worth a look.