The Meaning of Life (1983)

Directors:

Terry Jones
Terry Gilliam

Writers:

Graham Chapman (written by) &
John Cleese (written by) ...

Release Date:

31 March 1983 (USA)

Genre:

Comedy | Musical | Fantasy

Tagline:

What it is, Where it is, and how to avoid treading in it [Video Australia]

Plot:

The comedy team takes a look at life in all its stages in their own uniquely silly way.

Plot Keywords:

Monty Python | Musical Number | Comedy Team | Death | Exploding Body

Awards:

Nominated for BAFTA Film Award. Another 1 win & 1 nomination

Cast

Graham Chapman	...	Fish #1 / Doctor / Harry Blackitt / Wymer / Hordern / General / Coles / Narrator #2 / Dr. Livingstone / Transvestite / Eric / Chairman / Guest #1 / Arthur Jarrett / Geoffrey / Tony Bennett
John Cleese	...	Fish #2 / Dr. Spencer / Humphrey Williams / Sturridge / Ainsworth / Waiter / Eric's Assistant / Maître D' / Grim Reaper
Terry Gilliam	...	Window Washer / Fish #4 / Walters / Middle of the Film Announcer / M'Lady Joeline / Mr. Brown / Howard Katzenberg
Eric Idle	...	Fish #3 / 'Meaning of Life' Singer / Mr. Moore / Mrs. Blackitt / Watson / Blackitt / Atkinson / Perkins / Victim #3 / Front End / Mrs. Hendy / Man in Pink / Gunther / Noël Coward / Gaston / Angela
Terry Jones	...	Fish #6 / Mum / Priest / Biggs / Sergeant / Man with Bendy Arms / Mrs. Brown / Bert / Mr. Creosote / Maria / Leaf Father / Fiona Portland-Smyth
Michael Palin	...	Window Washer / Fish #5 / Mr. Pycroft / Dad / Narrator #1 / Chaplain / Carter / Spadger / Regimental Sergeant Major / Pakenham-Walsh / Rear End / Lady TV Presenter / Mr. Marvin Hendy / Harry / Padre / Debbie Katzenberg
Carol Cleveland	...	Wife of Guest #1 / Heaven Receptionist
Simon Jones	...	Chadwick / Jeremy Portland-Smyth
Patricia Quinn	...	Mrs. Williams
Judy Loe	...	Nurse #1
Andrew MacLachlan	...	Groom / Wycliff / Victim #1 / Guest #3
Mark Holmes	...	Victim #2 / Guest #2 / Elephant Waiter
Valerie Whittington	...	Mrs. Moore
Jennifer Franks	...	Bride
Imogen Bickford-Smith	...	Nurse #2 (as Imogen Bickford Smith)

Also Known As:

Monty Python's The Meaning of Life (UK) (complete title)

Runtime:

107 min | Germany:112 min (2003 restored director's cut)

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Canada:18 (Nova Scotia) (re-rating) (2003) | Iceland:12 | Italy:VM14 | Portugal:M/18 | Canada:18A (re-rating) | Canada:R (original rating) | Ireland:(Banned) (original rating) (1983-1990) | Brazil:18 | Argentina:13 | Australia:M | Canada:13+ (Quebec) | Finland:K-16 | Ireland:15 (re-rating) | New Zealand:R16 | Norway:15 (re-rating) | Norway:16 (original rating) | Singapore:M18 (cut) | Sweden:15 | UK:15 (video re-rating) (2000) | UK:18 (original rating) | USA:R | West Germany:16

Filming Locations:

England, UK

Company:

Celandine Films

Trivia:

Originally called "Monty Python's Fish Film".

Goofs:

Continuity: At the start of the miracle of birth section. the mother is traveling backwards (head first). But just before she leaves the corridor, the camera view from the gurney indicates that she is moving feet first.

Quotes:

Sergeant Major: Is there something YOU'D all rather be doing than marching about the square? You'd all rather be at the pictures, I suppose.
[Everyone agrees]
Sergeant Major: Well, off you go.

Movie Connections:

Featured in The Business of Being Born (2008)

Soundtrack:

The Meaning of Life

A great comedy which may be crass and rude, but is not lacking in typical Python wit

The best thing about "Monty Python's The Meaning of Life" is without a doubt the short film that opens it. Directed by Terry Gilliam and originally conceived as an animated sequence, "The Crimson Permanent Assurance" is a crucial step in Gilliam's career as a director. His previous two solo efforts as director, the inconsequential "Jabberwocky" and the brilliant-in-its-own-way "Time Bandits" saw him developing his visual style much further than he did for his scenes for "Monty Python and the Holy Grail", with "Time Bandits" arguably being the first 'Gilliam-esque' film he made. Still, "Time Bandits" didn't see his style fully developed, and "The Crimson Permanent Assurance" is an even more bizarre film, but with a far more confident and clear-cut visual style. Simply put: Gilliam was ready for "Brazil". This segment is the best in the film from a cinematic viewpoint, without a doubt, and even gives some of the other segments a run for their money in terms of the quality of the comedy, which involves office clerks who become pirates. Yes, it is quite strange.

The issue a lot of people have with "The Meaning of Life" is that it is crass and rude and even sillier than the Python standard. It's shock humor, but for the majority of the sections of the film work so well and are so clever even in their lack of class that I would not hesitate to put "The Meaning of Life" on the same level as "Life of Brian", though it's not as good as "Monty Python & The Holy Grail". That's not to say this isn't 'Python-esque', because it's very much so, they're just completely liberated by the medium of film to say and do whatever they please. Indeed, there's something in here to offend nearly anyone, but there's also a fair bit in here to please everyone, even a wonderful scene in which Gilliam's 'supporting feature' "The Crimson Permanent Assurance" suddenly intrudes on the events of the film.

"The Meaning of Life" is constructed as a series of skits, and though many have suggested that it is hence not as much of a narrative movie as their previous two efforts. I tend to disagree with this viewpoint. Yes, this film is a series of skits, but they are all elaborately set up within an overarching 'commentary' on the general theme of the movie, the title. There is one section of the film which is both entirely unnecessary and honestly quite bad is 'The Autumn Years', an unfunny and vile piece centered around Terry Jones in a fat-suit repeatedly vomiting and eventually exploding. Basically all of the rest of the film is very, very funny, and even the jokes which fall flat within scenes like "Live Organ Transplants" and "Death" don't go terribly wrong because the overall quality of the scenes and sections are so high and the concepts behind them very funny. Gilliam's animations work excellently within the film and this would sadly be the last time we saw a distinctive Gilliam animation within a major film.

"The Meaning of Life" is great comedy. It's crass and rude and goes for cheap humor often, but it's mostly handled with a great deal of wit and intelligence that elevates even the section involving the world's most pornographic sex education class to a high level. Perhaps in retrospect this film's flaws are more obvious than those "Life of Brian" suffers from, but both are ultimately on the same level.

9/10