The Lonely Lady (1983)

User Rating:

2.5/10   

Director:

Peter Sasdy

Writers:

Harold Robbins (novel)
Ellen Shepard (adaptation)

Release Date:

30 September 1983 (USA)

Genre:

Drama

Tagline:

From the sensual world of Harold Robbins comes the story of a woman's struggle for fame in Hollywood.

Plot:

A young screenwriter allows others to exploit her in the hopes of "making it" in Hollywood.

Plot Keywords:

Screenwriter | Screenplay | Hollywood | Writer | Party

Awards:

6 wins & 7 nominations

Cast

Pia Zadora	...	Jerilee Randall
Lloyd Bochner	...	Walter Thornton
Bibi Besch	...	Veronica Randall
Joseph Cali	...	Vincent Dacosta
Anthony Holland	...	Guy Jackson
Jared Martin	...	George Ballantine
Ray Liotta	...	Joe Heron
Carla Romanelli	...	Carla Maria Peroni
Olivier Pierre	...	George Fox
Kendal Kaldwell	...	Joanne Castel
Lou Hirsch	...	Bernie
Kerry Shale	...	Walt Thornton Jnr
Sandra Dickinson	...	Nancy Day
Shane Rimmer	...	Adolph Fannon
Nancy Wood	...	Janie

Also Known As:

Harold Robbins' The Lonely Lady (USA) (complete title)

Runtime:

92 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:14 | USA:R | Australia:M

Filming Locations:

Los Angeles, California, USA

Company:

Harold Robbins International Company

Trivia:

Pia Zadora attended an opening night showing of this film in West Los Angeles, where half of the audience were voting members of the RAZZIE Awards, and the film was greeted with hoots and howls of derisive laughter throughout. After the showing, Zadora gamely stood in the lobby and signed autographs for anyone in attendance who wanted one.

Quotes:

Guy: Bud, this is Jerilee. She's Mr. Thornton's assistant.
Bud: Sure. I hope you can spell, darling.
Jerilee: D - A - R - L - I - N - G

Movie Connections:

References Reds (1981)

Soundtrack:

THE WAY YOU DO IT

"Maybe THIS is more your 'kick'!!!!"

The memory banks of most of the reviewers here must've short-circuited when trying to recall this Cubic Zirconia of a gem, because practically everyone managed to misquote Lloyd Bochner's Walter Thornton, when in a fit of peevish anger, he hurls the phallic garden nozzle at his new wife, Jerilee Randall-Thornton, (a nearly comatose Pia Zadora) which was used to sexually assault her earlier in the movie...but I'm getting ahead of myself. In any case, poor Lloyd could've been snarling that line at the speechless audience as much as he was his put-upon co-star.

Hard as it is for most of us to believe, especially these days, nobody in Hollywood sets out to INTENTIONALLY make a bad movie. This is certainly not the most defensible argument to make, since there just seem to be so damn many of them coming out. But then again, there is that breed of film that one must imagine during the time of its creation, from writing, casting and direction, must've been cursed with the cinematic equivalent of trying to shoot during the Ides of March.

THE LONELY LADY is in that category, and represents itself very well, considering the circumstances. Here we have all the ingredients in a recipe guaranteed to produce a monumentally fallen soufflé: Pia Zadora, a marginal singer/actress so determined to be taken seriously, that she would take on practically anything that might set her apart from her peers, (which this movie most certainly did!); a somewhat high-profile novel written by the Trashmaster himself, Harold Robbins (of THE CARPETBAGGERS and DREAMS DIE FIRST fame); a cast who probably thought they were so fortunate to be working at all, that they tried to play this dreck like it was Clifford Odets or Ibsen; plus a director who more than likely was a hired gun who kept the mess moving just to collect a paycheck, (and was probably contractually obligated NOT to demand the use of the 'Alan Smithee' moniker to protect what was left of his reputation.) Like Lamont Johnson's LIPSTICK, Meir Zarchi's I SPIT ON YOUR GRAVE, Roger Vadim's BARBARELLA, Paul Verhoeven's SHOWGIRLS or the Grandmammy of Really Bad Film-making, Frank Perry's MOMMY DEAREST, THE LONELY LADY is still often-discussed, (usually with disgust, disbelief, horrified laughter, or a unique combination of all three), yet also defies dissection, description or even the pretzel logic of Hollyweird. Nobody's sure how it came to be, how it was ever released in even a single theater, or why it's still here and nearly impossible to get rid of, but take it or leave it, it IS here to stay. And I don't think that lovers of really good BAD movies would have it any other way.