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IMDb > Hammett (1982)
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Overview

User Rating:
6.4/10   989 votes
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Director:
Writers:
Contact:
View company contact information for Hammett on IMDbPro.
Release Date:
17 September 1982 (USA) more
Genre:
Tagline:
The mystery writer who lived his own stories ! [Video] more
Plot:
The novel writter Dashiell Hammett is involved in the investigation of the mysterious disappearance... more | add synopsis
Plot Keywords:
Awards:
2 nominations more
User Reviews:
Underrated, undervalued, almost designed to be a cult film from the onset more (15 total)

Cast

  (in credits order) (verified as complete)

Frederic Forrest ... Hammett

Peter Boyle ... Jimmy Ryan
Marilu Henner ... Kit Conger / Sue Alabama
Roy Kinnear ... English Eddie Hagedorn
Elisha Cook Jr. ... Eli the Taxi Driver (as Elisha Cook)
Lydia Lei ... Crystal Ling
R.G. Armstrong ... Lt. O'Mara
Richard Bradford ... Detective Bradford
Michael Chow ... Fong Wei Tau

David Patrick Kelly ... The Punk
Sylvia Sidney ... Donaldina Cameron
Jack Nance ... Gary Salt
Elmer Kline ... Doc Fallon
Royal Dano ... Pops
Samuel Fuller ... Old Man in Pool Hall
Lloyd Kino ... Barber
Fox Harris ... Frank the News Vendor
Rose Wong ... Chinese Laundress
Liz Roberson ... Lady in the Library
Jean-François Ferreol ... French Sailor (as Jean Francois Ferreol)
Alison Hong ... Young Chinese Girl
Patricia Kong ... Chinese Girl in Fong's
Lisa Lu ... Miss Cameron's Assistant
Andrew Winner ... Bank Guard
Kenji Shibuya ... Chinese Bouncer
James Quinn ... Fong's Guard
Mark Anger ... Bartender in Cookies' Bar
James Devney ... Police Projectionist

Hank Worden ... Pool Room Attendant
Christopher Day ... Neighborhood Kid
Ciceley Rush ... Neighborhood Kid
Chris Alcaide ... Man in Boardroom (as Christopher Alcaide)
Ben Breslauer ... Man in Boardroom
James Brodhead ... Man in Boardroom
John Hamilton ... Man in Boardroom
John T. Spiotta ... Man in Boardroom
Ross Thomas ... Man in Boardroom
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Directed by
Wim Wenders 
 
Writing credits
(in alphabetical order)
Joe Gores  novel
Dennis O'Flaherty  writer
Thomas Pope  adaptation
Ross Thomas  writer

Produced by
Ronald Colby .... producer
Francis Ford Coppola .... executive producer
Don Guest .... producer
Fred Roos .... producer
Mona Skager .... associate producer
 
Original Music by
John Barry 
 
Cinematography by
Joseph F. Biroc  (as Joseph Biroc)
 
Film Editing by
Janice Hampton 
Marc Laub 
Robert Q. Lovett 
Randy Roberts 
 
Casting by
Janet Hirshenson 
Jane Jenkins 
Barbara Johnson 
 
Production Design by
Dean Tavoularis 
Eugene Lee (uncredited)
 
Art Direction by
Leon Ericksen  (as Leon Erickson)
Angelo P. Graham  (as Angelo Graham)
 
Set Decoration by
George R. Nelson 
Steven Potter  (as Steve Potter)
 
Costume Design by
Ruth Morley 
 
Makeup Department
Jeff Angell .... makeup artist
Kathryn Blondell .... hair stylist (as Kathy Blondell)
Mary Keats .... hair stylist
Thomas Tuttle .... makeup artist
 
Production Management
Ronald Colby .... unit production manager
Robert Huddleston .... unit production manager (as Robert J. Huddleston)
 
Second Unit Director or Assistant Director
Daniel Attias .... second assistant director
Ronald Colby .... first assistant director
Arne Schmidt .... first assistant director
David Valdes .... second assistant director (as David Valdés)
 
Art Department
Roger Dietz .... set artist
Gary Fettis .... leadman
Dennis Gassner .... graphic designer
Robert C. Goldstein .... set designer (as Bob Goldstein)
Douglas E. Madison .... property master (as Doug Madison)
James J. Murakami .... set designer (as James Murakami)
John J. Rutchland Jr. .... construction coordinator (as John Rutchland)
Robert Scaife .... construction coordinator
Tom Shaw Jr. .... property master
Alex Tavoularis .... illustrator
Stan Cockerell .... assistant property master (uncredited)
Stan Cockerell .... set dresser (uncredited)
Louis Zamora .... labor foreman (uncredited)
 
Sound Department
Jill Demby .... dialogue editor
John Duffy .... sound editor
Richard Bryce Goodman .... sound mixer (as Richard Goodman)
Bob Johnston .... sound editor (as Robert Johnston)
Randy Kelley .... sound editor
Andrew London .... supervising sound editor
Chris McLaughlin .... boom operator
Vince Melandri .... dialogue editor
Donald O. Mitchell .... sound re-recording mixer
Donald Ortiz .... assistant sound editor
Wylie Stateman .... sound editor
Darcy Vebber .... boom operator
James E. Webb .... sound mixer (as James Webb Jr.)
Glenn T. Morgan .... assistant sound editor (uncredited)
 
Special Effects by
Howard Jensen .... special effects
Joe Lombardi .... special effects (as Joseph Lombardi)
 
Stunts
Terry Leonard .... stunt coordinator
 
Camera and Electrical Department
Clifford Dalton .... best boy
Larry Gilhooly .... gaffer (as Larry Gilhouley)
Jack Harris .... still photographer
M. Todd Henry .... first assistant camera (as Todd Henry)
Bill Johnson .... camera operator
Philip H. Lathrop .... cinematographer: other photography (as Philip Lathrop)
Carl Manoogian .... key grip
Pete G. Papanickolas .... key grip (as Pete Papanickolas)
Morgan Renard .... still photographer
Frederic J. Smith .... camera operator
Robert A. Torres .... first assistant camera (as Robert Torres)
Bud Woodside .... best boy
Robert Woodside .... gaffer (as Bob Woodside)
David A. Smith .... video assist operator (uncredited)
 
Casting Department
Frank Cullen .... extras casting
Elisabeth Leustig .... extras casting (as Elizabeth Leustig)
 
Costume and Wardrobe Department
April Ferry .... costumer
Ed Fincher .... costumer
Mina Mittelman .... costumer (as Mina Mittleman)
Dean Skipworth .... costumer
 
Editorial Department
Carrie Ellison .... assistant editor
Dorian Harris .... assistant editor
Barry Malkin .... supervising editor
Suzana Peric .... assistant editor
Deborah Roberts .... assistant editor
Sonya Sones .... assistant editor
 
Music Department
John Barry .... conductor
Lucia Hwong .... chinese music consultant: John Barry
Michael Lang .... musician: solo piano
Ronnie Lang .... musician: solo clarinet
Robert Q. Lovett .... music editor
Dennis S. Sands .... music recording engineer (as Dennis Sands)
 
Transportation Department
Ernie Foster .... transportation captain
Richard Padgett .... transportation captain (as Dick Padgett)
 
Other crew
Bill Blackbeard .... additional researcher
Joanie Blum .... script supervisor
Trevor Colby .... production aide
Francis Ford Coppola .... presenter
Gian-Carlo Coppola .... production aide
Anthony Cunningham .... location coordinator (as Tony Cunningham)
Steve Danton .... production assistant
Tony Dingman .... production aide
David Fechheimer .... additional researcher
Teri Fettis-D'Ovidio .... production coordinator (as Teri Fettis)
Wayne Fitzgerald .... title designer
Michael Hacker .... production assistant
Kimba Hills .... production aide
Murdo Laird .... electronic cinema
Anita Luccioni .... assistant: Mr. Wenders
Lillian Michelson .... additional researcher
Mary Mitchel .... researcher (as Mary Patton)
Lloyd Nelson .... script supervisor
Giedra Rackauskas .... auditor
Lisa Radano .... production aide
Robert Rock .... production aide
Frank Simeone .... production aide (as Franklin Simeone)
Mona Skager .... location coordinator
David Smith .... electronic cinema
Julie Stark .... production aide
Ann St. John .... electronic cinema
Tony St. John .... electronic cinema (as Anthony St. John)
Barbara Stones .... researcher
David Stump .... production aide
Judy Thomason .... assistant to producer
Beverly Walker .... publicist
Charles B. Wessler .... production aide (as Charles Wessler)
Kurt Woolner .... auditor
Daniel R. Suhart .... assistant production office coordinator (uncredited)
 
Thanks
Keith Deutsch .... acknowledgment: "Black Mask" courtesy of
 
Crew believed to be complete


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Additional Details

Runtime:
97 min
Country:
Language:
Color:
Color (Technicolor)
Sound Mix:

Fun Stuff

Trivia:
When director Wim Wenders completed his work, the studio backing him was so dissatisfied with his work, he was ordered to re-shoot over 80% of the movie. more
Quotes:
Hammett: Have you gone simple? They're not gonna let you walk. You know what you're up against, 1, 200 million dollars, the power, the big steam. more
Movie Connections:
Referenced in The Dream Studio (2004) (V) more

FAQ

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15 out of 16 people found the following review useful.
Underrated, undervalued, almost designed to be a cult film from the onset, 11 April 2001
Author: Paul Dana (crystalseachurch@juno.com) from San Francisco, CA

In the background/historical notes to his novel, "Hammett," author Joe Gores says of one character, ". . . and if you don't know who he's based on, you need to read more Hammett." The movie, more or less based upon the novel, takes Gore's dicta to heart with several key characters. The result can be a whole lot of fun if you know your Hammett; if you're a little weak in that category, the result is merely a lot of fun.

Set in 1927 San Francisco, the film catches Dashiell Hammett in transition: Trying to firmly put his Pinkerton days behind him while establishing himself as a writer, dealing with the twin scourges of his World War I - induced tuberculosis and the alcoholism that will plague him almost to the end of his days, he finds himself drawn back into his old life one last time by the irresistible call of friendship and to honor a debt. By the time he's done, he finds himself having paid a far higher price, learning that he had only thought himself to be totally disillusioned beforehand.

"Hammett" the movie is as much an homage as "Hammett" the novel. It is a rare thing for neither a movie nor a novel to suffer by comparison to each other -- especially when the two are so divergent -- but that is exactly what happens here. The screenplay is strong, the production values uniformly excellent (check out the 1920s Market Street Railway streetcar which passes by in the background briefly in one scene, for example; only one in a thousand viewers might recognize it, and only one in possibly two thousand might appreciate the verisimilitude it provides), the direction and pacing authoritative.

Frederic Forrest is virtually perfect as Hammett; by turns ravaged and buoyant, hardboiled and outraged, at every turn ultimately unstoppable. By the film's close, he makes it very clear that, for Hammett, there will be no turning back; those moodily tapping typewriter keys which formed such an eerie backdrop for much of the action will also provide his salvation, and that this is a good thing.

And anyone who disputes that, as Joe Gores would say, needs to read more Hammett.

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