| Photos (see all 21 | slideshow) |
| Tom Atkins | ... | Dr. Daniel 'Dan' Challis | |
| Stacey Nelkin | ... | Ellie Grimbridge | |
| Dan O'Herlihy | ... | Conal Cochran | |
| Michael Currie | ... | Rafferty | |
| Ralph Strait | ... | Buddy Kupfer | |
| Jadeen Barbor | ... | Betty Kupfer | |
| Brad Schacter | ... | 'Little' Buddy Kupfer Jr. (as Bradley Schachter) | |
| Garn Stephens | ... | Marge Guttman | |
| Nancy Kyes | ... | Linda Challis | |
| Jonathan Terry | ... | Starker (as Jon Terry) | |
| Al Berry | ... | Harry Grimbridge | |
| Wendy Wessberg | ... | Teddy | |
| Essex Smith | ... | Walter Jones | |
| Maidie Norman | ... | Nurse Agnes | |
| John MacBride | ... | Sheriff | |
| Loyd Catlett | ... | Charlie | |
| Paddi Edwards | ... | Silver Shamrock Secretary | |
| Norman Merrill | ... | Red | |
| Patrick Pankhurst | ... | Technician | |
| Dick Warlock | ... | Assassin | |
| Martin Cassidy | ... | Watcher | |
| Michelle Walker | ... | Bella Challis | |
| Joshua John Miller | ... | Willie Challis (as Joshua Miller) | |
| Jeffrey D. Henry | ... | Motel Technician | |
| Michael W. Green | ... | Technician #2 | |
| rest of cast listed alphabetically: | |||
| Jamie Lee Curtis | ... | Curfew Announcer / Telephone Operator (voice) (uncredited) | |
| Tommy Lee Wallace | ... | Silver Shamrock Commercial Announcer (voice) (uncredited) | |
Directed by | |||
| Tommy Lee Wallace | |||
Writing credits(in alphabetical order) | ||
| Nigel Kneale | uncredited | |
| Tommy Lee Wallace | written by | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Millie Moore | |||
Casting by | |||
| Susan Shaw | |||
Production Design by | |||
| Peter Jamison | |||
Set Decoration by | |||
| Linda Spheeris | |||
Makeup Department | |||
| Frankie Bergman | .... | hair stylist | |
| Thomas R. Burman | .... | special makeup effects artist (as Tom Burman) | |
| Ron Walters | .... | makeup artist | |
Production Management | |||
| Jeffrey Chernov | .... | executive in charge of production | |
| Jeffrey Chernov | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Scott Thaler | .... | second assistant director (as Scott Ira Thaler) | |
| Ron Wright | .... | first assistant director | |
Art Department | |||
| Carl Aldana | .... | illustrator | |
| Terry Feller | .... | propmaker | |
| Andrew P. Flores | .... | labor foreman | |
| Serge Genitempo | .... | stand-by painter | |
| Walton D. Hadfield | .... | construction coordinator | |
| Greg Lynch | .... | swing gang | |
| Jerry Palermo | .... | construction painter | |
| James A. Rathbun | .... | property master | |
| Daniel Stoltenberg | .... | property master | |
| James F. Walker | .... | propmaker foreman (as Jim Walker) | |
| William Kemper Wright | .... | lead man (as William Wright) | |
| John Naulin | .... | props (uncredited) | |
Sound Department | |||
| Joseph F. Brennan | .... | boom operator | |
| Thomas Causey | .... | sound mixer | |
| James Cavarretta | .... | sound re-recording mixer | |
| Warren Hamilton Jr. | .... | sound editor (as Warren Hamilton) | |
| Steve Maslow | .... | sound re-recording mixer | |
| Colin C. Mouat | .... | sound editor | |
| Andy Rovins | .... | boom operator | |
| Kendrick Sweet | .... | dialogue editor | |
| Bill Varney | .... | sound re-recording mixer | |
| David Lewis Yewdall | .... | supervising sound editor | |
Special Effects by | |||
| William Aldridge | .... | special effects assistant | |
| Jon G. Belyeu | .... | special effects | |
Visual Effects by | |||
| Charles Moore | .... | visual consultant | |
Stunts | |||
| Kerrie Cullen | .... | stunts | |
| Loren Janes | .... | stunts | |
| Dick Warlock | .... | stunt coordinator | |
| Dick Warlock | .... | stunts | |
| Lance Warlock | .... | stunt double (uncredited) | |
Casting Department | |||
| Susie Johnson | .... | extras casting | |
Costume and Wardrobe Department | |||
| Frances Vega Aubrey | .... | costumer (as Frances Aubrey) | |
| Jane Ruhm | .... | wardrobe supervisor | |
Editorial Department | |||
| Maurie Beck | .... | first assistant editor | |
| Patricia Lee | .... | second assistant editor | |
Transportation Department | |||
| Ray Appel | .... | driver | |
| Louis Galliani | .... | driver | |
| Steve Grossman | .... | driver | |
| Chuck Hampton | .... | driver | |
| Jim Huffey | .... | driver | |
| Marty Huffey | .... | driver | |
| James A. Lundin | .... | driver (as Jim Lundin) | |
| Dave Pierce | .... | driver | |
| Wayne Roberts | .... | transportation captain | |
| Mario Simon | .... | driver | |
| Tom F. Thomas | .... | driver (as Tom Thomas) | |
| Thomas Vilardo | .... | driver | |
| Eddie Lee Voelker | .... | transportation coordinator | |
| Gordon Wiles | .... | driver | |
Other crew | |||
| Ben-Ami Agmon | .... | location manager | |
| Gretchen Baker | .... | post-production expeditor | |
| Jim Brockett | .... | assistant animal coordinator | |
| Randi Chernov | .... | assistant: Ms. Hill | |
| Bill Cherones | .... | location assistant | |
| Maurice Costello | .... | first aid | |
| Lynn D. Ezelle | .... | assistant accountant | |
| Chip Fowler | .... | production coordinator | |
| David Gersh | .... | assistant: Matt Franco | |
| Bernie Granados | .... | first aid | |
| Mark C. Grech | .... | craft service | |
| Larry Hand | .... | production accountant | |
| Louise Jaffe | .... | script supervisor | |
| Bert Jetter | .... | caterer | |
| David Katz | .... | video coordinator | |
| Bob Laird | .... | motor police | |
| Doug Laird | .... | motor police | |
| Ken Lavet | .... | location assistant | |
| Michele Little | .... | assistant: Mr. Chernov | |
| Sam Nicholson | .... | silver shamrock commercial | |
| Don Post | .... | mask maker | |
| Carol Rosenthal | .... | assistant: Mr. Bernardi | |
| Clint Rowe | .... | animal coordinator | |
| Anne Thompson | .... | publicist | |
| John C. Wash | .... | title designer | |
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Halloween III has taken on a new life on the AMC cable channel. It is used to pad some time during their "Monsterfest" marathon in the 10 days leading up to Halloween.
It's not a good movie. People who like it, when asked, "Do you want to see a movie that's like the Twilight Zone, only slower, longer, and not as good?" would probably answer, "You had me at Twilight Zone."
There are a few things to enjoy about this movie:
1) The 1-man synthesizer soundtrack is pure early 80s. 2) Also for nostalgia lovers, this movie came out when personal computers had been out for about a year and any kind of computer graphics were considered cool. 3) The producers showed some guts by breaking from the formula (and unfortunately got creamed at the box office for it.) 4) It doesn't have an eye-rolling formulaic ending. 5) It turned out to be somewhat prophetic. 15 years after this movie came out, hundreds of Japanese children were stricken with seizures after watching an episode of "Pokemon." 6) If you like the song "London Bridge," this is the movie for you.
Unfortunately, it's kind of plodding and layers implausibility upon implausibility until it just gets too much. If you watch this movie, here are some things NOT to think about. It'll just make your head hurt: (Spoiler alert)
*How could someone steal a 5-ton rock from Stonehenge?
*If you're a supervillian, is there a better use for your lifelike androids?
*How does Silver Shamrock pay for all those TV ads that must change on a daily basis?
*How much revenue can a company generate with a product line that features a whopping three different masks? (two of which are pretty lame.)
*Did stores used to carry Halloween merchandise for longer into October? (since currently, the Halloween stuff is moved to clearance by about October 20th to make room for Xmas stuff)
*Would a factory so paranoid that it enforces a curfew on its citizens be a little suspicious of two buyers who showed up to get masks on October 29th without phoning first?
*Why is Buddy Kupfer's family staying in a motel if they have a big RV? In fact, why is "one of the richest men in the country" staying in a cheap motel at all?
*When are football games televised on Friday afternoon?
*What makes divorced alcoholic 47 year old deadbeat dads attractive to hot 23 year olds?
*Why are there so many leaves on the trees on October 31?
*Has there ever been a lazier attempt at a montage of cities than the one that appears in this movie?
*Wouldn't time zones put a kink in Cochran's wicked scheme?
*Did network TV used to air horror movies at 7:00 PM? ("The Big Giveaway" at 9:00 follows the airing of the original Halloween movie, with a run time of about 2 hours, including the inevitable commercials.)
*Whom can you call to immediately pull programming from multiple networks, especially if you don't have any special credentials?
*What did this movie have to do with witches or the Donovan song?
I could have overlooked all those glaring problems if Cochran had shown even a modicum of motivation for his evil plan to murder all his customers (and ensure bankruptcy even if he dodges criminal proceedings) but the plot is so preposterous by the time Challis confronts him that Cochran can't even offer up a response. "Do I even need a reason? ... In the end, the planets determine our actions." That's right. Blame it on astrology.
Sheesh!