| Videos (see all 2 NEW) |
Directed by | |||
| Tommy Lee Wallace | |||
Writing credits(in alphabetical order) | ||
| Nigel Kneale | uncredited | |
| Tommy Lee Wallace | written by | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Millie Moore | |||
Casting by | |||
| Susan Shaw | |||
Production Design by | |||
| Peter Jamison | |||
Set Decoration by | |||
| Linda Spheeris | |||
Makeup Department | |||
| Frankie Bergman | .... | hair stylist | |
| Thomas R. Burman | .... | special makeup effects artist (as Tom Burman) | |
| Ron Walters | .... | makeup artist | |
Production Management | |||
| Jeffrey Chernov | .... | executive in charge of production | |
| Jeffrey Chernov | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Scott Thaler | .... | second assistant director (as Scott Ira Thaler) | |
| Ron Wright | .... | first assistant director | |
Art Department | |||
| Carl Aldana | .... | illustrator | |
| Terry Feller | .... | propmaker | |
| Andrew P. Flores | .... | labor foreman | |
| Serge Genitempo | .... | stand-by painter | |
| Walton D. Hadfield | .... | construction coordinator | |
| Greg Lynch | .... | swing gang | |
| Jerry Palermo | .... | construction painter | |
| James A. Rathbun | .... | property master | |
| Daniel Stoltenberg | .... | property master | |
| James F. Walker | .... | propmaker foreman (as Jim Walker) | |
| William Kemper Wright | .... | lead man (as William Wright) | |
| John Naulin | .... | props (uncredited) | |
Sound Department | |||
| Joseph F. Brennan | .... | boom operator | |
| Thomas Causey | .... | sound mixer | |
| James Cavarretta | .... | sound re-recording mixer | |
| Warren Hamilton Jr. | .... | sound editor (as Warren Hamilton) | |
| Steve Maslow | .... | sound re-recording mixer | |
| Colin C. Mouat | .... | sound editor | |
| Andy Rovins | .... | boom operator | |
| Kendrick Sweet | .... | dialogue editor | |
| Bill Varney | .... | sound re-recording mixer | |
| David Lewis Yewdall | .... | supervising sound editor | |
Special Effects by | |||
| William Aldridge | .... | special effects assistant | |
| Jon G. Belyeu | .... | special effects | |
Visual Effects by | |||
| Charles Moore | .... | visual consultant | |
Stunts | |||
| Kerrie Cullen | .... | stunts | |
| Loren Janes | .... | stunts | |
| Dick Warlock | .... | stunt coordinator | |
| Dick Warlock | .... | stunts | |
| Lance Warlock | .... | stunt double (uncredited) | |
Casting Department | |||
| Susie Johnson | .... | extras casting | |
Costume and Wardrobe Department | |||
| Frances Vega Aubrey | .... | costumer (as Frances Aubrey) | |
| Jane Ruhm | .... | wardrobe supervisor | |
Editorial Department | |||
| Maurie Beck | .... | first assistant editor | |
| Patricia Lee | .... | second assistant editor | |
Transportation Department | |||
| Ray Appel | .... | driver | |
| Louis Galliani | .... | driver | |
| Steve Grossman | .... | driver | |
| Chuck Hampton | .... | driver | |
| Jim Huffey | .... | driver | |
| Marty Huffey | .... | driver | |
| James A. Lundin | .... | driver (as Jim Lundin) | |
| Dave Pierce | .... | driver | |
| Wayne Roberts | .... | transportation captain | |
| Mario Simon | .... | driver | |
| Tom F. Thomas | .... | driver (as Tom Thomas) | |
| Thomas Vilardo | .... | driver | |
| Eddie Lee Voelker | .... | transportation coordinator | |
| Gordon Wiles | .... | driver | |
Other crew | |||
| Ben-Ami Agmon | .... | location manager | |
| Gretchen Baker | .... | post-production expeditor | |
| Jim Brockett | .... | assistant animal coordinator | |
| Randi Chernov | .... | assistant: Ms. Hill | |
| Bill Cherones | .... | location assistant | |
| Maurice Costello | .... | first aid | |
| Lynn D. Ezelle | .... | assistant accountant | |
| Chip Fowler | .... | production coordinator | |
| David Gersh | .... | assistant: Matt Franco | |
| Bernie Granados | .... | first aid | |
| Mark C. Grech | .... | craft service | |
| Larry Hand | .... | production accountant | |
| Louise Jaffe | .... | script supervisor | |
| Bert Jetter | .... | caterer | |
| David Katz | .... | video coordinator | |
| Bob Laird | .... | motor police | |
| Doug Laird | .... | motor police | |
| Ken Lavet | .... | location assistant | |
| Michele Little | .... | assistant: Mr. Chernov | |
| Sam Nicholson | .... | silver shamrock commercial | |
| Don Post | .... | mask maker | |
| Carol Rosenthal | .... | assistant: Mr. Bernardi | |
| Clint Rowe | .... | animal coordinator | |
| Anne Thompson | .... | publicist | |
| John C. Wash | .... | title designer | |
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| Halloween | Halloween II | Saw III | Indiana Jones and the Temple of Doom | The Howling |
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I like "Halloween III". Some people consider it to be one of those "so bad it's good" kind of films, but they're wrong. It's competently made and much better than the "Halloween" films that appeared after it. As sequels go it's pretty strange, though. For starters, Michael Myers is nowhere in sight. This second sequel has nothing to do with the two previous films in the series (personally I couldn't care less about that) and the plot is downright weird. What's strange about it is that there's very little symbolism at stake - something which is rare in occult horror films. Normally, filmmakers seem to feel that they need some sort of psychological excuse to show us unrealistic horror. Not so in "Halloween III". We never get to know the main characters and get only the most superficial impression of their personalities. The sinister goings-on in the film have nothing to do with the personal traumas of the protagonist - he's just there because he has to be, in order for the plot to move on. In this sense, the film is refreshingly "naive". The atmosphere or tone of the film is why I like it. It has that "midnight movie" feel, mainly - I think - because of the soundtrack. Music is rarely used, but always effectively like in John Carpenters "The Thing" (1982). And there are some almost surreal images thrown in along the way, like the one where snakes surprisingly appear from within the pumpkinhead.