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Epílogo (1984)
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Overview
User Rating:
Writers:
Gonzalo Suárez (short stories "Gorila en Hollywood" and "Rocabruno bate a Ditirambo")Gonzalo Suárez (story)
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Release Date:
20 January 1984 (Spain) moreGenre:
DramaAwards:
2 wins & 1 nomination moreUser Comments:
A thinker's story moreCast
(Credited cast) | José Sacristán | ... | José Ditirambo |
| Francisco Rabal | ... | Rocabruno |
| Charo López | ... | Laína |
| Manuel Zarzo | ... | Tío |
| Sandra Toral | ... | Ana |
| Cyra Toledo | ... | Madre |
| José Arranz | ... | Cara de Niño |
| Sonia Martínez | ... | Estudiante de Literatura |
| Manuel Calvo | ... | Martillo Pacheco |
| Martín Adjemián | ... | Néstor (as Martín Adjemian) |
| Chus Lampreave | ... | Flo-Flo |
| David Velez | ... | Niño |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
92 minCountry:
SpainLanguage:
SpanishColor:
ColorCertification:
Spain:13Filming Locations:
Llanes, Oviedo, Asturias, SpainFAQ
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Spain section | Add this title to MyMovies |
A story within a story, cleverly juxtaposed so as to run in parallel with everything else. Requiring much attention from the spectator, so as not to drop any interwoven threads, Gonzalo Suárez builds on two of his own novels to produce an intricate narrative. The question is whether two writers can come together again to write more stories, when it would appear that they cannot live with each other, but nor can they without each other. The characters of the film carry out their own dialogues, thus giving the effect of a story within a story running parallel to the film's development.
Paco Rabal just right, as usual, Sacristán holds up well, Charo López wonderful, and the part played by Sandra Toral comes out surprisingly well in the middle of the muddle. However, this film is by no means a comedy, though not lacking in humorous touches.
The overall effect is of a cyclical story, such that Julio Medem's 'Los Amantes del Círculo Polar' (qv) comes to mind: the stories are totally different, but certain styles bordering on the surrealist at times hold interest for the thinking viewer.