| Photos (see all 13 | slideshow) |
| Pierre Jolivet | ... | The Man | |
| Jean Bouise | ... | The Doctor | |
| Fritz Wepper | ... | Captain | |
| Jean Reno | ... | The Brute | |
| Christiane Krüger | ... | Captain's Concubine | |
| Maurice Lamy | ... | Dwarf | |
| Pierre Carrive | ... | Captain's Man | |
| Jean-Michel Castanié | ... | Captain's Man | |
| Michel Doset | ... | Captain's Man | |
| Bernard Havet | ... | Captain's Man | |
| Marcel Berthomier | ... | Captain's Man | |
| Petra Müller | ... | Woman in the Cell | |
| Garry Jode | ... | Captain's Man |
Directed by | |||
| Luc Besson | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | writer | |
| Pierre Jolivet | writer | |
Produced by | |||
| Constantin Alexandrov | .... | executive producer | |
| Luc Besson | .... | producer | |
| Pierre Jolivet | .... | producer | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Carlo Varini | |||
Film Editing by | |||
| Sophie Schmit | |||
Production Design by | |||
| Thierry Flamand | |||
| Christian Grosrichard | |||
Costume Design by | |||
| Marie Beau | |||
| Martine Rapin | |||
Makeup Department | |||
| Maud Baron | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Patrick Alessandrin | .... | first assistant director | |
Sound Department | |||
| Chris David | .... | stereo sound consultant: Dolby | |
| André Naudin | .... | sound effects | |
Music Department | |||
| Amaury Blanchard | .... | musician: drums and percussion | |
| Jean-Marie Courtois | .... | musician: keyboards | |
| Richard Gallet | .... | music recording engineer | |
| Alain Guillard | .... | musician: Saxophone | |
| Yvon Guillard | .... | musician: trumpet | |
| Eric Serra | .... | music arranger | |
| Eric Serra | .... | musician: Basse, Guitars and Keyboards | |
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| 2019 - Dopo la caduta di New York | Delicatessen | A Boy and His Dog | Black Moon | La jetée |
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Great movie. Post-apocalyptic films kick ass. This one is no exception. Kept up the pace and interest without a speck of dialogue (mainly through some good character development). The fight between Reno and the Hero was tight. I also liked the use of cave paintings and medieval-like weapons to show how primitive and savage mankind had become without their technology and guzzaline. The connection between the beginning and end was a little spacey, that is, I had a hard time understanding the distances between the hotel and the opening sequence. In sum, kick ass character progression, design, story without the cushion of dialogue, and most importantly, the always appreciated desolate scenery of a post-apocalyptic wasteland.