| Photos (see all 32 | slideshow) | Videos |
| Keith Gordon | ... | Arnie | |
| John Stockwell | ... | Dennis | |
| Alexandra Paul | ... | Leigh | |
| Robert Prosky | ... | Darnell | |
| Harry Dean Stanton | ... | Junkins | |
| Christine Belford | ... | Regina Cunningham | |
| Roberts Blossom | ... | LeBay | |
| William Ostrander | ... | Buddy | |
| David Spielberg | ... | Mr. Casey | |
| Malcolm Danare | ... | Moochie | |
| Steven Tash | ... | Rich | |
| Stuart Charno | ... | Vandenberg | |
| Kelly Preston | ... | Roseanne | |
| Marc Poppel | ... | Chuck | |
| Robert Darnell | ... | Michael Cunningham | |
| Richard Collier | ... | Pepper Boyd | |
| Bruce French | ... | Mr. Smith | |
| Douglas Warhit | ... | Bemis | |
| Keri Montgomery | ... | Ellie | |
| Jan Burrell | ... | Librarian | |
| Charlie Steak | ... | Shoppie (as Charles Steak) | |
| rest of cast listed alphabetically: | |||
| Mohhib Jivan | ... | Auto Shop Clerk (uncredited) | |
| Daniel A. Lomino | ... | Liquor Store Clerk (uncredited) | |
| John Richard Petersen | ... | High School Student (uncredited) | |
| Barry Tubb | ... | Football Player (uncredited) | |
Directed by | |||
| John Carpenter | |||
Writing credits | ||
| Stephen King | (novel) | |
| Bill Phillips | (screenplay) | |
Produced by | |||
| Barry Bernardi | .... | associate producer | |
| Larry J. Franco | .... | co-producer (as Larry Franco) | |
| Richard Kobritz | .... | producer | |
| Kirby McCauley | .... | executive producer | |
| Mark Tarlov | .... | executive producer | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Donald M. Morgan | (director of photography) | ||
Film Editing by | |||
| Marion Rothman | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| Daniel A. Lomino | (as Daniel Lomino) | ||
Set Decoration by | |||
| Cloudia | |||
Costume Design by | |||
| Darryl Levine | |||
Makeup Department | |||
| Frankie Bergman | .... | hair stylist | |
| Robert Dawn | .... | makeup supervisor (as Bob Dawn) | |
Production Management | |||
| Robert Doudell | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Connie Garcia-Singer | .... | dga trainee | |
| Jack Philbrick | .... | second assistant director | |
Art Department | |||
| Daril Alder | .... | leadman | |
| Richard Chirco | .... | set dresser | |
| William J. Durrell Jr. | .... | set designer (as William Joseph Durrell Jr.) | |
| Louis S. Fleming | .... | assistant property master | |
| Walton D. Hadfield | .... | construction coordinator (as Walt Hadfield) | |
| George Jenson | .... | production illustrator | |
| Kent H. Johnson | .... | property master | |
| Tony Leonardi | .... | painter (as Anthony J. Leonardi Jr.) | |
| J.D. Smith | .... | set dresser | |
| John Tyrrell | .... | paint foreman | |
Sound Department | |||
| John K. Adams | .... | foley artist (as John Adams) | |
| Joseph F. Brennan | .... | boom operator (as Joseph Brennan) | |
| Thomas Causey | .... | sound mixer | |
| Hank Garfield | .... | boom operator | |
| Michael C. Gutierrez | .... | dialogue editor (as Michael Gutierrez) | |
| Duane Hartzell | .... | sound editor | |
| Devon Heffley Curry | .... | adr supervisor (as Devon Heffley) | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| John Post | .... | sound editor | |
| Steve Rice | .... | foley artist | |
| David E. Stone | .... | sound editor (as David Stone) | |
| Kendrick Sweet | .... | dialogue editor (as Ken Sweet) | |
| Elliot Tyson | .... | sound re-recording mixer | |
| David Lewis Yewdall | .... | supervising sound editor (as David Yewdall) | |
Special Effects by | |||
| Ted Allen | .... | special effects | |
| Roy Arbogast | .... | special effects supervisor | |
| Elmer Hui | .... | special effects (as E. Hui) | |
| Bill Lee | .... | special effects foreman | |
| Kevin Quibell | .... | special effects | |
| Mike Reedy | .... | special effects (as Michael Reedy) | |
| David Simmons | .... | special effects (as David L. Simmons) | |
| Dick Wood | .... | special effects (as Richard Wood) | |
| Gary Zink | .... | special effects (uncredited) | |
Stunts | |||
| Buff Brady | .... | stunts | |
| David D. Darling | .... | stunts | |
| Ted Duncan | .... | stunts | |
| Tom Elliott | .... | stunts | |
| Donna Evans | .... | stunts | |
| Clifford Happy | .... | stunts | |
| Robert Lee Harris | .... | stunts | |
| Norman Howell | .... | stunts | |
| Terry Leonard | .... | stunt coordinator | |
| Mike H. McGaughy | .... | stunts | |
| John Meier | .... | stunts | |
| Conrad E. Palmisano | .... | stunts | |
| Kerry Rossall | .... | stunts | |
| Ben Scott | .... | stunts (as Ben R. Scott) | |
| John-Clay Scott | .... | stunts | |
| Dean Smith | .... | stunts | |
| Dick Warlock | .... | stunts | |
| Jim Wilkey | .... | stunts | |
| Walter Wyatt | .... | stunts | |
Camera and Electrical Department | |||
| Mike Amorelli | .... | set electrician (as Michael Amorelli) | |
| Ralph Barone | .... | set electrician | |
| Tom Barone | .... | electrical best boy (as Thomas R. Barone) | |
| Russell Caldwell | .... | set electrician (as Ed Tobin) | |
| David Canestro | .... | grip | |
| James B. Crawford | .... | set electrician (as James Crawford) | |
| Richard Dow | .... | grip | |
| Kim Gottlieb | .... | still photographer (as Kim Gottlieb-Walker) | |
| Richard Hartley | .... | set electrician (as Richard Hartley Jr.) | |
| Gary Holt | .... | gaffer (as Gary H. Holt) | |
| Bob E. Krattiger | .... | set electrician (as Robert Krattiger) | |
| Michael Laws | .... | set electrician | |
| Marc Margulies | .... | second assistant camera | |
| Gary Parker | .... | dolly grip | |
| Tony Rivetti | .... | first assistant camera (as Anthony J. Rivetti) | |
| Chris Schwiebert | .... | camera operator | |
| Alex Skvorzov | .... | electrical best boy | |
| Calvin Sterry | .... | key grip (as Cal Sterry) | |
| Louis Tobin | .... | gaffer (as Lou Tobin) | |
| Joseph F. Valentine | .... | panaglide operator (as Joseph Valentine) | |
| Clay H. Wilson | .... | second grip (as Clay Wilson) | |
| Steve Wolfe | .... | set electrician | |
| James B. Crawford | .... | lamp operator (uncredited) | |
| Michael Laws | .... | lamp operator (uncredited) | |
Casting Department | |||
| Annette Benson | .... | casting assistant | |
| Janice Spitzer | .... | extras casting | |
| Peter Spitzer | .... | extras casting | |
Costume and Wardrobe Department | |||
| Dawn J. Jackson | .... | costumer: women (as Dawn Jackson) | |
| Darryl Levine | .... | costume supervisor | |
Editorial Department | |||
| Virginia Katz | .... | assistant film editor | |
Music Department | |||
| William C. Carruth | .... | music editor (as William Carruth) | |
| David Marsh | .... | music clearance | |
| Michael Ochs | .... | music coordinator | |
Transportation Department | |||
| George Alden | .... | driver | |
| Ed Arter | .... | transportation captain | |
| E.O. Braden | .... | transportation co-captain | |
| Gary Burch | .... | driver | |
| Eddie Lee Voelker | .... | transportation coordinator | |
| Gordon Wiles | .... | driver (as Gordon W. Wiles) | |
Other crew | |||
| Ellen Benjamin | .... | assistant: Mr. Carpenter | |
| Shirley Bonner | .... | assistant: Mr. Kobritz | |
| Bethany Brown | .... | assistant production accountant | |
| Gary Burch | .... | mechanic | |
| Maurice Costello | .... | first aid | |
| Karlene Gallegly | .... | location manager | |
| Larry Hand | .... | production accountant | |
| Jeffery House | .... | moldmaker (as Jeff House) | |
| Kisuna Jacobsen | .... | script supervisor | |
| Mary McKernan | .... | office assistant | |
| Bridget Murphy | .... | production coordinator | |
| Midge Ogle | .... | craft service | |
| Carol Rosenthal | .... | production secretary | |
| Richard Ruiz | .... | moldmaker | |
| Rubin Saens | .... | custom body works | |
| Peter J. Silbermann | .... | publicity coordinator | |
| Eddie Lee Voelker | .... | coordinator: "Christine" | |
Thanks | |||
| Robert Dawn | .... | in memory of (as Bob Dawn) | |
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Let me make this clear right away: I haven't read the book, nor do I intend to. You won't find any comparisons between the book and the film in this review. This film combines two of the biggest names in horror from two different medias; Stephen King is pretty much legendary for his written horror work. John Carpenter is also a pretty well-known name, but as a horror director rather than writer. Having not read the book, I have no idea how true Carpenter stayed to the source material, but I can understand from various sources that he changed a lot, and the changes were very big, so fans of the book might not like the movie. Whenever I hear about a film being made that is based on a King novel my response is usually that of someone who lacks any interest in it whatsoever. When I hear that it's directed by John Carpenter, one of my favorite directors, particularly within the horror genre, I develop an interest. Carpenter does a great job of turning something as potentially lame and goofy as a possessed car into something that you really fear. I was at the edge of my seat for a lot of the scenes, and I jumped at several shocking moments. The story revolves around a nerd buying a car, and the car significantly changing his personality. He changes enormously throughout the film, and I must say, the actor does a great job of capturing the emotion of the character. The plot is great, it doesn't move along very fast, but rather deliberately slow, building up atmosphere, building to a climax that is every bit as exciting as the build-up promises. The acting is great, especially by Keith Gordon, who portrays the nerd-like Arnie, who buys the demonic car. The film has pretty much the same sense of humor that Carpenter's films usually have, albeit slightly less of it is present than in several of his others, less serious films. The special effects are very good, they are almost impossible to tell. Had I not known better, I could have sworn that they were real. They probably could be more well-made had they been done today, but I still think it's amazing how real they look. They don't look the least bit dated. All in all, a good Carpenter film that probably won't be to everyones liking. I recommend it to fans of Carpenter, and fans of atmospheric horror films in general. 7/10