| Marilyn Chambers | ... | Angel Harmony | |
| Stephen Johnson | ... | Mark Wisdom | |
| Mary Woronov | ... | Samantha Vitesse | |
| Milt Kogan | ... | Harry Covert | |
| Remy O'Neill | ... | Andrea Shockley | |
| Dan Jesse | ... | Albert Shockley | |
| Gerald Okamura | ... | Hans Zeisel | |
| Randy West | ... | Mean Wong (as Andy Abrams) | |
| Harry Townes | ... | Peter Shockley | |
| Jerry Riley | ... | Randy Small | |
| Hal Kant | ... | George | |
| Janis Thrash | ... | Tiny | |
| Charles Hoyes | ... | Android Guard | |
| Tony D'Andrea | ... | Faux Pas Emcee | |
| Steve Cloud | ... | Himself | |
| Nelson Kirby | ... | High Roller | |
| Jitty Dufresne | ... | Marsha Nuts | |
| Tanya Santos | ... | Lola Bolts | |
| Robin Fenton | ... | Martina | |
| Chas Song | ... | H.E.A.T. aide | |
| Margie Zai | ... | H.E.A.T. team | |
| Glenn Christiansen | ... | H.E.A.T. team | |
| Gene Kaufman | ... | H.E.A.T. team | |
| Kebby Margaritch | ... | H.E.A.T. team | |
| Maxine Lee Walrod | ... | Hologram Lady | |
| J.B. Bassinger | ... | Android | |
| Pat Anderson | ... | Android | |
| Roger Sharp | ... | Android | |
| Sandy Taft | ... | Android | |
| Eric Watson | ... | Android | |
| Mark Gates | ... | Android | |
| Michele Warner | ... | Android | |
| Margie Stein | ... | Android | |
| Rick Guteridge | ... | Android | |
| Robert Burr | ... | Android | |
| Justin Smith | ... | Android | |
| Martin Bozlee | ... | Android |
Directed by | |||
| Myrl A. Schreibman | |||
Writing credits(in alphabetical order) | ||
| Helen Sanford | writer | |
| Myrl A. Schreibman | writer | |
Produced by | |||
| Anthony Kant | .... | associate producer | |
| Hal Kant | .... | executive producer | |
| Myrl A. Schreibman | .... | producer | |
Original Music by | |||
| Guy Sobell | |||
Cinematography by | |||
| Jacques Haitkin | |||
Film Editing by | |||
| Barry Zetlin | |||
Production Design by | |||
| Myrl A. Schreibman | |||
Art Direction by | |||
| Frank Coccaro | |||
Costume Design by | |||
| Kate Lindsay | |||
Production Management | |||
| Fred Slark | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roger Carlton | .... | additional first assistant director | |
| Mary Lou MacLaury | .... | first assistant director | |
| David Newman | .... | second assistant director | |
Art Department | |||
| Frank Coccaro | .... | property master | |
Sound Department | |||
| Sean Cassidy | .... | boom operator | |
| Patrushkha Mierzwa | .... | boom operator (as Petrushka Mierzwa) | |
| Dan Newman | .... | sound mixer | |
| Jim Strong | .... | boom operator | |
| Mark Ulano | .... | sound mixer | |
Stunts | |||
| Gilbert B. Combs | .... | stunt coordinator | |
| Gilbert B. Combs | .... | stunts | |
| Bobby Porter | .... | stunts (as Bobby M. Porter) | |
Casting Department | |||
| Sylvia Allen | .... | extras casting | |
Editorial Department | |||
| Daniel Gross | .... | assistant editor | |
Other crew | |||
| Jeff Buttaccio | .... | production trainee | |
| Mike Buttaccio | .... | production trainee | |
| Jay Rasmussen | .... | speedboat provider | |
| Jeanne Rummans | .... | script supervisor | |
| Charles Song | .... | technical advisor: martial arts | |
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| Dr. Goldfoot and the Bikini Machine | Flesh Gordon | The Ambushers | Prison-A-Go-Go! | Le spie vengono dal semifreddo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Adult-film-star Marilyn Chambers makes an attempt at an R-rated comedy-adventure in "Angel of H.E.A.T." I don't know if this movie actually played theatrically or went straight to video. I only remember it from the Vestron Video, now defunct, release on tape and disc from the early '80s and have never seen it appear since on video.
There is a fair amount of nudity from Marilyn, but the film really centers on its story and not on sexual situations. The story seems a bit hard to follow and somewhat choppy. Marilyn is sent on an undercover mission to stop a world takeover plot. It sounds better than it actually plays out however and this feature ends up seeming longer than its actual 90+ minutes. I assume the LaserDisc represents the best this movie ever looked, though its transfer is pretty soft and blurry making one strain to make out details in the movie's many night/dark scenes. The movie is presented full-frame with mono sound.
I would say it is required viewing strictly for hardcore Marilyn Chambers fans, no pun intended, to see her in a non-hardcore movie. The only other non-xXx or mainstream feature I know from her is the 1978 horror movie "Rabid." "Rabid" is certainly Marilyn's best non-adult performance, but "Angel of H.E.A.T" is a semi-interesting curiosity item.