| Werner Eichhorn | ... | Narrator (voice) | |
| Rod Steiger | ... | Mynheer Peperkorn | |
| Marie-France Pisier | ... | Clawdia Chauchat | |
| Flavio Bucci | ... | Ludovico Settembrini | |
| Christoph Eichhorn | ... | Hans Castorp | |
| Hans Christian Blech | ... | Hofrat Behrens | |
| Alexander Radszun | ... | Joachim Ziemßen | |
| Margot Hielscher | ... | Frau Stöhr | |
| Gudrun Gabriel | ... | Frl. Marusja | |
| Ann Zacharias | ... | Frl. Elly | |
| Irm Hermann | ... | Frl. Engelhart | |
| Kurt Raab | ... | Dr. Krokowski | |
| Rolf Zacher | ... | Herr Wehsal | |
| Helmut Griem | ... | James Tienappel | |
| rest of cast listed alphabetically: | |||
| Charles Aznavour | ... | Naphta | |
| Balduin Baas | ... | Zeichenlehrer | |
| Sven Eric Bechtolf | ... | Albin | |
| Stefania Bianca | ... | 1. Hexe | |
| Wilfried Blasberg | ... | Herr Magnus | |
| Erika Dannhoff | ... | Muntere Dame | |
| Uller Dubi | ... | Hinkender | |
| Gerlinde Eger | ... | Schwester Berta | |
| Buddy Elias | ... | Herr Wiedemann | |
| Polo Espinoza | ... | Mexikaner | |
| H.H. Jochmann | ... | Herr Wenzel (as Hans-Horst Jochmann) | |
| Johanna Karl-Lory | ... | Olga | |
| Felicitas Kirchgässner | ... | Frau Iltis | |
| Carla Kirchner | ... | Dame mit zwei Zwickern | |
| Micky Kley | ... | Frau Levy | |
| Ann Kligge | ... | Amy Nölting | |
| Angela Klingenberg | ... | Saaltochter | |
| Roswitha Koennecke | ... | Frau Stravinski | |
| Angelika Kraml | ... | Saaltochter | |
| Evelyn Künneke | ... | Frau Salomon | |
| Ah Yue Lou | ... | Dr. Ting Fu (as Ah-Yue Lou) | |
| Peter Maloney | ... | Dr. Blumenkohl | |
| Leslie Malton | ... | Hermine Kleefeld | |
| Maria Manni | ... | 2. Hexe | |
| Lisa Manus | ... | Amy's Freundin | |
| Peter Mühlenhaupt | ... | Herr Ferge | |
| Renate Muhri | ... | Russische Ehefrau | |
| Tilo Prückner | ... | Lehrer Popow | |
| Eschi Rehm | ... | Russischer Ehemann | |
| Renate Reiche | |||
| Franz Rosenzweig | ... | Herr Stravinski | |
| Alexander Ruppert | ... | Hans Castorp - 14 Jahre | |
| Eva Schär | |||
| Frank Schendler | ... | Herr Gänser | |
| Jürgen Schlunk | ... | Staatsanwalt Paravant | |
| Elfie Six | ... | Saaltochter | |
| Erika Skrotzki | ... | Oberin Mylendonk | |
| Narziß Sokatscheff | ... | Hauptmann Miklosisch | |
| Dieter Streipert | ... | Fetter Schüler | |
| Jenny Theelen | ... | Tous les deux | |
| Léonie Thelen | ... | Karen Karstedt | |
| Beate Tober | ... | Leila Gerngroß | |
| Monika Ullemeyer | ... | Zwergin Emerentia | |
| Hazel Usher | ... | Fräulein Robinson | |
| Egon Vogel | ... | Concierge | |
| Gottfried Vollmer | ... | Herr Rasmussen | |
| Lotti Huber | ... | Extra - Patient at Hospital (uncredited) | |
| Joachim Kemmer | ... | Voice of Ludovico Settembrini (voice) (uncredited) | |
| Edgar Ott | ... | Voice of Mynheer Peperkorn (voice) (uncredited) | |
Directed by | |||
| Hans W. Geissendörfer | |||
Writing credits(in alphabetical order) | ||
| Hans W. Geissendörfer | writer | |
| Thomas Mann | novel | |
Produced by | |||
| Francesco Casali | .... | executive producer | |
| Wolfgang Patzschke | .... | producer: ZDF | |
| Renzo Rossellini | .... | associate producer | |
| Renzo Rossellini | .... | co-producer | |
| Franz Seitz | .... | producer (as Franz Seitz Jr.) | |
Original Music by | |||
| Jürgen Knieper | |||
Cinematography by | |||
| Michael Ballhaus | |||
Film Editing by | |||
| Helga Borsche | |||
| Peter Przygodda | |||
Production Design by | |||
| Heidi Lüdi | |||
| Toni Lüdi | |||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Claudia Bobsin | |||
Makeup Department | |||
| Gerlinde Kunz | .... | makeup artist | |
| Ruth Noé | .... | assistant makeup artist | |
| Paul Schmidt | .... | makeup artist | |
| Anne-Rose Schwab | .... | assistant makeup artist | |
Production Management | |||
| Ferdinand Althoff | .... | unit production manager | |
| Rolf M. Degener | .... | production manager | |
| Stefan Zürcher | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Boyadjiew | .... | second assistant director | |
| Stefaan Schieder | .... | first assistant director | |
Art Department | |||
| Edith Peier | .... | property master | |
| Wolfgang J. Rux | .... | property master | |
| Rüdiger Strauch | .... | assistant production designer | |
Sound Department | |||
| Corina Dietz | .... | sound editor | |
| Hartmut Eichgrün | .... | sound mixer | |
| Dankwart Gehl | .... | sound assistant | |
| Hans-Walter Kramski | .... | foley artist | |
| Lili Otting | .... | sound editor | |
| Ed Parente | .... | sound | |
| Chris Price | .... | sound | |
| Detlef Schäfer | .... | sound assistant | |
Visual Effects by | |||
| Theo Nischwitz | .... | visual effects consultant | |
Camera and Electrical Department | |||
| Wolfgang Aschermann | .... | gaffer | |
| Gabriele Du Vinage | .... | still photographer | |
| Norbert Gebing | .... | assistant camera | |
| Jonny Müller | .... | dolly operator | |
| Jörg Schneider | .... | second assistant camera | |
| Amadou Seitz | .... | second assistant camera | |
| Honorat Stangel | .... | gaffer | |
| Pim Tjujerman | .... | first assistant camera | |
| Paul Zech | .... | assistant camera | |
Casting Department | |||
| Risa Kes | .... | extras casting | |
| Andrea Morein | .... | casting: bit parts | |
Costume and Wardrobe Department | |||
| Ellen Eckelmann | .... | assistant costumer | |
| Manfred Märschenz | .... | wardrobe | |
| Anneke Troost | .... | wardrobe | |
| Katharina von Martius | .... | assistant costumer | |
Editorial Department | |||
| Sabine Jagiella | .... | assistant editor | |
Music Department | |||
| Caspar Richter | .... | conductor | |
Other crew | |||
| Kristina Brandner | .... | continuity | |
| Kristina Brandner | .... | script supervisor | |
| Jan Michael Herzog | .... | production assistant | |
| Rudolf Santschi | .... | production assistant | |
| Stefan Scholtissek | .... | production assistant | |
| Jörn Schröder | .... | production consultant | |
| Gabriele Seitz | .... | publicist | |
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| La tregua | Amen. | Cross of Iron | Titanic | Manon des sources |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Austria section | Add this title to MyMovies |
For me, the soul of the novel The Magic Mountain is the clash of ideas expressed in the incessant arguments between Settembrini (the champion of the enlightenment values of humanism, democracy, science) and Naphta (representing a hyper-ascetic belief in religion, war, revolution, social upheaval and the clash of God and the devil). Later in the book, Peeperkorn introduces a third view of man centered on, daresay, pagan values (emotionalism, naturalism, non-idealism and anti-intellectualism). Perhaps unavoidably, and to its detriment, the movie gives short shrift to all of these large ideas, and most lamentably, fails to capture the ferocity of the battles between Settembrini and Naphta over the soul of Hans Castorp. This makes unintelligible the climactic confrontation between the two pedagogues in the snowy field.
Dismayingly, the Peeperkorn of Mann's novel is completely unrecognizable in the movie character. In the book, he is a larger-than-life charismatic figure who draws the other residents into his circle by the elemental force of his personality. In the movie, he is a sad and fearful old man, who feigns defiance of death in several over-wrought scenes not found in the book.
The movie also completely neglects important subordinate themes, such as the lure of Eastern passivity symbolized by Hans' infatuation with Madam Chauchat and her "Kirghiz" (Asian) eyes and exemplified by the sense of timelessness he feels at the Berghof. (This is another topic on which Settembrini frequently lectures young Hans.)
I enjoyed seeing the Berghof scenes brought to life, but, overall, I did not feel this was a successful film adaptation of Mann's book.