| Photos (see all 27 | slideshow) | Videos (see all 2) |
Steven Lisberger (story) and
Bonnie MacBird (story)
9 July 1982 (USA) more
The Electronic Gladiator more
A hacker is literally abducted into the world of a computer and forced to participate in gladiatorial games where his only chance of escape is with the help of a heroic security program. full summary | full synopsis
Nominated for 2 Oscars. Another 1 win & 6 nominations more
Uh Oh: Tron Legacy Writers to Script Ouija Movie
(From Atomic Popcorn. 2 November 2009, 6:33 AM, PST)
Tron Legacy Producer Talks About the Impact of Technology
(From ReelzChannel. 31 October 2009, 5:56 AM, PDT)
Tron works more (192 total)
| Jeff Bridges | ... | Kevin Flynn / Clu | |
| Bruce Boxleitner | ... | Alan Bradley / Tron | |
| David Warner | ... | Ed Dillinger / Sark / Master Control Program | |
| Cindy Morgan | ... | Lora / Yori | |
| Barnard Hughes | ... | Dr. Walter Gibbs / Dumont | |
| Dan Shor | ... | Ram / Popcorn Co-Worker | |
| Peter Jurasik | ... | Crom | |
| Tony Stephano | ... | Peter / Sark's Lieutenant | |
| Craig Chudy | ... | Warrior #1 | |
| Vince Deadrick Jr. | ... | Warrior #2 (as Vince Deadrick) | |
| Sam Schatz | ... | Expert Disc Warrior | |
| Jackson Bostwick | ... | Head Guard | |
| David S. Cass Sr. | ... | Factory Guard (as Dave Cass) | |
| Gerald Berns | ... | Guard #1 | |
| Bob Neill | ... | Guard #2 | |
| Ted White | ... | Guard #3 | |
| Mark Stewart | ... | Guard #4 | |
| Michael Sax | ... | Guard #5 | |
| Tony Brubaker | ... | Guard #6 | |
| Charlie Picerni | ... | Tank Commander (as Charles Picerni) | |
| Pierre Vuilleumier | ... | Tank Gunner #1 | |
| Erik Cord | ... | Tank Gunner #2 | |
| Loyd Catlett | ... | Conscript #1 / Video Game Cowboy | |
| Michael Dudikoff | ... | Conscript #2 (as Michael J. Dudikoff II) | |
| Richard Bruce Friedman | ... | Video Game Player | |
| Rick Feck | ... | Boy in Video Game Arcade | |
| John Kenworthy | ... | Boy in Video Game Arcade | |
| rest of cast listed alphabetically: | |||
| Jerry Maren | ... | (uncredited) | |
Directed by | |||
| Steven Lisberger | |||
Writing credits | ||
| Steven Lisberger | (story) and | |
| Bonnie MacBird | (story) | |
Produced by | |||
| Harrison Ellenshaw | .... | associate producer | |
| Donald Kushner | .... | producer | |
| Ron Miller | .... | executive producer | |
Original Music by | |||
| Wendy Carlos | |||
Cinematography by | |||
| Bruce Logan | |||
Film Editing by | |||
| Jeff Gourson | |||
Casting by | |||
| Pam Polifroni | |||
Production Design by | |||
| Syd Mead | |||
| Dean Edward Mitzner | |||
Art Direction by | |||
| John B. Mansbridge | |||
| Al Roelofs | |||
Set Decoration by | |||
| Roger M. Shook | (as Roger Shook) | ||
Costume Design by | |||
| Eloise Jensson | |||
| Rosanna Norton | |||
| Lorry Richter | (costumes: men) | ||
| Nedra Rosemond-Watt | (costumes: women) | ||
Makeup Department | |||
| Gary Liddiard | .... | makeup artist | |
| Robert J. Schiffer | .... | makeup artist | |
| Robert J. Schiffer | .... | makeup supervisor | |
| Joy Zapata | .... | hair stylist | |
Production Management | |||
| Ralph Sariego | .... | unit production manager | |
| Ted Schilz | .... | studio production manager | |
| Thomas L. Wilhite | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Lisa Marmon | .... | second assistant director | |
| Lorin Bennett Salob | .... | first assistant director | |
Art Department | |||
| Roger Allers | .... | pre-production concepts | |
| Robert M. Beall | .... | draftsman (as Bob Beall) | |
| John Dail | .... | draftsman | |
| Andy Gaskill | .... | production storyboards | |
| Jean Giraud | .... | electronic conceptual design (as Jean 'Moebius' Giraud) | |
| Antoinette J. Gordon | .... | draftsman | |
| Eugene Harris | .... | draftsman | |
| Bill Kroyer | .... | production storyboards | |
| Chris Lane | .... | pre-production concepts | |
| Peter Mueller | .... | pre-production concepts | |
| John Norton | .... | pre-production concepts | |
| John Norton | .... | production storyboards | |
| Shelley Phillips | .... | production painter | |
| Jerry Rees | .... | production storyboards | |
| Wilbur L. Russell | .... | property manager | |
| Bob Stahler | .... | draftsman | |
| Richard Taylor | .... | electronic conceptual design | |
Sound Department | |||
| Robert Bradshaw | .... | dialogue editor | |
| Gordon Ecker | .... | supervising sound editor (as Gordon Ecker Jr.) | |
| Michael Fremer | .... | sound design supervisor | |
| Michael Fremer | .... | sound | |
| Stan Gilbert | .... | dialogue editor | |
| Robert Hathaway | .... | sound department supervisor | |
| Randy Kelley | .... | sound effects editor | |
| James LaRue | .... | sound mixer (as Jim LaRue) | |
| John M. Lowry | .... | assistant sound editor | |
| Vince Melandri | .... | sound effects editor | |
| Anthony Milch | .... | sound effects editor | |
| Bob Minkler | .... | sound re-recording mixer | |
| Lee Minkler | .... | sound re-recording mixer | |
| Michael Minkler | .... | sound re-recording mixer | |
| Bob Newlan | .... | assistant sound editor | |
| Frank Serafine | .... | sound effects design and synthesis | |
| William Shenberg | .... | dialog editor | |
| Wylie Stateman | .... | supervising sound editor | |
| Marvin Walowitz | .... | sound effects editor | |
| Michael D. Wilhoit | .... | foley editor | |
| John Roesch | .... | foley artist (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Mike Edmonson | .... | special effects technician | |
| Mike Reedy | .... | special effects technician | |
| Gary D'Amico | .... | special effects (uncredited) | |
| David Domeyer | .... | special effects (uncredited) | |
| Hans Metz | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| John Aardal | .... | animation compositing camera | |
| Frank Amador | .... | photo-rotoscope supervisor | |
| William L. Arance | .... | airbrush artist (as William Arance) | |
| Andy Atkins | .... | airbrush artist | |
| Don Baker | .... | animation compositing camera | |
| Vicki Banks | .... | assistant effects animator | |
| John Bates | .... | background composite assistant | |
| Greg Battes | .... | airbrush supervisor | |
| Peter Blinn | .... | visual effects scene coordinator | |
| Allen Blyth | .... | assistant effects animator | |
| Bob Broughton | .... | opticals | |
| Jan Browning | .... | matte production | |
| Deena Burkett | .... | visual effects scene coordinator | |
| Don Button | .... | visual effects scene coordinator | |
| Glenn Campbell | .... | animation compositing camera | |
| Chris Casady | .... | effects animator | |
| Ed Coffey | .... | assistant effects animator | |
| Kerry Colonna | .... | visual effects scene coordinator | |
| Clint Colver | .... | visual effects scene coordinator | |
| Barry Cook | .... | effects animator | |
| William Cruse | .... | animation camera | |
| Dana Duff | .... | visual effects assistant scene coordinator | |
| Eric Durst | .... | assistant effects animator | |
| Lee Dyer | .... | effects animation supervisor | |
| Douglas Eby | .... | animation compositing camera | |
| Dennis Edwards | .... | assistant effects animator | |
| Harrison Ellenshaw | .... | visual effects supervisor | |
| George Epperson | .... | animation compositing camera | |
| Gail Frank | .... | effects animator (as Gail Finkeldei) | |
| Mike Gibson | .... | visual effects scene coordinator (as Michael Gibson) | |
| John Grower | .... | visual effects scene coordinator | |
| Marian Guder | .... | photo-rotoscope coordinator | |
| Peter Gullerud | .... | assistant effects animator | |
| Sandra Harper | .... | background composite assistant | |
| Brandy Hill | .... | animation compositing camera (as Brandy Whittington) | |
| Shelley Rae Hinton | .... | visual effects assistant scene coordinator (as Shelley Hinton) | |
| Jacqueline Hooks | .... | visual effects assistant scene coordinator (as Jacqui Hooks) | |
| Jim Keating | .... | visual effects scene coordinator | |
| Gayl Kelm | .... | photo-rotoscope supervisor | |
| Dick Kendall | .... | animation compositing camera | |
| Patric Kenly | .... | abel camera | |
| Patric Kenly | .... | animation camera operator | |
| Jeffrey Kleiser | .... | computer production supervisor, digital effects inc. | |
| Paul La Mori | .... | visual effects assistant scene coordinator | |
| Laura Leiben | .... | visual effects assistant scene coordinator | |
| David V. Lester | .... | effects unit manager | |
| Steven Lisberger | .... | visual effects concepts | |
| Annie McEveety | .... | animation compositing camera | |
| Stephen McEveety | .... | effects unit manager | |
| Tim McGovern | .... | visual effects (computer animator) (Abel systems programmer) | |
| Kieran Mulgrew | .... | animation compositing camera | |
| Craig Newman | .... | visual effects scene coordinator | |
| John Norton | .... | effects animator | |
| Ron Obenbaugh | .... | photo-rotoscope supervisor | |
| Jim Pickel | .... | animation compositing camera supervisor | |
| Ron Rae | .... | visual effects assistant scene coordinator | |
| Roger Rinati | .... | photo-rotoscope supervisor | |
| Lynn Ringer | .... | matte production | |
| Cat Robson | .... | background composite assistant (as Catherine Eby) | |
| Darrell Rooney | .... | effects animator | |
| Maria Rosetti | .... | assistant effects animator (as Maria Ramocki) | |
| Dana Ross | .... | animation compositing camera | |
| Cynthia Rush | .... | visual effects assistant scene coordinator | |
| Marta Russell | .... | background composite supervisor | |
| Scott Russo | .... | visual effects assistant scene coordinator | |
| John Scheele | .... | effects technical supervisor | |
| Lorraine Schweizer | .... | background composite assistant | |
| Dave Scott | .... | photo-rotoscope supervisor | |
| Ron Stangl | .... | assistant effects animator | |
| David Stephan | .... | assistant effects animator | |
| Linda D. Stokes | .... | visual effects scene coordinator | |
| Richard Taylor | .... | computer effects supervisor | |
| Richard Taylor | .... | visual effects supervisor | |
| Lynda Thompson | .... | visual effects assistant scene coordinator (as Lynda Ellenshaw) | |
| Maureen Trueblood | .... | assistant effects animator | |
| John Tucker | .... | assistant effects animator | |
| James Valentine | .... | visual effects assistant scene coordinator | |
| John T. Van Vliet | .... | effects animator | |
| Neil Viker | .... | animation compositing camera | |
| Paul Wainess | .... | animation compositing camera | |
| Byron Werner | .... | assistant effects animator | |
| Denise Wethington | .... | visual effects assistant scene coordinator | |
| Michael Wolf | .... | effects animator | |
| Arnie Wong | .... | matte production supervisor | |
| Christopher Dusendschon | .... | camera system design team: Robert Abel & Assoc. (uncredited) | |
| Jammie Friday | .... | rotoscope (uncredited) | |
| Bill Kent | .... | animation compositing camera (uncredited) | |
| David Mattingly | .... | digital artist (uncredited) | |
Stunts | |||
| William H. Burton | .... | stunts (as Bill Burton) | |
| Richard E. Butler | .... | stunt coordinator (as Richard E. Butler Jr.) | |
| Richard E. Butler | .... | stunts (as Richard E. Butler Jr.) | |
| James Deeth | .... | stunts | |
| Bennie E. Dobbins | .... | stunts | |
| Rita Egleston | .... | stunts | |
| Gary Epper | .... | stunts | |
| Donna Garrett | .... | stunts | |
| Larry Holt | .... | stunts | |
| Billy Hank Hooker | .... | stunts (as Hank Hooker) | |
| Gary Jensen | .... | stunts | |
| Al Jones | .... | stunts | |
| Fred Lerner | .... | stunts | |
| Ross Reynolds | .... | stunts | |
| Walter Scott | .... | stunts | |
| Glenn R. Wilder | .... | stunts (as Glenn Wilder) | |
| James Winburn | .... | stunts | |
| Charlie Picerni | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jamie Anderson | .... | first assistant camera (as James M. Anderson) | |
| Bernie Bayless | .... | best boy | |
| Owen Crompton | .... | grip supervisor | |
| Bernie Gagliano | .... | background plate photographer | |
| Kristopher Gregg | .... | abel camera (as Kris Gregg) | |
| Valerie Hagenbush | .... | camera schedule coordinator | |
| Gregg Heschong | .... | camera operator | |
| Herbert Hughes | .... | electrician supervisor | |
| Dave Iwerks | .... | background plate photographer | |
| Horace Jordan | .... | first assistant camera | |
| Christopher Keith | .... | camera schedule coordinator | |
| Gene Larmon | .... | background plate photographer | |
| Rexford L. Metz | .... | camera operator | |
| Ron Peebles | .... | second grip | |
| Roger Redel | .... | gaffer | |
| Stan Reed | .... | key grip | |
| Lynn Tomes | .... | first assistant camera | |
| Ron Vargas | .... | camera operator | |
| Michael D. Weldon | .... | first assistant camera | |
| Mario Zavala | .... | second assistant camera | |
| Peter McEvoy | .... | animation camera operator (uncredited) | |
Animation Department | |||
| Lisa Adams | .... | ink and paint artist | |
| Maria Alvarez | .... | ink artist (as Maria Luisa Alvarez) | |
| Priscilla Alvarez | .... | ink and paint artist | |
| Christopher D. Andrews | .... | background artist | |
| Peter Aries | .... | international cel coordinator | |
| Christina Caspary | .... | ink artist | |
| Gary Conklin | .... | background artist | |
| Cathy Crum | .... | ink and paint artist | |
| Alison DiCecio | .... | ink and paint artist | |
| Janette Downs | .... | ink artist | |
| Lillian Fitts | .... | ink artist | |
| Larry Grossman | .... | background artist | |
| Corey Harris | .... | background artist | |
| Paul Hernandez | .... | international cel coordinator | |
| May Kong | .... | ink artist | |
| Tia W. Kratter | .... | background artist | |
| Donald Leich | .... | computer animator: Digital Effects Inc. | |
| Peter Lloyd | .... | background designer | |
| Gene Miller | .... | computer animator: Digital Effects Inc. | |
| Flavia Mitman | .... | ink and paint artist | |
| Peter Mueller | .... | background artist | |
| Bonny Nardini | .... | ink artist | |
| Julian Pena | .... | international cel coordinator | |
| Ronnie Prinz | .... | ink and paint artist | |
| Elaine Robinson | .... | ink and paint artist | |
| Jesse Silver | .... | background painting supervisor | |
| Ann Sorensen | .... | ink and paint artist (as Ann Marie Sorenson) | |
| Auril Thompson | .... | effects ink and paint supervisor (as Auril Pebley) | |
| Donald Towns | .... | background artist | |
| Frank Vitz | .... | computer animator | |
| James Wang | .... | production ink and paint matting: Cuckoo's Nest Studios (as Chung Yuan Wang) | |
| Thomas Woodington | .... | background artist | |
| Raulette Woods | .... | international cel coordinator | |
| Tim Burton | .... | animator (uncredited) | |
| David Halver | .... | ink and paint artist (uncredited) | |
| Rick Moore | .... | animator (uncredited) | |
Costume and Wardrobe Department | |||
| Jack Sandeen | .... | costume supervisor | |
| Jack Sandeen | .... | wardrobe supervisor | |
Editorial Department | |||
| Ed Capliano | .... | negative cutter | |
| Baylis Glascock | .... | assistant editor | |
| Walter Hekking | .... | assistant editor | |
| Martin Welsh | .... | color timer | |
Music Department | |||
| Richard Bowden | .... | conductor: Los Angeles Orchestra | |
| Jorge Calandrelli | .... | orchestrator | |
| Wendy Carlos | .... | music synthesizer performances and processing | |
| Annemarie Franklin | .... | assistant to composer | |
| Michael Fremer | .... | music supervisor | |
| Douglas Gamley | .... | conductor: London Philharmonic Orchestra | |
| Jeffrey G. Gusman | .... | music layout | |
| John Mosely | .... | score recordist | |
| Tom Bocci | .... | music supervisor: songs (uncredited) | |
Transportation Department | |||
| Dyke Johnson | .... | effects transportation | |
| Katy Johnson | .... | effects transportation | |
Other crew | |||
| Robert Abel | .... | abel systems supervisor | |
| Peter Anderson | .... | photographic process lab supervisor | |
| Richard 'Dr.' Baily | .... | abel systems programmer | |
| Edle Bakke | .... | script supervisor | |
| Dave Barnett | .... | computer systems and software development | |
| Carolyn Bates | .... | background technical inker | |
| Tom Bisogno | .... | synthavision production | |
| Nancy Hunter Campi | .... | magi/synthavisionscene programmer | |
| Martin O. Cohen | .... | synthavision technologist | |
| Michael G. Craig | .... | production assistant | |
| Art Cruickshank | .... | photographic process lab supervisor | |
| Champ Davenport | .... | mcp voice processing | |
| Michael Dilbeck | .... | special record coordinator | |
| William Dungan Jr. | .... | iii scene programmer | |
| Art Durinski | .... | iii object digitizing | |
| Larry Elin | .... | magi/synthavision scene creation concepts (as Larry Elin Popielinski) | |
| Stephanie Graziano | .... | sample art supervisor | |
| Rob Hummel | .... | laboratory coordinator | |
| Dave Inglish | .... | computer systems and software development | |
| Don Iwerks | .... | mechanical designs and conversions | |
| Debra DeVito Jackson | .... | production assistant | |
| Mark Kimball | .... | computer systems and software development | |
| Bill Kovacs | .... | abel systems programmer | |
| Bill Kroyer | .... | computer image choreographer | |
| Eileen Kuramoto | .... | film logging | |
| Peggy Lisberger | .... | secretary to Mr. Lisberger | |
| Peter Lloyd | .... | electronic world conceptual artist | |
| Larry Malone | .... | iii scene programmer | |
| Jack Manning | .... | mcp voice processing | |
| Mal McMillan | .... | iii scene programmer | |
| Syd Mead | .... | electronic world conceptual artist | |
| Kenny Mirman | .... | abel design supervisor | |
| Mical Morrish | .... | production assistant | |
| Anna-Lisa Nilsson | .... | assistant: Mr. Lisberger | |
| Denise Olivo | .... | production assistant | |
| Bob Otto | .... | mechanical designs and conversions | |
| Kenneth Perlin | .... | synthavision technologist | |
| Don Porterfield | .... | mechanical designs and conversions | |
| Marty Prager | .... | computer systems and software development | |
| Jerry Rees | .... | computer image choreographer (as Jerry W. Rees) | |
| Craig W. Reynolds | .... | iii scene programmer | |
| Judson Rosebush | .... | systems supervisor: Digital Effects Inc. | |
| Michael Schulz | .... | production assistant | |
| Jeremy Schwartz | .... | iii scene programmer | |
| Herbert Steinberg | .... | synthavision technologist | |
| Bill Tondreau | .... | computer systems and software development | |
| Eugene Troubetzkoy | .... | synthavision technologist | |
| Frank Vitz | .... | abel systems programmer | |
| Chris Wedge | .... | magi/synthavision scene programmer | |
| Lynn Wilkinson | .... | iii computer production coordinator | |
| Wendy Williams | .... | production assistant | |
| John Beach | .... | synthavision production (uncredited) | |
Tron (UK)
Tron: The Electronic Gladiator (Australia)
more
96 min
Color (Technicolor)
2.35 : 1 more
70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)
Netherlands:MG6 (20th anniversary collector's edition) | Iceland:L | Peru:PT | South Korea:15 | Brazil:Livre | Argentina:Atp | Australia:G | Chile:TE | Finland:K-12 | Sweden:11 | UK:A (original rating) | UK:PG (video rating) | USA:PG | West Germany:12 | Singapore:PG | Canada:G (Nova Scotia/Quebec) | Canada:PG (Manitoba/Ontario)
Lawrence Livermore National Laboratory - 7000 East Avenue, Livermore, California, USA more
In this film produced by the Walt Disney Company, a man named Walter started a company in his garage which became a huge company. In real life Walt Disney started the Walt Disney Company itself in his garage, and that went on to become a huge company. more
Crew or equipment visible: When Flynn runs through the computer halls shortly before he gets scanned in the computer, you see a crew member sitting behind a Cray 1 supercomputer and several others reflected in the glass on the same Cray 1. more
[first lines]
Boy in Video Game Arcade:
All right, give me room. Here we go.
more
Referenced in We Are the Strange (2007) more
1990s Theme more
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| News articles | IMDb Action section | IMDb USA section |
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For the average viewer, 'Tron' is a puzzling film. The language is loaded with jargon, the world experienced by Clu and Tron (inside the computer) appears strange, forbidding and two-dimensional. It is a world that seems to work though, but how does the human Clu instantly know how to adjust to its peculiarities?
Viewers have come to expect that techno-babble jargon in SciFi flicks is completely meaningless. That isn't entirely the case for 'Tron', much of it is firmly based in computing. Even more importantly, this strange world Clu and Tron inhabit is equally firmly based on the way computer operating systems work, and that is the reason why Clu (in real live a computer hacker) knows how to handle it.
Using this world as the basis for a movie was pretty audacious, especially in 1982. Thankfully, the writers did not compromise on their idea, and consequently the film not only worked but it stood the test of time.
'Tron' works, because computers work.