| Photos (see all 19 | slideshow) |
| Anthony Franciosa | ... | Peter Neal | |
| Christian Borromeo | ... | Gianni | |
| Mirella D'Angelo | ... | Tilde | |
| Veronica Lario | ... | Jane McKerrow | |
| Ania Pieroni | ... | Elsa Manni | |
| Eva Robin's | ... | Girl on Beach (as Eva Robins) | |
| Carola Stagnaro | ... | Detective Altieri | |
| John Steiner | ... | Christiano Berti | |
| Lara Wendel | ... | Maria Alboretto | |
| John Saxon | ... | Bullmer | |
| Daria Nicolodi | ... | Anne | |
| Giuliano Gemma | ... | Detective Germani | |
| Isabella Amadeo | ... | Bullmer's secretary | |
| Mirella Banti | ... | Marion | |
| Ennio Girolami | ... | Department Store Manager (as Enio Girolami) | |
| Monica Maisani | |||
| Marino Masé | ... | John | |
| Fulvio Mingozzi | ... | Alboretto, the porter | |
| Gianpaolo Saccarola | ... | Coroner | |
| Ippolita Santarelli | ... | Prostitute | |
| Francesca Viscardi | |||
| rest of cast listed alphabetically: | |||
| Dario Argento | ... | Narrator (Italian version) / Murderer's Hands (voice) (uncredited) | |
| Lamberto Bava | ... | Elevator Repairman #1 (uncredited) | |
| Michele Soavi | ... | Maria's Boyfriend / Man Walking with Girl on Beach (uncredited) | |
Directed by | |||
| Dario Argento | |||
Writing credits(in alphabetical order) | ||
| Dario Argento | writer | |
Produced by | |||
| Claudio Argento | .... | producer | |
| Salvatore Argento | .... | executive producer | |
Original Music by | |||
| Goblin | (as Simonetti-Morante-Pignatelli) | ||
| Massimo Morante | |||
| Fabio Pignatelli | |||
| Claudio Simonetti | |||
Cinematography by | |||
| Luciano Tovoli | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Giuseppe Bassan | |||
Set Decoration by | |||
| Tommaso Barbi | |||
| Maurizio Garrone | |||
| Aldo Taloni | (settings) | ||
Costume Design by | |||
| Pierangelo Cicoletti | |||
| Carlo Palazzi | |||
| Franco Tomei | |||
Makeup Department | |||
| Carboni | .... | hair stylist | |
| Patrizia Corridoni | .... | key hair stylist | |
| Pierantonio Mecacci | .... | makeup artist | |
| Piero Mecacci | .... | makeup artist (as Pierino Macacci) | |
| Rocchetti | .... | hair stylist | |
Production Management | |||
| Cesare Jacolucci | .... | production manager | |
| Cesare Jacolucci | .... | production supervisor | |
| Giuseppe Mangogna | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lamberto Bava | .... | first assistant director | |
| Michele Soavi | .... | second assistant director | |
Art Department | |||
| Antonella Caputo | .... | assistant production designer | |
| Massimo Garrone | .... | assistant set decorator | |
| Osvaldo Monaco | .... | property master | |
| Giuseppe Pagnotta | .... | property master | |
| Cesare Piccini | .... | assistant property master | |
Sound Department | |||
| Luciano Anzellotti | .... | sound effects | |
| Massimo Anzellotti | .... | sound effects | |
| Mario Dallimonti | .... | sound | |
| Giancarlo Laurenzi | .... | boom operator | |
| Romano Pampaloni | .... | sound mixer | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects | |
Costume and Wardrobe Department | |||
| Barbara Canevari | .... | assistant costume designer | |
| Vanda Caprioli | .... | wardrobe | |
Editorial Department | |||
| Piero Bozza | .... | assistant editor | |
| Roberto Priori | .... | assistant editor | |
Other crew | |||
| Ferdinando Caputo | .... | production accountant | |
| Diego Della Valle | .... | shoemaker | |
| Carlo Du Bois | .... | production accountant | |
| Enrico Lucherini | .... | unit publicist | |
| Saverio Mangogna | .... | production secretary | |
| Cesare Piccini | .... | leather | |
| Francesca Roberti | .... | script supervisor | |
| Pino Locchi | .... | voice dubbing: Giuliano Gemma (uncredited) | |
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| L'uccello dalle piume di cristallo | La coda dello scorpione | La tarantola dal ventre nero | Il gatto a nove code | Sei donne per l'assassino |
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I first saw Tenebr(a)e under the moniker "Unsane" (which is supposedly missing ten minutes of gore and some extensive camerawork). I really enjoyed the film, so I bought the rerelease print from Anchor Bay, and I must say, the restored, uncut, letterboxed print looks and sounds wonderful.
There's no need to go into the plot other than to say Anthony Franciosa stars as American horror novelist Peter Neal and, while he's in Rome on a book tour, murders are being committed by one of his crazed fans. I read somewhere that Argento is king of stringing together a plot and cheating audiences just so they can't guess the identity of the killer, and with this as evidence, I agree 100%. It's nearly impossible to figure out this plot before it's fully explained.
Luciano Tovoli's camerawork/cinematography is brilliant, especially the luma crane shot (which goes up one side of a building, over the roof and down the other side in one unbroken taken). There's also an extremely well-photographed and directed sequence featuring a girl being pursued by a rabid Doberman. Now they would do those two scenes with computers, and I think that obliterates the charm of the hands-on filmmaking process.
In short, this film puts Hollywood thrillers like "Copycat" "The Bone Collector," and "Se7en" to shame, and it's apparent all three films stole ideas from this one (and from other films in Argento's oeuvre).
Score: 9 out of 10.