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Shoot the Moon
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Shoot the Moon (1982) More at IMDbPro »


Overview

User Rating:
6.8/10   1,152 votes
MOVIEmeter: ?
Up 13% in popularity this week. See why on IMDbPro.
Director:
Writer:
Bo Goldman (written by)
Contact:
View company contact information for Shoot the Moon on IMDbPro.
Release Date:
19 February 1982 (USA) more
Genre:
Plot:
A fifteen year marraige dissolves, leaving both the husband and wife, and their four children, devastated... more | add synopsis
Awards:
Nominated for 2 Golden Globes. Another 3 nominations more
User Comments:
The Best Film of 1982 more (24 total)

Cast

  (in credits order) (verified as complete)

Albert Finney ... George Dunlap

Diane Keaton ... Faith Dunlap

Karen Allen ... Sandy

Peter Weller ... Frank Henderson
Dana Hill ... Sherry Dunlap
Viveka Davis ... Jill Dunlap

Tracey Gold ... Marianne Dunlap
Tina Yothers ... Molly Dunlap

George Murdock ... French DeVoe
Leora Dana ... Charlotte DeVoe
Irving Metzman ... Howard Katz
Kenneth Kimmins ... Maitre D'
Michael Alldredge ... Officer Knudson
Robert Costanzo ... Leo Spinelli

David Landsberg ... Scott Gruber

Lou Cutell ... Willard
James Cranna ... Harold

Nancy Fish ... Joanne
Jeremy Schoenberg ... Timmy

Aesop Aquarian ... Rick (as Stephen Morrell)
Jim Lange ... M.C. at 25th International Book Awards Dinner
Georgann Johnson ... Isabel

O-Lan Jones ... Countergirl (as O-Lan Shepard)

Helen Slayton-Hughes ... Singer
Robert Ackerman ... Waiter
Eunice Suarez ... Mexican Woman
Hector Morales ... Mexican Man
Morgan Upton ... Photographer
Edwina Moore ... Reporter
Kathryn Trask ... Nurse
Bill Reddick ... Priest
Bonnie Carpenter ... Mourner
Margaret Clark ... Mourner
Jan Dunn ... Mourner
Rob Glover ... Mourner
rest of cast listed alphabetically:
Fran Ryan ... Judge (uncredited)
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Directed by
Alan Parker 
 
Writing credits
(in alphabetical order)
Bo Goldman  written by

Produced by
Alan Marshall .... producer
Stuart Millar .... executive producer
Edgar J. Scherick .... executive producer
 
Cinematography by
Michael Seresin 
 
Film Editing by
Gerry Hambling 
 
Casting by
Juliet Taylor 
 
Production Design by
Geoffrey Kirkland 
 
Art Direction by
W. Stewart Campbell  (as Stu Campbell)
 
Set Decoration by
Robert Nelson 
Doug von Koss 
 
Costume Design by
Kristi Zea 
 
Makeup Department
Paul LeBlanc .... hair stylist
Don Le Page .... makeup artist
Martin Samuel .... hair stylist
Richard Sharpe .... makeup artist
Rick Sharp .... makeup department head
 
Production Management
Nancy Giebink .... unit production manager
Ned Kopp .... production manager
 
Second Unit Director or Assistant Director
Ray Greenfield .... first assistant director (as Raymond L. Greenfield)
François Moullin .... second assistant director
Lope Yap Jr. .... second second assistant director
 
Art Department
Tom Sindicich .... construction coordinator
Burt C. Wiley .... property master
 
Sound Department
Eddy Joseph .... sound editor
David MacMillan .... sound mixer
Alan Paley .... sound effects editor
Steve Powell .... boom operator
Bill Rowe .... dubbing mixer
 
Special Effects by
Richard Albain .... special effects
 
Stunts
M. James Arnett .... stunt coordinator
Gary Hymes .... stunts (as Gary M. Hymes)
 
Camera and Electrical Department
Robert G. Finley .... best boy
Gary Gill .... dolly grip
Jeff Gilliam .... gaffer
Jon Guterres .... key grip
Lance Hughston .... best boy
Gilbert Johnson .... electrician
Michael Maley .... electrician
Elliott Marks .... still photographer
Ron Pearce .... lighting consultant
Bobby Powell .... electrician
John Stanier .... camera operator
Baird Steptoe .... first assistant camera
Donald E. Thorin Jr. .... second assistant camera
 
Casting Department
April Webster .... casting: Los Angeles
 
Costume and Wardrobe Department
Mary Elizabeth Still .... ladies costume supervisor
 
Editorial Department
Daniel Candib .... assistant editor
Richard Candib .... assistant editor
Leonard Green .... assistant editor
Richard Hymns .... assistant editor
Stefna Smal .... assistant editor
 
Transportation Department
Henry Travers .... transportation coordinator
 
Other crew
Allen Burry .... publicist
Rory Enke .... location manager
Don Levy .... unit publicist
Pat Newcomb .... publicist
Ron Phipps .... financial controller
Alice Tompkins .... script supervisor
George Zimninsky .... landscape coordinator
 

Production CompaniesDistributors
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Additional Details

Runtime:
124 min
Country:
Language:
Color:
Color (Metrocolor)
Sound Mix:
Filming Locations:

Fun Stuff

Quotes:
George Dunlap: I'm not kind anymore.
Faith Dunlap: Me either.
George Dunlap: You're kind to strangers.
Faith Dunlap: Yeah. Strangers are easy.
more
Movie Connections:
Referenced in Ellie Parker (2005) more
Soundtrack:
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FAQ

This FAQ is empty. Add the first question.
5 out of 7 people found the following comment useful.
The Best Film of 1982, 23 September 2005
10/10
Author: asc85 from Mercer County, NJ

1982 was arguably one of the greatest film years in recent memory, with releases including "E.T.", "Gandhi," and "Sophie's Choice." Still, I would say that the best film of 1982 - and one of the best films of the 1980's - was "Shoot the Moon." I am not sure exactly why this film never got the acclaim it deserved...certainly there were many great films that year that overshadowed it. Moreover, it might have been too visceral for some...a couple I knew who were previously divorced from other people were extremely offended by the movie, and found it gratuitous.

I have only seen two films be successful in making the lead characters so likable in one scene, and then so unlikeable in the next scene. This is one of them (the other one is "Twice in a Lifetime"). Bo Goldman's screenplay is tremendous. Diane Keaton's rendition of "If I Fell" while soaking in the bathtub is one of the most haunting and powerful scenes I have ever seen. Also, the scene towards the end of the movie in the restaurant where Finney and Keaton are loudly arguing with each other to the annoyance of other patrons is extremely well done and enjoyable. I believe most of the scene is done in a long take. On regular TV, that scene is butchered due to the language, and they show cut-aways to other patrons to get away with that.

It's been more than 20 years since "Shoot the Moon" was released, and I'm not sure what I could say that would motivate someone to see this film for the first time. But it truly is great. Pauline Kael thought so too, and I'm sure she will carry much more weight with movie fans than me!

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