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15 out of 15 people found the following review useful: A Psychological Drama of Great Poignancy, 4 January 2004 Author: Christine (cmf1261@aol.com) from Philadelphia, PA USA
This is one of the most beautiful, and heartbreaking, films that I have ever seen. The story of a shell-shocked soldier who, in order to escape the horrors of the war in which he has been involved (WW I) retreats to some inner world of the past. He loses all sense of reality, and becomes entrenched in a time before his marriage, the loss of his child, and the pressures of adulthood. Played by the magnificent and tragically departed Alan Bates, the title character Captain Chris Baldry, takes refuge in a love that existed twenty years before, when he was a young man with his life in front of him. The object of his affection, Glenda Jackson, is now a middle aged woman, but he sees her with the eyes of love, and she is for him the youthful beauty with whom he fell in love decades ago. His wife, a brittle and uncaring Julie Christie, wants him to regain his sense of the present, because she misses her social status. His first love does not initially believe that he should be roused back to consciousness, because she wants him to remain in a happy, albeit unrealistic state. His cousin (played by an unusually good Ann-Margret), a woman who has loved him in secret since the days of their shared childhood, is in a middle place between the two, wanting him back, and yet appreciating the fact that his unawareness and his psychological trip backward in time is bringing him a sort of peace.Ultimately, the women join forces and realize, with the help of a psychiatrist, that the man they love must be roused from his reverie. The final scene, in which he is brought face to face with reality, is wrenching and difficult, and Sir Alan is able to show with the straightening of his shoulders and the stiffness of his gait that he has returned, sadly, to the present. It is an unspeakably sad performance, of great beauty.I was reminded, when watching this film, of another film which focused almost entirely on character as opposed to action: "Charly" a film based on the book "Flowers for Algernon" In that movie, which garnered an Academy Award as Best Actor for Cliff Robertson, depicted how an individual who has been moved into a different reality (a retarded man becomes, for a short while, intellectually gifted)can capture a few moments of happiness, which must be sacrificed when he returns to his prior state.Similarly, the film 'Awakenings' with Robert De Niro tells the story of a man who languished in a coma for many years, and was allowed, through the use of an experimental drug, a few weeks of happiness, a few brief moments to experience life, before the veil of unconsciousness was once again drawn over him when the drugs stopped working.These stories of people who find happiness in small, short snippets of time, are incredibly moving, and underscore the brevity of life, and the importance of living each moment to its fullest extent.The Return of the Soldier is truly a tour de force, very sad, very beautiful, and incredibly well-acted. I would strongly recommend it to admirers of Alan Bates, and all those who want to be deeply engaged by a film.
8 out of 8 people found the following review useful: I so agree!, 27 August 2004 Author: ducdebrabant from New York City, USA
It's a perfect film, and Ann-Margret with little or no makeup, mousy brown hair and a -- to my ears -- perfect British accent might have been totally unrecognizable if I hadn't already known she was in the cast. I can't say I was totally surprised at how good she was, since I have liked all her performances since Carnal Knowledge (I could just weep over all the wasted years and crummy movies preceding it), but the way she held her own as an Englishwoman with the royalty of the British screen was pretty impressive.Bates is utterly heartbreaking and Jackson is quite wonderful. She is at, almost, her least physically attractive, which adds to the poignancy. Christie on the contrary, as a selfish and shallow beauty, really IS a beauty in the film, still, which adds to the interest. She is being overlooked in favor of Jackson, to whom the years have not been kind.
4 out of 4 people found the following review useful: Glenda the Great!, 24 February 2007 Author: Sylvia Marciniak (sylviastel@aol.com) from United States
Before she went into politics or public service, Glenda Jackson was one of Britain's finest film actresses. This film displays her talent despite having a supporting role in a stellar cast that includes Julie Christie as Kitty, the wife of a British Royal Captain who has lost his memory of the last 20 years, and Jenny played by American Ann-Margret in an almost unrecognizable role as the doting sister. Alan Bates plays the captain who suffers from memory loss triggered by the shell shock during World War I. Sir Ian Holm has a smaller role as the doctor treating him. You see familiar faces like Sheila Keith, Patsy Byrne, and Frank Finlay. You can't help but watch Glenda play a dowdy housewife and the first true love of the Captain but they came from different classes. It's not the greatest movie but it's good to see Glenda's amazing talent. She is still a fantastic actress, comedy or drama. She makes Margaret Grey into a likable character and you see why a regal captain fell in love with her.
4 out of 4 people found the following review useful: Unforgettable, 6 February 2005 Author: trpdean from New York, New York
This is superb - the acting wonderful, sets, clothes, music - but most of all the story itself.I am amazed there aren't more reviews of this movie - certainly one of the best of the 1980s.It's also a wonderful movie to see in tandem with the great "Random Harvest" which has much the same opening crisis -- a middle aged, unknown English W.W.I officer is in a hospital toward the close of the war, suffering from shell shock and complete amnesia without any idea of his name, origin, or anywhere he belongs - he proves to be a very wealthy established man - when he "recovers", he will not remember the years before the war -- But there the movies' resemblances end.My warmest thanks to all who participated in the movie - particularly the actors Ian Holm, Alan Bates, Ann Margret (what a great and surprising casting choice), Glenda Jackson, Julie Christie.This one stays with you forever.
2 out of 2 people found the following review useful: Rebecca Takes the Measure of the West, 25 July 2007 Author: mike rice (873mike@centurytel.net) from Sparta, Wisconsin 54656
*** This review may contain spoilers ***
just saw this exquisite 1982 movie Return of the Soldier, based on Rebecca West's novel. Its about a shell-shocked fortyish Captain who doesn't even tell his wife he has returned to British soil, but remains in a hospital in London. He's lost his memory and is a boy again, with a lingering yen for the lower class sweetheart he pursued 25 years earlier. Its a delicate story. He is lingering in his boyhood, while the reader discovers his wife is an unbearable, aspiring socialite who wants him to resume his place in society. Living with them is his cousin Jenny, who loved Chris Baldry the soldier, when they were growing up as playmates, but has settled into spinsterhood. The lower class woman, played by Glenda Jackson, is Margaret Gray. It is SHE who is notified that Chris is back in England. Chris' wife Kitty is shocked when Mrs. Gray comes to tell her that Chris is in a hospital in London. Kitty (Julie Christie) is vacuous and snobbish. Why, she asks herself, was this other woman sent a telegraph about Chris rather than her? Chris has forgotten totally about Kitty. He wants to renew his relationship with Margaret. The now married Margaret is reluctant to meet him, but then does and continues to meet with him. There is a psychiatrist (Ian Holm) who warns Kitty and Jenny that Chris' temporary happiness with Margaret will disappear if he 'cures' him. Jenny realizes how empty Kitty is for Chris and forms a secret loving alliance through Margaret. They both are in love with him. Jenny wants to help. Late in the film Kitty reveals that Chris and she had a boy who died five years ago. Telling Chris this, weighs the Shrink, will certainly restore him to 'normal.' But is this a good idea? Chris, barely aware that he and Kitty were ever married, is unaware of his child and the child's death. The psychiatrist, just learning of the child, believes such knowledge will restore Chris. Jenny and Margaret have Chris all to themselves because Kitty believes he is faking and refuses to accept Chris's illness in reverting to his youth in his forties. The film leaves her mostly out of consideration concerning whats to be done with Chris.But Jenny and Margaret, in the child's perfectly maintained bedroom- with Kitty too in the novel, but not in the screenplay- discuss what they believe should be done about Chris from their separate perspectives. Margaret is the critical one here, because, though married, she has half fallen in love with Chris again. Jenny's social stature, Jenny believes, will be threatened if Chris does not right himself. She does not reveal this to Margaret, however. Margaret decides, looking ahead, that Chris cannot maintain his fantasy over time, but must return to something like a real life. While Kitty and Jenny look on from the window of the house, Margaret approaches Chris outside and tells him of his lost son. The buoyant war victim's head sinks, his shoulders slump, he looks away. He walks dejectedly toward the house. FinI read some criticism of this first novel of Rebecca West. The novel was written something after the first war. The movie is never quite clear who Jenny is, his cousin or his sister. It would be more rousing if she were his sister, of course. The criticism doesn't make it clear either. I'm sure West in her novel, makes sure Jenny is her cousin, not her sister. West is no Henry Miller nor an Anais Nin, whose book Incest (about her relationship with her father as an adult to get even with him for molesting her as a child) I considered reading, but then decided against. Rebecca the author has a need to restore Chris too. She too has outposts in her head for the Society her novel excoriates first but finally embraces once more.
Doesn't Have to be Obscure, 1 August 2006 Author: catmantu from Canada
With the advent of the IMDb, this overlooked movie can now find an interested audience. Why? Because users here who do a search on two-time Academy Award winner Glenda Jackson can find 'The Return of The Soldier' among her credits. So can those checking out Oscar winner Julie Christie. Fans of Ann-Margret can give the title a click, as will those looking into the career of the great Alan Bates. Not to mention the added bonus of a movie with supporting heavyweights Ian Holm and Frank Finlay. Any movie with so many notables in it is rewarded by the IMDb, given all the cross-referencing that goes on here. So, why isn't this movie out on DVD? Don't the Producers realize the Internet Movie Database is a marketing gift for such a film? And 'The Return of The Soldier' is definitely a gem waiting to be discovered. Get with it, people.
2 out of 4 people found the following review useful: Top talent working to enliven a stiff..., 30 December 2007 Author: moonspinner55 from redlands, ca
Chilly, alienating adaptation of Rebecca West's book about an Army Captain returning from duty in WWII with his memory impaired (now there's an original idea!). It seems he remembers old flame Glenda Jackson but not current wife Julie Christie, which should be enough to set off some emotional sparks. This extremely well-cast soaper brings together leading man Alan Bates with director Alan Bridges and co-stars Jackson, Christie, Ann-Margret, and Ian Holm, but the burners are all on low. There are a handful of good scenes (particularly whenever Jackson is on-screen), but Bridges' pacing is unrelievedly sluggish and the film's dulled-out color is enervating. Long on the shelf, this "Soldier" is best left forgotten. *1/2 from ****
2 out of 10 people found the following review useful: Dull, Dull, Dull, 2 June 2006 Author: Piafredux from United States
The cliché of the shell-shocked soldier home from the war is here given dull treatment. Pity a splendid cast, acting to the limits of their high talents, can't redeem 'The Return of the Soldier' from its stiff-collared inability to move the viewer to emotional involvement. Best moments, as another reviewer noted, come when Glenda Jackson is on screen; but even Jackson's crackling good cinematic power can't pull this film's chestnuts from its cold, never warmed hearth. Ann-Margret, she of sex-kitten repute and too often accused of lacking acting ability, finds her actual and rather profound abilities wasted here - despite her speaking with a nigh-flawless Middlesex accent. The hackneyed score, redolent of many lackluster TV miniseries' slathered-on saccharine emotionalism, is at irritating odds with the emotional remoteness of the script, blocking, and overbaked formalism of the direction; except for its score and corseted script and direction, 'The Return of the Soldier' has all the right bits but it fails to make them work together.
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