| Photos (see all 9 | slideshow) |
| Michael Moriarty | ... | Jimmy Quinn | |
| Candy Clark | ... | Joan | |
| David Carradine | ... | Shepard | |
| Richard Roundtree | ... | Powell | |
| James Dixon | ... | Lt. Murray | |
| Malachy McCourt | ... | Commissioner | |
| Fred J. Scollay | ... | Capt. Fletcher | |
| Peter Hock | ... | Det. Clifford | |
| Ron Cey | ... | Det. Hoberman | |
| Mary Louise Weller | ... | Mrs. Pauley | |
| Bruce Carradine | ... | The Victim | |
| John Capodice | ... | Doyle | |
| Tony Page | ... | Webb | |
| Larkin Ford | ... | Curator | |
| Larry Pine | ... | The Professor | |
| Eddie Jones | ... | The Watchman | |
| Shelly Desai | ... | Kahea | |
| Lee Louis | ... | Officer Banyon | |
| Fred Morsell | ... | First Robber | |
| Ed Kovens | ... | Second Robber | |
| Richard Duggan | ... | Construction Worker | |
| Jennifer Howard | ... | Newscaster | |
| David Snell | ... | Attorney | |
| Larry Silvestri | ... | Policeman | |
| Perry Genovese | ... | Policeman | |
| Gabriel Wohl | ... | Policeman | |
| Nancy Stafford | ... | Eyewitness | |
| Bobbi Burns | ... | Sunbather |
Directed by | |||
| Larry Cohen | |||
Writing credits(in alphabetical order) | ||
| Larry Cohen | writer | |
Original Music by | |||
| Robert O. Ragland | |||
Cinematography by | |||
| Robert Levi | |||
| Fred Murphy | |||
Film Editing by | |||
| Armond Lebowitz | |||
Makeup Department | |||
| Dennis Eger | .... | special makeup | |
| Steve Neill | .... | special makeup effects | |
| Rick Stratton | .... | special makeup effects | |
Production Management | |||
| Peter Sabiston | .... | executive in charge of production | |
| Michelle Solotar | .... | unit manager | |
Sound Department | |||
| Sandy Berman | .... | sound designer | |
| Jane Landis | .... | boom operator | |
| T.A. Moore Jr. | .... | sound re-recording mixer | |
Visual Effects by | |||
| Dave Allen | .... | special visual effects supervisor | |
| Peter Kuran | .... | special visual effects artist | |
Stunts | |||
| Peter Hock | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Yuri Denysenko | .... | assistant camera: second unit | |
| Frederick Iannone | .... | first assistant camera | |
| Daniel Pearl | .... | additional photographer | |
Editorial Department | |||
| Jim Finn | .... | negative cutter | |
Music Department | |||
| Arlon Ober | .... | music editor | |
Other crew | |||
| Anthony Baldasare | .... | production assistant | |
| Randall William Cook | .... | creature designer (as Randy Cook) | |
| Nancy Juliber | .... | production coordinator | |
| Dennis Murphy | .... | production coordinator | |
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| King Kong | Edmond | The Phantom of the Opera | Godzilla | The Basketball Diaries |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
Writer/Director Larry Cohen is the genius that brought the world such classics as Hell Up in Harlem, Original Gangstas, Special Effects, and the It's Alive series. Nearly all of his movies are examples of low budget filmmaking at its best. Q (standing for Quetzecoatl, the flying Aztec god) is his giant monster movie in the tradition of King Kong and Godzilla. It's an excellent movie and succeeds best because of it's quirky qualities.
An excellent B-movie cast combined with Cohen's wonderfully realistic dialogue makes for some excellent characters. Micheal Moriarty (from "Law and Order" and Cohen's The Stuff) plays a loser who finds the nest of the beast, and Richard Roundtree (Shaft) and David Carradine (Death Race 2000 and Kung Fu: The Legend Continues) have excellent roles as two detectives trying to locate it before it devours more construction workers.
The plot has some great twists and turns and there's some great obligatory B -movie gore in this one, too. The monster plucks heads off of window washers and snatches sunbathers off of rooftops. Blood and body parts rain down on the unsuspecting citizens beneath. Meanwhile, some lunatic is busy skinning people alive. Is there a connection? The special effects are limited and not too spectacular, but effects don't make a movie (as is apparent in the 1998 remake of Godzilla), and everything else about this movie makes it a winner. The uneven effects actually add to the fun of this movie if you can appreciate low budget horror. Q constantly amazes me with its quirky attitude, great sense of humor (maybe the window washer's head "just fell off" says one of the detectives), creative characters, camp value, and energetic cast. This 1982 cult classic is further proof that Larry Cohen is nothing less than a god.
Final Review 98/100 (A+)