| Isabelle Huppert | ... | Isabelle | |
| Hanna Schygulla | ... | Hanna | |
| Michel Piccoli | ... | Michel Boulard | |
| Jerzy Radziwilowicz | ... | Jerzy | |
| László Szabó | ... | Laszlo | |
| Jean-François Stévenin | ... | Le machino | |
| Patrick Bonnel | ... | Bonnel | |
| Sophie Lucachevski | ... | Script-girl | |
| Barbara Tissier | |||
| Magali Campos | ... | Magali | |
| Myriem Roussel | ... | Myriem | |
| Serge Desarnanos | |||
| Ágnes Bánfalvy | (as Ági Bánfalvi) | ||
| Ezio Ambrosetti | |||
| Manuelle Baltazar | |||
| Sarah Beauchesne | |||
| Bertrand Theubet | |||
| Sarah Cohen-Sali | ... | Sarah | |
| Catherine Van Cauwenberghe | |||
| Sophie Maire | |||
| Cornella Mandry | |||
| Cathy Marchand | |||
| Marie-Annick Abgrall | |||
| René Mennotier | |||
| Frantisek Mandik | |||
| Attila Bokor |
Directed by | |||
| Jean-Luc Godard | |||
Writing credits(in alphabetical order) | ||
| Jean-Claude Carrière | uncredited | |
| Jean-Luc Godard | writer | |
Produced by | |||
| Armand Barbault | .... | producer | |
| Catherine Lapoujade | .... | producer | |
| Martine Marignac | .... | producer | |
Cinematography by | |||
| Raoul Coutard | |||
Film Editing by | |||
| Jean-Luc Godard | |||
Production Design by | |||
| Jean Bauer | |||
| Serge Marzolff | |||
Costume Design by | |||
| Christian Gasc | |||
| Rosalie Varda | |||
Makeup Department | |||
| Patrick Archambault | .... | hair stylist | |
| Bernard Minne | .... | makeup artist | |
Production Management | |||
| Daniel Chevalier | .... | unit manager | |
| Ruth Waldburger | .... | unit manager | |
Art Department | |||
| Yvon Aubinel | .... | painter | |
Sound Department | |||
| Bernard Le Roux | .... | sound mixer | |
| François Musy | .... | sound | |
Stunts | |||
| Alain Couty | .... | stunts | |
Camera and Electrical Department | |||
| Jean-Claude Basselet | .... | electrician | |
| André Clément | .... | camera operator | |
| Jean Garcenot | .... | assistant camera | |
| Anne-Marie Miéville | .... | still photographer | |
| René Pequignot | .... | key grip (as René Albert Pequignot) | |
| Gaston Verdonck | .... | grip | |
Costume and Wardrobe Department | |||
| Rose-Marie Melka | .... | wardrober | |
Other crew | |||
| Lydie Mahias | .... | script supervisor | |
| Jean-Bernard Menoud | .... | video | |
| Danielle Tholomé | .... | production secretary | |
| Daniel R. Suhart | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
| Add this title to MyMovies |
Jean-Luc Godard makes me think clearer. After having read the other comments accusing "Passion" of being boring and pretentious crap, I can only say that I strongly disagree. Comments like those just make me angry. JLG's films are definitely not boring; unless you are completely unintellectual and don't have a clue of what is going on. "Passion" and JLG's other films are fresh and intellectual and philosophic. Godard is unique. It is as simple as that. Newcomers might look after some kind of plot, and find themselves confused. I don't know why they do, because a film does not have to have a fixed plot, a story or something like that, but in a way, it gets one by itself. Godard clearly points out in the film that "in cinema there are no rules".
Maybe you could say "Passion" is about art. And Poland (Godard never hesitate of adding political aspects in his later films). A lot of classical music is played during the scenes, and Godard keeps turning the music on and off like he uses to. At one occasion he is playing Mozart's Requiem, then he turns it off in the middle of the piece. Then he turns it on again from the beginning, turns it off, and starts over. My intuition told me that the music would continue once the same track had been played three times. And so it did. You can trust Godard. The visualizations of classical paintings by Delacroix, Rubens and Rembrandt are spectacular. Overall it is a beautiful film, with cinematography by the legendary New Wave cinematographer Raoul Coutard. The first half contains some scenes were the photo and the voices are not synchronized, giving a messy impression (which doesn't have to be negative). This impression is increased by the several childish quarrels among the characters.
9/10