Mortelle randonnée (1983)

User Rating:

7.3/10   

Director:

Claude Miller

Writers:

Michel Audiard (adaptation) &
Jacques Audiard (adaptation) ...
(more)

Release Date:

9 March 1983 (France)

Genre:

Crime | Mystery | Thriller

Plot:

Beauvoir, lonely, aging private detective, is put on the bloody track of beautiful Catherine Leiris...

Plot Keywords:

Private Detective | Hotel | Femme Fatale | On The Road | Narration

Awards:

6 nominations

Cast

Michel Serrault	...	Beauvoir, The 'Eye'
Isabelle Adjani	...	Catherine Leiris / Lucie Brentano - 'Marie'
Guy Marchand	...	L'homme pâle / The pale man
Stéphane Audran	...	The grey lady
Macha Méril	...	Madeleine
Geneviève Page	...	Mme Schmidt-Boulanger
Sami Frey	...	Ralph Forbes
Dominique Frot	...	Betty
Patrick Bouchitey	...	Michel de Meyerganz
Isabelle Ho	...	Cora Palenbrg
François Bernheim	...	Jerry
Gilberte Lauvray	...	La curiste
Michel Such	...	L'homme à l'attaché case / The fat man
Jean-Claude Brialy	...	Voragine
Paul Anrieu
Gérard Baffos
Chantal Banlier	...	Une serveuse
Serge Berry
Marcel Berteau
Michel Carnoy
Patrick Cauderlier
Didier Chambragne
Hervé Claude
André Decombes
Danièle Denie		(as Danielle Denie)
Clarisse Deudon
Anne Forez
Agnès Gattegno
Suzanne Gohy
Murray Gronwall
Jeanne Herviale	...	Vittel's aunt
Laura Larriaga
Guillaume Le Guellec
Jean Lemaître
Leah Lourie		(as Léah Lourié)
Patricia Millardet
Rodolfo De Souza		(as Rodolpho De Souza)
Franca Tamantini	...	Signora Comolli (as Franka Tamantini)
Gérard Uzès		(as Gérard Uzé)
Daniel Vérité
rest of cast listed alphabetically:
Luc Béraud	...	L'inspecteur de police / Police inspector (uncredited)
Etienne Chicot	...	Lerner (uncredited)
Charles Gassot	...	Un policier à l'hôtel (uncredited)
Philippe Lelièvre	...	Paul Hugo (uncredited)

Directed by
Claude Miller

Writing credits
Michel Audiard		adaptation and dialogue &
Jacques Audiard		adaptation
Marc Behm		(novel "The Eye of the Beholder")

Produced by
Charles Gassot	....	executive producer
Bernard Grenet	....	producer

Original Music by
Carla Bley

Cinematography by
Gilbert Duhalde
Pierre Lhomme

Film Editing by
Albert Jurgenson

Production Design by
Jean-Pierre Kohut-Svelko

Set Decoration by
Véronique Melery

Costume Design by
Ermenegildo Zegna

Makeup Department
Laurence Azouvy	....	makeup artist
Catherine Demesmeaker	....	key makeup artist (as Catherine Demaesmacker)
Fouzia Harleman	....	key hair stylist
Elaine Marcus	....	key makeup artist (as Eliane Marcus)

Second Unit Director or Assistant Director
Inigo Lezzi	....	first assistant director

Sound Department
Jean-Marc Lentretien	....	sound mix technician
Nadine Muse	....	sound editor

Stunts
Patrick Cauderlier	....	stunts
Rémy Julienne	....	stunts

Camera and Electrical Department
Moune Jamet	....	still photographer

Music Department
Carla Bley	....	music producer
Carla Bley	....	musician: orgue and toy piano
Vincent Chancey	....	musician: French horn
Arturo O'Farrill	....	musician: piano and toy organ
Bob Stewart	....	musician: tuba
Steve Swallow	....	musician: bass and toy synthetizer

Other crew
Corrado Sofia	....	production assistant

Production Companies

• Téléma
• TF1 Films Production

Distributors

• G.E.F. (1983) (France) (theatrical)
• Mundial Filmes (19??) (Brazil) (VHS)
• Video Vamp (USA) (video)

Other Companies

• Éditions Gallimard  publisher
• The Carla Bley Band  music performers

Also Known As:

Deadly Circuit (USA)
Deadly Run (Europe: English title)

Runtime:

120 min

Country:

France

Language:

French

Color:

Color (Eastmancolor)

Certification:

Germany:16

Filming Locations:

Baden-Baden, Baden-Württemberg, Germany

Company:

Téléma

Movie Connections:

Features Der letzte Mann (1924)

Soundtrack:

Der Hirt auf dem Felsen

A ride into a sleepwalker's dream, and more.

Behind his front of overflowing bitterness and cynicism, private eye Louis Beauvoir (Serrault), nicknamed L'Oeil, is deeply missing of a child to protect and cheer, while he is tracking down a serial killer, Catherine Leiris (The iris)(Adjani).

The followed young woman will be just half-real, she'll be rather like the private eye dreams her.

Like a picture of innocence in his memory, she should stay untouched and untouchable, so he will involve himself in her flight. Through his eyes and ears, she is a mythomaniac orphan, she has misbehaved, she considers herself as garbage, but she wants fondness, getting a substitutive father's attention by murdering men and women who get too close to her.

The dream can last as long as the soliloquizing self-designated father can stay in tune with his substitute daughter, despite awakening bodies on their road, every bodies that did not have sleepwalker's stare and beat.

We, as viewers, wish the great encounter and the forgiveness. We dream. We are willing to roam.

A long time after we are supposed to be awake and down to earth, we are still humming the main musical theme, or La Paloma, or Schubert's lieder, who all played in the movie.

Mortelle randonnée is an ambiguous and dark fairy tale for adults, sprinkled with bridges and winks. After many viewing, there is still to explore and enjoy in Mortelle randonnée, at least in the version I saw (118 min.).

Mortelle randonnée is only a movie, not somebody. A movie does not think it is good. Only people can think Mortelle randonnée is good, or think it is not. It is a matter of taste. Critics who attribute thoughts or claims to movies, instead of ascribing them to film-makers or critics, should perhaps visit a psychiatrist.