| Photos (see all 19 | slideshow) |
| Clint Eastwood | ... | Red Stovall | |
| Kyle Eastwood | ... | Whit | |
| John McIntire | ... | Grandpa | |
| Alexa Kenin | ... | Marlene | |
| Verna Bloom | ... | Emmy | |
| Matt Clark | ... | Virgil | |
| Barry Corbin | ... | Arnspringer | |
| Jerry Hardin | ... | Snuffy | |
| Tim Thomerson | ... | Highway Patrolman | |
| Macon McCalman | ... | Dr. Hines | |
| Joe Regalbuto | ... | Henry Axle | |
| Gary Grubbs | ... | Jim Bob | |
| Rebecca Clemons | ... | Belle | |
| Johnny Gimble | ... | Bob Wills | |
| Linda Hopkins | ... | Blues Singer | |
| Bette Ford | ... | Lulu | |
| Jim Boelsen | ... | Junior | |
| Tracey Walter | ... | Pooch | |
| Susan Peretz | ... | Miss Maud | |
| John Russell | ... | Jack Wade | |
| Charles Cyphers | ... | Stubbs | |
| Marty Robbins | ... | Smoky | |
| Ray Price | ... | Singer | |
| Shelly West | ... | Singer | |
| David Frizzell | ... | Singer | |
| Porter Wagoner | ... | Dusty | |
| Bob Ferrera | ... | Oldest son | |
| Tracy Shults | ... | Daughter | |
| R.J. Ganzert | ... | Rancher | |
| Hugh Warden | ... | Grocer | |
| Kelsie Blades | ... | Veteran | |
| Jim Ahart | ... | Waiter | |
| Steve Autry | ... | Mecchanic | |
| Peter Griggs | ... | Mr. Vogel | |
| Julie Hoopman | ... | Whore | |
| Rozelle Gayle | ... | Club manager | |
| Robert V. Barron | ... | Undertaker | |
| DeForest Covan | ... | Gravedigger | |
| Lloyd Nelson | ... | Radio announcer | |
| George Orrison | ... | Jailbird | |
| Glenn Wright | ... | Jailbird | |
| Frank Reinhard | ... | Standin | |
| Roy Jenson | ... | Dub | |
| Sherry Allurd | ... | Dub's wife | |
| Gordon Terry | ... | Texas playboy | |
| Tommy Alsup | ... | Texas playboy | |
| Merle Travis | ... | Texas playboy | |
| Robert D. Carver | ... | Bus driver #1 | |
| Thomas Powels | ... | Bus driver #2 | |
| rest of cast listed alphabetically: | |||
| Gary Earl | ... | Texas Playboy | |
Directed by | |||
| Clint Eastwood | |||
Writing credits(in alphabetical order) | ||
| Clancy Carlile | novel | |
| Clancy Carlile | screenplay | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Fritz Manes | .... | executive producer | |
Original Music by | |||
| Steve Dorff | |||
Cinematography by | |||
| Bruce Surtees | |||
Film Editing by | |||
| Joel Cox | |||
| Michael Kelly | |||
| Ferris Webster | |||
Casting by | |||
| Susan Arnold | |||
| Phyllis Huffman | |||
Production Design by | |||
| Edward C. Carfagno | |||
Set Decoration by | |||
| Gary Moreno | |||
Makeup Department | |||
| David Dittmar | .... | makeup artist | |
| Marlene D. Williams | .... | hair stylist | |
Production Management | |||
| Steve Perry | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| R. Anthony Brown | .... | first assistant director (as Tony Brown) | |
| B. Thomas Seidman | .... | second assistant director (as Tom Seidman) | |
Art Department | |||
| Edward Aiona | .... | property master | |
| Bob Lawless | .... | stand-by painter | |
| Michael Muscarella | .... | construction coordinator | |
Sound Department | |||
| Bub Asman | .... | sound effects editor | |
| David E. Campbell | .... | sound re-recording mixer | |
| William Cawley | .... | first assistant sound editor (2003 restoration) | |
| Joseph D. Citarella | .... | sound re-recording mixer (as Joe Citarella) | |
| Robert G. Henderson | .... | sound effects editor (as Bob Henderson) | |
| Donald F. Johnson | .... | sound mixer | |
| Alan Robert Murray | .... | sound effects editor | |
| John T. Reitz | .... | sound re-recording mixer | |
| Jules Strasser | .... | boom operator | |
| Paul C. Warschilka | .... | sound editor (uncredited) | |
Special Effects by | |||
| Wayne Edgar | .... | special effects | |
Camera and Electrical Department | |||
| Edward A. Ayer | .... | best boy (as Ed Ayer) | |
| Kirk Bales | .... | dolly grip (as Kirk E. Bales) | |
| Jack N. Green | .... | camera operator | |
| Marc Margulies | .... | assistant camera (as Marc Margulis) | |
| Michael Douglas Middleton | .... | still photographer | |
| Leo J. Napolitano | .... | assistant camera | |
| Charles Saldana | .... | key grip | |
| Bruce D. Spellman | .... | second grip | |
| Tom Stern | .... | gaffer | |
| Jeff Wolf | .... | first assistant camera: "b" camera, Nashville | |
Casting Department | |||
| Marion Dougherty | .... | casting executive | |
Costume and Wardrobe Department | |||
| Aida Swinson | .... | wardrobe: women | |
| Glenn Wright | .... | costume supervisor | |
Music Department | |||
| Steve Dorff | .... | conductor | |
| Steve Dorff | .... | music arranger | |
| Snuff Garrett | .... | music supervisor | |
| Donald Harris | .... | music editor | |
Transportation Department | |||
| H. William Miller | .... | transportation coordinator (as Billy Miller) | |
| Paul Youds | .... | transportation captain | |
Other crew | |||
| Marco Barla | .... | unit publicist | |
| Betty Endo | .... | secretary to the producers | |
| Judie Hoyt | .... | secretary to the producers | |
| Linda Sony Kinney | .... | production secretary (as Linda Sony) | |
| Michael Maurer | .... | auditor | |
| Jimmy Medearis | .... | wrangler (as Jim Medearis) | |
| Richard Morgan | .... | first aid | |
| Lloyd Nelson | .... | script supervisor | |
| Jim Porter | .... | first aid | |
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| Little Miss Sunshine | Walk the Line | O Brother, Where Art Thou? | Freckles Comes Home | The Southerner |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Oddly unlikable, stolid effort directed and co-starring Clint Eastwood (in rueful, ambling spirits). Written by Clancy Carlile from his novel, the drama concerns a boozing Depression-era singer in Oklahoma, harboring health problems yet about to hit the road for the Grand Ole Opry, having his street-smart nephew (Kyle Eastwood) along for the journey as his driver. Real-life father and son Eastwood teaming never quite achieves anything special, with young Kyle struggling with his delivery. Many famous country crooners are given cameos, and Clint's vocals are rather pleasing, but this story is low-keyed and uncertain; if it's supposed to be heart-warming, someone forgot the heart. Worse, the golden-hued photography is brackish and unappealing, and the supporting players fail to add any energy. * from ****