| Jean-Hugues Anglade | ... | Henri | |
| Vittorio Mezzogiorno | ... | Jean Lerman | |
| Roland Bertin | ... | Bosmans | |
| Lisa Kreuzer | ... | Elisabeth | |
| Claude Berri | ... | Le client | |
| Hammou Graïa | ... | Le jeune homme de la gare | |
| Gérard Desarthe | ... | L'homme qui pleure | |
| Armin Mueller-Stahl | ... | Le père | |
| Annick Alane | ... | La mère | |
| Sophie Edmond | ... | La soeur | |
| Maria Verdi | |||
| Suzanne Chavance | |||
| Roland Chalosse | |||
| Eddy Roos | |||
| Charly Chemouny | |||
| Patrice Finet | |||
| Daniel Geiger | |||
| Roland Vargoz | |||
| Denis Lavant | |||
| Françoise Maimône | |||
| Laurent de Berward | |||
| Franck Coquet | |||
| Philippe Allaire |
Directed by | |||
| Patrice Chéreau | |||
Writing credits(in alphabetical order) | ||
| Patrice Chéreau | writer | |
| Hervé Guibert | writer | |
Produced by | |||
| Claude Berri | .... | producer | |
| Marie-Laure Reyre | .... | producer | |
| Ariel Zeitoun | .... | producer | |
Original Music by | |||
| Fiorenzo Carpi | |||
Cinematography by | |||
| Renato Berta | |||
Film Editing by | |||
| Denise de Casabianca | |||
Production Design by | |||
| Richard Peduzzi | |||
Costume Design by | |||
| Caroline de Vivaise | |||
Production Management | |||
| Armand Barbault | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ronald Chammah | .... | assistant director (as Ronald Ariel Chammah) | |
| Serge Meynard | .... | assistant director | |
| Pierre Romans | .... | assistant director | |
Sound Department | |||
| Michel Vionnet | .... | sound | |
Camera and Electrical Department | |||
| Christian Weyers | .... | gaffer | |
Other crew | |||
| Gérard Depardieu | .... | voice dubbing: Jean Lerman | |
| Yann Nerot | .... | administrator | |
| Yann Nerot | .... | production assistant | |
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| The Journey of Jared Price | Total Eclipse | Nettoyage à sec | Torch Song Trilogy | Camp |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb France section | Add this title to MyMovies |
You've got to think along the lines of Last Tango in Paris for this one because the mood and emotion runs along the same lines and maintains the same heights - the difference being that in this exceptional, intense and torrid depiction of love among the ruins of a Dostoyevskyian dispossessed the setting is a gay-subcultural milieu - perhaps even one that is set to vanish in time, and not the equally arresting but heterosexual context of Bertolucci's own film.
The last third of this film depicts a passionate love never seen in gay cinema. To talk of pornography or gay self-effacement misses the point and intelligence of this work. This film, though on first impression appears to take us into the familiar & often depicted underworld of gay street-life, then precedes to subvert the rules of this genre by exaggerating it to a super-real degree. The result is a hyper-charged emotional heightening - an exceptional strategy that elevates the drama to one of big universal themes and giant gestures.
This film snatches the high ground because of the brilliant performances by it's actors, notably a young Jean Hugues Anglade and the directing. A tour- De -force of cinema. Outstanding in ambition and it's unceasing plummet into the depths of human emotion. As a contribution to gay cinema, this film conquers this difficult ground and makes it it's own triumph.