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IMDb > Homme blessé, L' (1983)

Homme blessé, L' (1983)

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User Rating: 7.0/10 (260 votes)

Overview

Director:
Patrice Chéreau
Writers:
Patrice Chéreau (writer)
Hervé Guibert (writer)
Release Date:
11 January 1985 (USA) more
Genre:
Drama | Crime more
Plot:
A young man discovers his homosexuality and begins a relationship with a manipulative huster/petty criminal that he meets at a train station. | add synopsis
Awards:
1 win & 3 nominations more
User Comments:
best depiction of gay outrageous passion made more

Cast

  (in credits order)
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Directed by
Patrice Chéreau 
 
Writing credits
(in alphabetical order)
Patrice Chéreau  writer
Hervé Guibert  writer

Produced by
Claude Berri .... producer
Marie-Laure Reyre .... producer
Ariel Zeitoun .... producer
 
Original Music by
Fiorenzo Carpi 
 
Cinematography by
Renato Berta 
 
Film Editing by
Denise de Casabianca 
 
Production Design by
Richard Peduzzi 
 
Costume Design by
Caroline de Vivaise 
 
Production Management
Armand Barbault .... production manager
 
Second Unit Director or Assistant Director
Ronald Chammah .... assistant director (as Ronald Ariel Chammah)
Serge Meynard .... assistant director
Pierre Romans .... assistant director
 
Sound Department
Michel Vionnet .... sound
 
Camera and Electrical Department
Christian Weyers .... gaffer
 
Other crew
Gérard Depardieu .... voice dubbing: Jean Lerman
Yann Nerot .... administrator
Yann Nerot .... production assistant
 


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Additional Details

Also Known As:
The Wounded Man
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Runtime:
109 min
Country:
France
Language:
French
Color:
Color (Eastmancolor)
Sound Mix:
Mono
Certification:
France:-12 | Sweden:15
MOVIEmeter: ?
V 4% since last week why?
Company:
Ajo more

FAQ

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1 out of 2 people found the following comment useful:-
best depiction of gay outrageous passion made, 29 March 2008
10/10
Author: didier-20 from london

You've got to think along the lines of Last Tango in Paris for this one because the mood and emotion runs along the same lines and maintains the same heights - the difference being that in this exceptional, intense and torrid depiction of love among the ruins of a Dostoyevskyian dispossessed the setting is a gay-subcultural milieu - perhaps even one that is set to vanish in time, and not the equally arresting but heterosexual context of Bertolucci's own film.

The last third of this film depicts a passionate love never seen in gay cinema. To talk of pornography or gay self-effacement misses the point and intelligence of this work. This film, though on first impression appears to take us into the familiar & often depicted underworld of gay street-life, then precedes to subvert the rules of this genre by exaggerating it to a super-real degree. The result is a hyper-charged emotional heightening - an exceptional strategy that elevates the drama to one of big universal themes and giant gestures.

This film snatches the high ground because of the brilliant performances by it's actors, notably a young Jean Hugues Anglade and the directing. A tour- De -force of cinema. Outstanding in ambition and it's unceasing plummet into the depths of human emotion. As a contribution to gay cinema, this film conquers this difficult ground and makes it it's own triumph.

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