| Joan Collins | ... | Diane | |
| Michael Morgan | ... | Tommy | |
| Shell Kepler | ... | Lisa | |
| Lanny Horn | ... | Ralph | |
| Erin Donovan | ... | Sheila | |
| Renee Harris | ... | Cookie | |
| Mark Brown | ... | Mix | |
| Lee Purcell | ... | Ms. Jackson | |
| Carrie Snodgress | ... | Dr. Delingua | |
| Wings Hauser | ... | Reddog | |
| John Romano | ... | Gilles | |
| Joy Michael | ... | Diane at 16 | |
| Newell Alexander | ... | Mr. Stern | |
| Deedee Downs | ... | Sylvine (as Dee Dee Downs) | |
| Ernestine Jackson | ... | Cookie's Mother | |
| Bill Knight | ... | Cookie's Father | |
| Rosemary Alexander | ... | Lisa's Mother (as Rosemary Lovell) | |
| Howard Storm | ... | Swim Coach | |
| Beverly Todd | ... | Clinic Receptionist | |
| Mel Welles | ... | Doctor | |
| Candace Bowen | ... | Labrenna | |
| Steve Gustafson | ... | Jon | |
| Victor Paul | ... | Gilles' Father | |
| Betty Thomas | ... | Reddog's Secretary | |
| Jack Warford | ... | George | |
| Kathryn Butterfield | ... | Hooker | |
| Ali Giron | ... | Hooker (as Anhalita Giron) | |
| Joan Rowe | ... | Hooker | |
| rest of cast listed alphabetically: | |||
| Michelle Bauer | ... | Dream Groupie (uncredited) | |
Directed by | |||
| James Beshears | |||
Writing credits(in alphabetical order) | ||
| Maurice Peterson | writer | |
| Don Safran | writer | |
Produced by | |||
| James Beshears | .... | producer | |
| Robert L. Fenton | .... | executive producer | |
| Don Safran | .... | associate producer | |
| Max Rosenberg | .... | executive producer (uncredited) | |
Original Music by | |||
| Anthony R. Jones | (as Tony Jones) | ||
| Jim Wetzel | |||
Cinematography by | |||
| Paul Goldsmith | |||
Film Editing by | |||
| Allen Persselin | |||
Art Direction by | |||
| Ernst van de Bovenkamp | |||
Makeup Department | |||
| Anita Friedman | .... | makeup artist | |
Production Management | |||
| L.A. Johnson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jeanie Field | .... | first assistant director | |
| Gary Graver | .... | second unit director | |
| John Thompson | .... | second assistant director | |
Art Department | |||
| Elzemarie Zamparelli | .... | property mistress | |
| Chester Kaczenski | .... | art director: second unit (uncredited) | |
Sound Department | |||
| Alan Bromberg | .... | sound editor (as Allen Bromberg) | |
| David B. Cohn | .... | sound editor (as David Cohn) | |
| Petur Hliddal | .... | sound mixer | |
| Hudson B. Marquez | .... | boom operator (as Hudson Marquez) | |
| Donald L. Warner Jr. | .... | sound editor (as Don Warner) | |
Camera and Electrical Department | |||
| Donne Daniels | .... | dolly grip | |
| Nancy McGovern | .... | still photographer | |
| Tom McGuire | .... | second assistant camera | |
| Don Robinson | .... | key grip | |
| Jim Salazar | .... | best boy | |
| George Stephenson | .... | assistant camera | |
| Tom Stern | .... | gaffer | |
| Brian Vidor | .... | grip | |
Costume and Wardrobe Department | |||
| Betsy Heimann | .... | assistant costumer | |
| Helen Kinsey | .... | costumer | |
Editorial Department | |||
| Lisa Fromer | .... | assistant editor | |
| Gloria Gunn | .... | assistant film editor | |
| Gregory Sanders | .... | second editor | |
| Jane Schwartz | .... | assistant editor | |
Other crew | |||
| Joy Michael | .... | double: Ms. Collins | |
| Julie G. Moldo | .... | production coordinator (as Julie Moldo) | |
| Gregory Peterson | .... | production assistant | |
| Marie-Claude Wardell | .... | script supervisor | |
| Jennifer Yaffee | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
This movie was billed as the next best thing to "Private Lessons". The movie was marketed on the misperceived sex goddess status of Joan Collins. She never goes Mary Kay LeTourneau. All you get to see is a really weak teen soap opera. My sister, her fiancé,and I went to this movie and left it with the same reaction we had to Porkies; a triumph of marketing for not a lot of movie. Joan Collins does some flashbacks of her youth and then she was an active participant in romance; it was a low level rip off of the Graduate. The teen band sequence was a bad version of the Mickey Rooney/Judy Garland OK kids, let's put on a show. The end was not even very climactic; the two male leads walking out of a movie theater and talking of trying to make a movie just like when they started a band.