Diner (1982)

Director:

Barry Levinson

Writer:

Barry Levinson (written by)

Release Date:

5 March 1982 (USA)

Genre:

Comedy | Drama

Tagline:

Suddenly, life was more than french fries, gravy and girls.

Plot:

A group of college-age buddies struggle with their imminent passage into adulthood in 1959 Baltimore.

Plot Keywords:

Diner | Christmas | Record Collection | Gambling Debt | College Friends

Awards:

Nominated for Oscar. Another 3 wins & 2 nominations

Cast

Steve Guttenberg	...	Edward 'Eddie' Simmons
Daniel Stern	...	Laurence 'Shrevie' Schreiber
Mickey Rourke	...	Robert 'Boogie' Sheftell
Kevin Bacon	...	Timothy Fenwick Jr.
Tim Daly	...	William 'Billy' Howard (as Timothy Daly)
Ellen Barkin	...	Beth Schreiber
Paul Reiser	...	Modell
Kathryn Dowling	...	Barbara
Michael Tucker	...	Bagel
Jessica James	...	Mrs. Simmons
Colette Blonigan	...	Carol Heathrow
Kelle Kipp	...	Diane
John Aquino	...	Tank
Richard Pierson	...	David Frazer
Claudia Cron	...	Jane Chisholm

Runtime:

110 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:L | Canada:14+ (Ontario) | Argentina:13 | Chile:14 | Sweden:11 | UK:15 | USA:R | Australia:M | Singapore:PG

Filming Locations:

400 block N. Charles Street, Baltimore, Maryland, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

It is claimed that James Spader is a dancing extra for a few seconds in the opening dance.

Goofs:

Anachronisms: During the wedding scene, the bass player's electric bass has block inlays, a feature not found in Fender electric basses until the late 1960s.

Quotes:

Fenwick (to Boogie): The only hand on your pecker is going to be your own!

Movie Connections:

Featured in Diner: On the Flip Side (2000) (V)

Soundtrack:

Somethin' Else

"There's not that much of a story, really. What do we do? We drive around..." Kevin Bacon

Diner, Barry Levinson's writing and directing debut belongs to so-called "small" or "minor" movies and it indeed does not have spectacular locations, breathtaking action sequences or even dramatic story. As Kevin Bacon comments in the Behind the Scenes Documentary, "There's not that much of a story, really. What do we do? We drive around..." What the movie has is "a very honest portrayal of a group...of guys that people relate to on a very personal level." The different generations of viewers react to film with devotion and recognition, and Diner has become one of the beloved long time cult favorites. Based on its writer/director's memories of growing up in Baltimore, the film takes place during the week between Christmas and New Year in 1959, and tells of the friendship of five guys in their early twenties. During the course of the film, we will get to know the young men, their fears of growing up, facing responsibilities, and making decisions, their fascination and insecurities with the girls.

From his Oscar-nominated script, BL makes the study of young men who hesitate to grow up but rather hang out in their beloved Diner. Daniel Stern's 'Shrevie' is an owner of LP collection that he seems to value more than his young and pretty wife (Ellen Barkin in her film debut). Mickey Rourke, played his best role (at least, IMO) as Boogy, the cynical womanizer with the most charming smile. Steve Guttenberg's Eddie puts his fiancée through the enormously difficult football quiz and the passing score is the must for the marriage because he is scared to get married. Kevin Bacon plays Fenwick, a permanently drunk and lost kid, the character much darker than the rest of the guys. Timothy Daly is Bill who seems to be the most successful of the bunch, and know what he wants but can't make the girl he loves to love him. By making Diner, Levinson actually put his native city, sleepy and provincial 1959 Baltimore, on the cinema map, and that's just one of movie's pleasures. And there are plenty. Diner is filled with authentic and believable scenes, situations, and conversations that everyone can relate to. The Diner's menu has a lot to offer to the grateful viewers and fans of the insightful, ironic, entertaining, small but bright and shiny gem. Barry Levinson does not flatter six protagonists but he understands them and loves them because he sees in them the indelible part of his own life, his experiences, and his own childhood friends. As another great film about childhood friendship says, "I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?"

Barry Levinson went on to create many good and very good films after Diner. These are just a few: The Natural, Good Morning, Vietnam; Bugsy; Avalon; Sleepers, An Everlasting Piece, Disclosure, Wag the Dog, and his Oscar winner "Rain Man" but Diner will always have a very special place for me. This is the film I keep coming back to again and again, and as the time passes it only gets better.