| Photos (see all 21 | slideshow) | Videos |
| Nastassja Kinski | ... | Irena Gallier (as Nastassia Kinski) | |
| Malcolm McDowell | ... | Paul Gallier | |
| John Heard | ... | Oliver Yates | |
| Annette O'Toole | ... | Alice Perrin | |
| Ruby Dee | ... | Female | |
| Ed Begley Jr. | ... | Joe Creigh | |
| Scott Paulin | ... | Bill Searle | |
| Frankie Faison | ... | Detective Brandt | |
| Ron Diamond | ... | Detective Ron Diamond | |
| Lynn Lowry | ... | Ruthie | |
| John Larroquette | ... | Bronte Judson | |
| Tessa Richarde | ... | Billie | |
| Patricia Perkins | ... | Taxi Driver | |
| Berry Berenson | ... | Sandra | |
| Fausto Barajas | ... | Otis | |
| John H. Fields | ... | Massage Parlor Manager | |
| Emery Hollier | ... | Yeatman Brewer | |
| Stephen Marshal | ... | Moonie | |
| Robert Pavlovich | ... | Ted (as Robert Pavlovitch) | |
| Julie Denney | ... | Carol | |
| Arione De Winter | ... | Indian Village Mother | |
| Francine Segal | ... | Church Woman | |
| Don Hood | ... | Train Station Agent | |
| David Showacre | ... | Man in Bar | |
| Neva Gage | ... | Cat-Like Woman | |
| Marisa Folse | ... | Indian Girl | |
| Danelle Hand | ... | Indian Girl | |
| John C. Isbell | ... | Police Officer | |
| Roger E. Reid | ... | Policeman (as Roger Reid) | |
| Charles Joseph Konya Jr. | ... | Policeman | |
| Marco St. John | ... | Policeman | |
| Brett Alexander | ... | Cub Scout | |
| Gregory Gatto | ... | Cub Scout | |
| Terc Martinez | ... | Cub Scout | |
| David Ross McCarty | ... | Man in Airport | |
| Harry Hauss | ... | First Helicopter Pilot (as Harold C. Hauss) | |
| James Deeth | ... | Second Helicopter Pilot | |
| Ray Wise | ... | Soap Opera Man | |
| Jo Ann Dearing | ... | Soap Opera Woman | |
| The Black Pope | ... | D.J. (voice) | |
| rest of cast listed alphabetically: | |||
| David Blackwell | ... | Staring Man on Bus (uncredited) | |
| Stocker Fontelieu | ... | Priest (uncredited) | |
Directed by | |||
| Paul Schrader | |||
Writing credits(in alphabetical order) | ||
| DeWitt Bodeen | story | |
| Alan Ormsby | writer | |
| Paul Schrader | uncredited | |
Produced by | |||
| Jerry Bruckheimer | .... | executive producer | |
| Charles W. Fries | .... | producer | |
| Max Rosenberg | .... | executive producer (uncredited) | |
Original Music by | |||
| Giorgio Moroder | |||
Cinematography by | |||
| John Bailey | |||
Film Editing by | |||
| Jacqueline Cambas | |||
| Jere Huggins | |||
| Ned Humphreys | |||
| Bud S. Smith | |||
Casting by | |||
| Mary Goldberg | |||
Production Design by | |||
| Ferdinando Scarfiotti | |||
Art Direction by | |||
| Edward Richardson | |||
Set Decoration by | |||
| Bruce Weintraub | |||
Costume Design by | |||
| Daniel Paredes | |||
Makeup Department | |||
| Lance Anderson | .... | special makeup effects artist | |
| Janice D. Brandow | .... | hair stylist | |
| Thomas R. Burman | .... | special makeup effects | |
| Bari Dreiband-Burman | .... | special makeup effects artist (as Bari Dreiband) | |
| Leonard Engelman | .... | makeup artist | |
| Edouard F. Henriques | .... | special makeup effects artist (as Eddie Henriques) | |
| Tom Hoerber | .... | special makeup effects artist | |
| Mike Menzel | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Bill Badalato | .... | unit production manager | |
| Tom Jacobson | .... | unit production manager | |
Art Department | |||
| Lauren Cory | .... | set designer | |
| Lee Ezzes | .... | swing gang | |
| Peter Ivy | .... | construction foreman | |
| Jeannine Claudia Oppewall | .... | set designer (as Jeannine Oppewall) | |
| Vic Petrotta Jr. | .... | property master | |
| Curtis A. Schnell | .... | set designer | |
| Jack G. Taylor Jr. | .... | assistant art director | |
| Robert Misetich | .... | painter (uncredited) | |
Sound Department | |||
| Charles L. Campbell | .... | supervising sound editor | |
| Larry Carow | .... | sound editor | |
| Louis L. Edemann | .... | sound editor | |
| Richard C. Franklin | .... | sound editor | |
| David W. Gray | .... | stereo sound engineer: Dolby | |
| Robert L. Hoyt | .... | sound re-recordist | |
| Scott Mathews | .... | special sound effects | |
| Chris McLaughlin | .... | sound | |
| Ron Nagel | .... | special sound effects | |
| Stanley H. Polinsky | .... | sound re-recordist | |
| Brian Reeves | .... | sound consultant | |
| Hank Salerno | .... | loop dialogue editor | |
| Norman B. Schwartz | .... | post-production dialogue | |
| John J. Stephens | .... | sound re-recordist | |
| James E. Webb | .... | sound | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| James Cummins | .... | lab technician | |
| Pat Domenico | .... | special effects | |
| Karl G. Miller | .... | special effects (as Karl Miller) | |
Visual Effects by | |||
| Robert Blalack | .... | catvision optical effects | |
| Syd Dutton | .... | matte artist | |
| Dennis Glouner | .... | matte photographer | |
| Henry Schoessler | .... | visual effects | |
| Bill Taylor | .... | matte photographer | |
| Albert Whitlock | .... | special visual effects | |
| Chris Regan | .... | optical supervisor (uncredited) | |
Stunts | |||
| Brad Bovee | .... | stunts | |
| Angeline Brown | .... | stunts | |
| Vince Deadrick Jr. | .... | stunts | |
| Bennie E. Dobbins | .... | stunts | |
| Madeleine Klein | .... | stunts | |
| Beth Nufer | .... | stunts | |
| Ron Oxley | .... | stunts | |
| Walter Scott | .... | stunt coordinator | |
| Mike Tillman | .... | stunts | |
| Mark Weiner | .... | stunts | |
Camera and Electrical Department | |||
| William D. Barber | .... | assistant camera: New Orleans | |
| Richard Kamins | .... | best boy | |
| Jeffrey L. Kimball | .... | director of photography: second unit (as Jeffrey Kimball) | |
| Joel Kirschner | .... | second assistant camera | |
| Ann Lucas | .... | assistant camera: New Orleans | |
| Ann Lukacs | .... | second unit | |
| Joseph F. Valentine | .... | second camera operator (as Joe Valentine) | |
| Paul Vombrack | .... | photography: second unit, New Orleans | |
| Richard Walden | .... | first assistant camera | |
| Lito White | .... | camera operator: New Orleans | |
| Steve Yaconelli | .... | camera operator | |
Animation Department | |||
| Ellis Burman | .... | animation: artifacts | |
| Allan Hall | .... | animation: artifacts | |
| Bob Williams | .... | animation: artifacts | |
Editorial Department | |||
| Ross Albert | .... | associate film editor | |
| Craig Bassett | .... | assistant film editor | |
| Donah Bassett | .... | negative cutter | |
| Jack Garsha | .... | color timer | |
| Phil Hetos | .... | color consultant | |
| Bud S. Smith | .... | supervising editor | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Brian Banks | .... | synthesizer programmer | |
| Sylvester Levay | .... | orchestrator (as Sylvester Levai) | |
Other crew | |||
| Patti Bosworth | .... | assistant to executive producer | |
| Corey Burton | .... | adr loop group | |
| Beverly Davis | .... | assistant to director | |
| Craig Deman | .... | production assistant | |
| Susan Goldberg | .... | production assistant | |
| Arnold Goodwin | .... | title designer | |
| Alan J. Lam | .... | assistant production accountant | |
| Steve Martin | .... | animal trainer | |
| Kiki Morris | .... | assistant to director (as Katherine Morris) | |
| Charles Newirth | .... | location manager | |
| Charles Newirth | .... | production assistant | |
| Ron Oxley | .... | animal coordinator | |
| Nanette Siegert | .... | production associate | |
| Wilbur Stark | .... | executive consultant | |
| Mark Weiner | .... | animal trainer | |
| Peter Weiss | .... | assistant to director | |
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| News articles | IMDb Drama section | IMDb USA section |
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Like Joe D'Amato's "Buried Alive," this remake of "Cat People" is technically a love story with a tough horror exterior. Both aspects of these genres fit quite well to create an unconventional entertainment. The movie gets especially high mileage out of two inspired leads--Nastassia Kinski as the young, attractive virgin (she also looks like a more predatory version of Isabella Rossellini); and Malcolm McDowell, who still glows with all the playful malevolence he brought to "A Clockwork Orange," as her brother, who morphs into a panther when sexually aroused. In spite of an ill-defined supporting cast, Paul Schrader's assured direction, the bizarre script (by "Children Shouldn't Play With Dead Things" star Alan Ormsby), those lush New Orleans locations, and the chemistry between Kinski and McDowell keep "Cat People" afloat. It's a sexually charged horror story told with a straight face, and it works.
7/10