| Sting | ... | Martin Taylor | |
| Denholm Elliott | ... | Tom Bates | |
| Joan Plowright | ... | Norma Bates | |
| Suzanna Hamilton | ... | Patricia Bates | |
| Benjamin Whitrow | ... | Businessman | |
| Dudley Sutton | ... | Stroller | |
| Mary MacLeod | ... | Valerie Holdsworth | |
| Tim Preece | ... | Clergyman | |
| Elizabeth Bradley | ... | Woman Passer By | |
| Hugh Walters | ... | Man | |
| Christopher Fairbanks | ... | Drunk |
Directed by | |||
| Richard Loncraine | |||
Writing credits(in alphabetical order) | ||
| Dennis Potter | play | |
| Dennis Potter | screenplay | |
Produced by | |||
| Naim Attallah | .... | executive producer | |
| Alan E. Salke | .... | producer | |
| Herbert F. Solow | .... | producer | |
| Kenith Trodd | .... | producer | |
Cinematography by | |||
| Peter Hannan | |||
Film Editing by | |||
| Paul Green | |||
Casting by | |||
| Simone Reynolds | |||
Production Design by | |||
| Milly Burns | |||
Art Direction by | |||
| Norman Garwood | |||
Costume Design by | |||
| Shuna Harwood | |||
Makeup Department | |||
| Elaine Carew | .... | makeup artist | |
| Maureen Stephenson | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Jonathan Benson | .... | first assistant director | |
| Terence Fitch | .... | third assistant director | |
Art Department | |||
| Lee Apsey | .... | set constructor | |
| Dennis Bovington | .... | set constructor | |
| John Cole | .... | property stand-by | |
| Alan Grenham | .... | set constructor | |
| Robert Harper | .... | set constructor | |
| Craig Hillier | .... | set constructor | |
| Ron Lenoir | .... | set constructor | |
| John McGuigan | .... | set constructor | |
| Roy O'Connor | .... | set constructor | |
| Ray Perry Sr. | .... | property master (as Ray Perry) | |
| Ray Rose | .... | property storeman | |
Sound Department | |||
| Alan Bell | .... | dubbing editor | |
| Tony Jackson | .... | sound mixer | |
| Jacques Leroide | .... | assistant to dubbing editor | |
| John Relph | .... | boom operator (as John Ralph) | |
| Hugh Strain | .... | dubbing mixer | |
| Rosie Straker | .... | sound assistant | |
Camera and Electrical Department | |||
| Colin Davidson | .... | camera focus | |
| David Farrell | .... | still photographer | |
| Dennis Fraser | .... | grip | |
| Roy Rodhouse | .... | gaffer | |
| Stefan Stankowski | .... | clapper loader | |
| Brian Sullivan | .... | electrician | |
| Toby Tyler | .... | electrician | |
| Les Weighell | .... | electrician | |
Costume and Wardrobe Department | |||
| Brian Cox | .... | wardrobe | |
Music Department | |||
| Michael Nyman | .... | composer: additional music | |
Other crew | |||
| Maria Apodiacos | .... | assistant to director | |
| Bobby Blues | .... | production accountant (as Bob Blues) | |
| Joanna Collins | .... | location manager | |
| Penny Eyles | .... | continuity | |
| Jean Hall | .... | production assistant | |
| Linda Levy | .... | unit publicist | |
| Reg Parsons | .... | electrical chargehand | |
| Kathy Sykes | .... | assistant to producer (uncredited) | |
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| Blue Velvet | I, the Jury | Priest | Young Adam | Sans toit ni loi |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
A middle class commuter belt couple Mr Bates (Denholm Elliot) and Mrs Bates (Joan Plowright) are duped into taking a charming young man Martin(Sting)into their house to help care for their catatonic daughter (Suzanna Hamilton). Martin claims to have been close to their daughter before an accident left her unable to communicate. As the film progresses the couple mistakenly start to trust Martin and dark family secrets are revealed.
Originally a stage play written by Dennis Potter the film is in turn engrossing, disturbing and claustrophobic. Denholm Elliot is as ever brilliant as the lonely and disturbed father figure, Sting puts in a good performance as a strange and demonic young man, Joan Plowright is very good as the maternal and naive housewife.
The two slight let downs for me were the music which I did'nt feel fitted in well with the film and the main fantasy sequence which did'nt stand the test of time well.
Other than that the film held my attention throughout, the direction by Richard Loncraine was extremely capable, all in all an intriguing and idiosyncratic piece which is well worth a watch.