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Roger Spottiswoode (written by) and
Walter Hill (written by) ...
(more)
8 December 1982 (USA) more
When a tough cop has a cool convict as a partner and 48 hrs to catch a killer, a lot of funny things can happen in . . . 48 HRS. [Australia Theatrical] more
A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer. full summary | full synopsis
Nominated for Golden Globe. Another 2 wins & 1 nomination more
The Best News of All Time
(From Get The Big Picture. 1 July 2008, 12:25 AM, PDT)
De Niro To Host CBS 9/11 Special
(From Studio Briefing - Film News. 14 February 2002)
The real thing. Accept no imitations. more (81 total)
| Nick Nolte | ... | Jack Cates | |
| Eddie Murphy | ... | Reggie Hammond | |
| Annette O'Toole | ... | Elaine | |
| Frank McRae | ... | Haden | |
| James Remar | ... | Albert Ganz | |
| David Patrick Kelly | ... | Luther | |
| Sonny Landham | ... | Billy Bear | |
| Brion James | ... | Ben Kehoe | |
| Kerry Sherman | ... | Rosalie, Hostage Girl | |
| Jonathan Banks | ... | Algren | |
| James Keane | ... | Vanzant | |
| Tara King | ... | Frizzy, Hotel Desk Clerk | |
| Greta Blackburn | ... | Lisa, Blonde Hooker | |
| Margot Rose | ... | Casey | |
| Denise Crosby | ... | Sally | |
| Olivia Brown | ... | Candy (as Olivia M. Brown) | |
| Todd Allen | ... | Young Cop | |
| Bill Dearth | ... | Thin Cop | |
| Ned Dowd | ... | Big Cop | |
| Jim Haynie | ... | Old Cop | |
| Jack Thibeau | ... | Detective | |
| Jon St. Elwood | ... | Plainclothesman | |
| Clare Nono | ... | Ruth | |
| Sandy Martin | ... | Policewoman | |
| Matt Landers | ... | Bob | |
| Peter Jason | ... | Cowboy Bartender | |
| Bill Cross | ... | Patrol Officer #1 | |
| Chris Mulkey | ... | Patrol Officer #2 | |
| Marcelino Sánchez | ... | Parking Lot Attendant (as James Marcelino) | |
| Bennie E. Dobbins | ... | Road Gang Guard (as Bennie Dobbins) | |
| Walter Scott | ... | Road Gang Guard | |
| W.T. Zacha | ... | Road Gang Guard | |
| Begonya Plaza | ... | Indian Hooker (as Begoña Plaza) | |
| Loyd Catlett | ... | Prison Guard | |
| B.G. Fisher | ... | Prison Guard | |
| Reid Cruickshanks | ... | Prison Guard | |
| R.D. Call | ... | Duty Sergeant | |
| Brenda Venus | ... | Hooker | |
| Gloria Gifford | ... | Hooker (as Gloria E. Gifford) | |
| Nick Dimitri | ... | Torchy's Patron | |
| John Dennis Johnston | ... | Torchy's Patron | |
| Rock A. Walker | ... | Torchy's Patron | |
| Dave Moordigian | ... | Gas Station Attendant | |
| J. Wesley Huston | ... | Security Guard | |
| Gary Pettinger | ... | Cop with Gun | |
| Marquerita Wallace | ... | Bar Girl | |
| Angela Robinson | ... | Bar Girl | |
| Jack Lightsy | ... | Bartender | |
| John Hauk | ... | Henry Wong | |
| Bob Yanez | ... | Interrogator | |
| Clint Smith | ... | Leroy | |
| Luis Contreras | ... | Gang Member | |
| Suzanne M. Regard | ... | Cowgirl Dancer | |
| Ola Ray | ... | Vroman's Dancer | |
| Bjaye Turner | ... | Vroman's Dancer | |
| Brian O'Neal | ... | Band at Vroman's (as The Busboys) | |
| Kevin O'Neal | ... | Band at Vroman's (as The Busboys) | |
| Gus Loundermon | ... | Band at Vroman's (as The Busboys) |
Directed by | |||
| Walter Hill | |||
Writing credits | ||
| Roger Spottiswoode | (written by) and | |
| Walter Hill | (written by) & | |
| Larry Gross | (written by) and | |
| Steven E. de Souza | (written by) | |
Produced by | |||
| D. Constantine Conte | .... | executive producer | |
| Lawrence Gordon | .... | producer | |
| Joel Silver | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Ric Waite | |||
Film Editing by | |||
| Freeman A. Davies | (as Freeman Davies) | ||
| Mark Warner | |||
| Billy Weber | |||
Casting by | |||
| Judith Holstra | |||
Production Design by | |||
| John Vallone | |||
Set Decoration by | |||
| Richard C. Goddard | |||
Costume Design by | |||
| Marilyn Vance | (as Marilyn Kay Vance) | ||
Makeup Department | |||
| Michael Germain | .... | makeup artist | |
| Edouard F. Henriques | .... | makeup artist (as Edouard F. Henriques III) | |
| Dagmar Loesch | .... | hair stylist | |
Production Management | |||
| Gene Levy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Deborah Love | .... | second assistant director (as Deborah A. Love) | |
| David Sosna | .... | first assistant director | |
Art Department | |||
| Johnny Lattanzio | .... | construction coordinator | |
| Craig Raiche | .... | property master | |
| Jaymes Hinkle | .... | production painter (uncredited) | |
Sound Department | |||
| Glenn E. Anderson | .... | sound mixer | |
| Richard L. Anderson | .... | supervising sound effects editor (as Richard Anderson) | |
| Stephen Hunter Flick | .... | supervising sound effects editor (as Stephen Flick) | |
| Rick Kline | .... | sound re-recording mixer | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Teri E. Dorman | .... | sound editor (uncredited) | |
| John Dunn | .... | sound editor (uncredited) | |
| Mark A. Mangini | .... | adr editor (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
| Clive Taylor | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Joseph P. Mercurio | .... | special effects | |
Stunts | |||
| Bennie E. Dobbins | .... | stunt coordinator | |
| Jerry Brutsche | .... | stunt double (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Nick Dimitri | .... | stunts (uncredited) | |
| Terry Leonard | .... | stunt double (uncredited) | |
| Conrad E. Palmisano | .... | stunt driver (uncredited) | |
| Walter Scott | .... | stunts (uncredited) | |
| John Sherrod | .... | stunt double (uncredited) | |
| Rock A. Walker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Carl Boles | .... | gaffer | |
| John London | .... | key grip | |
| Bruce McBroom | .... | still photographer | |
| Bruce Balton | .... | jib operator (uncredited) | |
| Baird Steptoe | .... | first assistant camera (uncredited) | |
| Richard Walden | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Tom Bronson | .... | costume supervisor (as Thomas M. Bronson) | |
| Dan Moore | .... | costumer: men | |
| Jennifer L. Parsons | .... | costumer: women | |
Editorial Department | |||
| Carmel Davies | .... | assistant film editor | |
| Robert Hernandez | .... | assistant film editor | |
| Edward A. Warschilka | .... | assistant film editor (as Edward A. Warschilka Jr.) | |
Music Department | |||
| Greig McRitchie | .... | orchestrator | |
| Winston Sharples | .... | composer: cartoon music (as W. Sharples) | |
| Michael Tronick | .... | music editor | |
| Dan Wallin | .... | music scoring mixer | |
| James Horner | .... | conductor (uncredited) | |
Transportation Department | |||
| Ronnie Baker | .... | transportation coordinator | |
Other crew | |||
| Giorgio Armani | .... | suit: Eddie Murphy | |
| Rafe Blasi | .... | publicity coordinator | |
| Mary F. Galloway | .... | location manager | |
| Barbara Hamm | .... | assistant: Nick Nolte | |
| Luca Kouimelis | .... | script supervisor | |
| Patricia Phillipes | .... | assistant: Lawrence Gordon | |
| David Proval | .... | acting coach: Eddie Murphy | |
| Patty Raya | .... | assistant: Lawrence Gordon | |
| Douy Swofford | .... | title designer: main titles | |
| Elaine K. Thompson | .... | assistant: Joel Silver | |
| Mae Woods | .... | assistant: Walter Hill | |
| Lisbeth Wynn-Owen | .... | secretary: Gene Levy | |
| Jette Sorensen | .... | production accountant (uncredited) | |
| Nancy Zearfoss | .... | night location manager (uncredited) | |
48 Hours (USA) (alternative spelling)
Forty Eight Hours (USA) (alternative spelling)
more
96 min
1.85 : 1 more
Canada:R (Manitoba/Nova Scotia/Ontario) | Iceland:16 | Australia:R | Singapore:PG (cut) | Netherlands:12 | USA:R (Certificate #26865) | UK:15 (2009) (uncut) | South Korea:15 (cable rating) | UK:18 (video rating) (1986) | Argentina:18 | Canada:13+ (Quebec) | Finland:K-16 | New Zealand:R16 | Norway:18 | South Korea:18 | Sweden:15 | UK:15 (video rating) (1987) (cut version) | UK:18 (original rating) | West Germany:18
Eddie Murphy states in his 2008 Biography special that his character's name was originally scripted to be "Willie Biggs." He had concerns with that name as it sounded too much like a "Hollywood, made-up, black guy's name." He suggested the last name Hammond based on a raspy-voiced, cool kid from his hometown named Terrance Hammond. Reggie was a compromise by having just the first name be a typical "Hollywood, made-up, black guy name." more
Factual errors: There is most likely no way a battery would stay good for three years only being charged once per month. Once a battery goes through 7 cycles of running all the way down it is shot. About the only way a battery would stay good this long is if it were a modern day battery on a trickle (constant) charger. Very doubtful the car would have started after 3 years without a full charge anyway. more
Elaine:
You know, if you let me come over to your place once in a while you could put on a clean shirt in the morning.
Jack:
What makes you think I got any clean shirts in my place?
more
Referenced in "Saturday Night Live: Eddie Murphy/Lionel Richie (#8.9)" (1982) more
CARTOON MUSIC more
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| Lethal Weapon 2 | Another 48 Hrs. | The Fugitive | Beverly Hills Cop | Magnum Force |
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| News articles | IMDb Action section | IMDb USA section |
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This is the one of the movies that kicked off the buddy cop formula. Technically, Nick Nolte's the only cop, but other films have tried to imitate the style by having a tough, cranky, by-the-book cop (Nolte's character) paired off with a loose, easygoing, unorthodox cop (like Murphy's character). Some of these "imitators" have failed miserably and even those that succeeded don't match up to "48 Hours."
I haven't seen the unedited version of this movie in over ten years (it plays on TV like 4 times every month), and even when I did catch it on TV, I caught it in bits and pieces. Now that I've seen it straight-through, in its uncut form, I can regard this as an overlooked classic. Watching Nolte as the gruff, chain-smoking Jack, I thought to myself, "He owns that part." Many actors have tried to take on that same role, but nobody plays it better than Nolte. And the same goes for Eddie Murphy. His talent has been taken for granted over the recent years, since his career has hit a major slump. And rightfully so. He should choose his roles much more wisely. How do you from doing such fun, memorable films as "48 Hours," "Coming to America" and "Trading Places" to doing "Showtime" and "I-Spy." This movie proves that Murphy can go leaps and bounds with his comic talent, if the script is well-written. The scene in the all-white, country-western bar, where Murphy shows off his skills as an interrogator, is a classic.
The film is directed by Walter Hill, who's great at directing action sequences. So the movie packs a punch in both the action and comedy department. Nolte and Murphy's chemistry is priceless, and the banter between them is sharp and hilarious. One of my favorite examples is when Murphy asks Nolte, "Can you tell me a bedtime story?" Nolte responds, "F**k you." "That's my favorite one." Of course, Murphy gets most of the credit for being the comic relief, and he is terrific in one of his best comic performances, but Nolte belts out just as many funny lines as him, though he's the official straight man. He never seems to say anything intentionally funny, but that's what's funny. He says things that are hilarious, but sounds dead serious about them. And of course, it's also hilarious to watch him react furiously to Murphy's taunts.
Those who haven't seen "48 Hours" should really check it out, because it's an action classic! Sure, the "Rush Hour" films are good, but Chris Tucker and Jackie Chan don't have close to the same magic as Nick Nolte and Eddie Murphy! THIS is how an action/comedy is made!!
My score: 9 (out of 10)