|
| Michael Gleason | .... | executive producer (94 episodes, 1982-1987) |
| Gareth Davies | .... | producer / co-executive producer (80 episodes, 1982-1987) |
| Kevin Inch | .... | producer / associate producer / ... (74 episodes, 1982-1987) |
| Jack Mongan | .... | associate producer (31 episodes, 1985-1987) |
| Robert C. Bailey | .... | associate producer (26 episodes, 1983-1985) |
| Lee David Zlotoff | .... | supervising producer (19 episodes, 1983) |
| Richard De Roy | .... | supervising producer (13 episodes, 1984-1985) |
| Glenn Gordon Caron | .... | supervising producer (12 episodes, 1982-1983) |
| Jeff Melvoin | .... | supervising producer (6 episodes, 1986) |
| Carol Vitale | .... | associate producer (4 episodes, 1982) |
| Brad Kern | .... | supervising producer (2 episodes, 1987) |
| |
|
| Ted Rich | .... | post-production supervisor (68 episodes, 1982-1987) |
| Bernard Oseransky | .... | executive in charge of production / unit production manager (61 episodes, 1983-1987) |
| Robert Enrietto | .... | unit production manager (58 episodes, 1983-1986) |
| John Slosser | .... | unit production manager (23 episodes, 1982-1983) |
| Abby Singer | .... | executive in charge of production / production consultant (22 episodes, 1982-1985) |
| Daniel Franklin | .... | production supervisor (16 episodes, 1985-1987) |
| Dennis Lanning | .... | european production manager / production manager: Europe (4 episodes, 1984) |
| Ted Morley | .... | production manager: England (2 episodes, 1985) |
| |
|
| Irwin Marcus | .... | second assistant director / first assistant director (39 episodes, 1983-1987) |
| Sara Fischer | .... | second assistant director (28 episodes, 1985-1987) |
| Janet Davidson | .... | first assistant director / second assistant director (26 episodes, 1982-1984) |
| Christopher Hibler | .... | first assistant director (24 episodes, 1982-1985) |
| Paul Chavez | .... | second assistant director / first assistant director (23 episodes, 1984-1986) |
| Kevin Inch | .... | second unit director (22 episodes, 1984-1987) |
| Buck Edwards | .... | second assistant director (14 episodes, 1985-1986) |
| Peter Schindler | .... | first assistant director (11 episodes, 1984-1985) |
| Ron Kinwald | .... | second assistant director (9 episodes, 1983) |
| Peter Bogart | .... | first assistant director (5 episodes, 1982-1983) |
| Bruce Solow | .... | second assistant director (4 episodes, 1984) |
| Armando M. Huerta | .... | first assistant director (2 episodes, 1983) |
| Andrew Wood | .... | second assistant director: England (2 episodes, 1985) |
|
| Matthew Hintlian | .... | second assistant director: 1985 (unknown episodes) |
| Martin O'Malley | .... | first assistant director: second unit (unknown episodes) |
| John G. Phelan | .... | second assistant director (unknown episodes) |
| |
|
| Tom Ruff | .... | adr mixer (66 episodes, 1982-1985) |
| Norman Webster | .... | production sound mixer / sound mixer (51 episodes, 1983-1986) |
| Sam Horta | .... | sound editor (37 episodes, 1983-1985) |
| Ron Horwitz | .... | sound editor (26 episodes, 1984-1986) |
| Ron Clark | .... | sound editor (11 episodes, 1982-1983) |
| Pat Hayes | .... | production sound mixer (5 episodes, 1984-1987) |
| Dale Johnston | .... | sound editor (4 episodes, 1982) |
| Jeff Clark | .... | sound editor / sound effects (4 episodes, 1983) |
| Kathy Durning | .... | sound editor (4 episodes, 1983) |
| Allan R. Potter | .... | sound editor (3 episodes, 1982) |
| John Midgley | .... | production sound mixer (2 episodes, 1985) |
| Petra Bach | .... | sound editor (2 episodes, 1987) |
|
| John Asman | .... | sound re-recording mixer (unknown episodes) |
| Paul J. Diller | .... | sound effects editor (unknown episodes) |
| Michael Gollom | .... | sound effects editor (unknown episodes) |
| Eileen Horta | .... | supervising sound editor (unknown episodes) |
| Jeffrey A. Humphreys | .... | sound recordist (unknown episodes) |
| Scott D. Jackson | .... | foley editor (unknown episodes) |
| William Jacobs | .... | sound editor (unknown episodes) |
| Ken S. Polk | .... | sound re-recording mixer (unknown episodes) |
| Peter Reale | .... | sound re-recording mixer (unknown episodes) |
| |
|
| Dennis Matsuda | .... | camera operator (33 episodes, 1983-1985) |
| Jack Courtland | .... | camera operator (23 episodes, 1984-1986) |
| Anthony Pistone | .... | gaffer (18 episodes, 1983-1985) |
| John C. Moulds | .... | second assistant camera (12 episodes, 1982-1983) |
| Bill Whitman | .... | camera operator (10 episodes, 1986-1987) |
| Larry J. Aube | .... | key grip (9 episodes, 1983-1984) |
| Robert A. Petzoldt III | .... | gaffer (9 episodes, 1985-1986) |
| Russell Nordstedt | .... | key grip (7 episodes, 1984-1985) |
| Louis Conroy | .... | gaffer (5 episodes, 1984-1987) |
| Frank Keever | .... | key grip (5 episodes, 1985-1986) |
| Kenneth J. Withers | .... | camera operator (4 episodes, 1984) |
| Paddy Keogh | .... | key grip (3 episodes, 1984) |
| Lloyd Barcroft | .... | key grip (2 episodes, 1985) |
| John Donoghue | .... | gaffer (2 episodes, 1985) |
| Ginger Gemmel | .... | camera operator (2 episodes, 1985) |
| Dennis McBride | .... | camera operator (2 episodes, 1985) |
|
| John Burnett | .... | first assistant camera: "a" camera, second unit, additional photography (unknown episodes, 1982-1987) |
| Vincent Contarino | .... | electrician (unknown episodes) |
| |
|
| Carole Little | .... | wardrobe provider: Stephanie Zimbalist / wardrobe designer: Stephanie Zimbalist (63 episodes, 1983-1987) |
| Sanford Slepak | .... | costume supervisor / costumer: men / ... (44 episodes, 1982-1984) |
| Molly Harris Campbell | .... | costumer: women / costumer (39 episodes, 1983-1985) |
| Shelly Levine | .... | costumer: men (37 episodes, 1984-1986) |
| Paula Giokaris | .... | costumer: women (22 episodes, 1982-1983) |
| Jerry Sklar | .... | costumer: men (19 episodes, 1983-1984) |
| Loree Parral | .... | costumer: women (16 episodes, 1985-1986) |
| Emma Trenchard | .... | costumer: women (5 episodes, 1983) |
| George Marc Gagnon | .... | costumer: men (3 episodes, 1983) |
| Rita Salazar | .... | costumer: women (2 episodes, 1985) |
| |
|
| Geri Windsor | .... | executive in charge of talent (81 episodes, 1982-1987) |
| Abby Singer | .... | production consultant (47 episodes, 1983-1985) |
| Elliott Lewis | .... | executive script consultant / executive story editor (46 episodes, 1983-1986) |
| Jeff Melvoin | .... | executive story editor / story editor (42 episodes, 1983-1985) |
| John Wirth | .... | story editor / executive story editor (39 episodes, 1984-1986) |
| Brad Kern | .... | story editor / executive story editor (33 episodes, 1984-1986) |
| Richard De Roy | .... | executive script consultant (22 episodes, 1983-1984) |
| Robert Butler | .... | executive consultant (21 episodes, 1982-1983) |
| George Rutter | .... | script supervisor (19 episodes, 1983-1985) |
| Doris Chisholm | .... | script supervisor (17 episodes, 1984-1986) |
| Kerry Lenhart | .... | story editor (16 episodes, 1985-1986) |
| John J. Sakmar | .... | story editor (16 episodes, 1985-1986) |
| Lee David Zlotoff | .... | executive story consultant (13 episodes, 1982-1983) |
| Brian Alan Lane | .... | story editor (9 episodes, 1984) |
| R.J. Stewart | .... | story editor (7 episodes, 1983) |
| Victoria Gail Weisbart | .... | script supervisor (7 episodes, 1985-1987) |
| Rick Mittleman | .... | executive script consultant / executive story consultant (6 episodes, 1986) |
| John Vaughan | .... | location auditor (5 episodes, 1984-1985) |
| Paul Wolff | .... | executive story editor (4 episodes, 1983) |
| Jill Bender | .... | script supervisor (4 episodes, 1985-1986) |
| Lois Thurman | .... | script supervisor (3 episodes, 1983) |
| Laerke Sigfred Pedersen | .... | script supervisor (3 episodes, 1984) |
| Joanna Yearsley | .... | script supervisor (3 episodes, 1984) |
| Tom Moore | .... | script supervisor (2 episodes, 1984) |
| Robin Bernheim | .... | executive story editor (2 episodes, 1987) |
| John Vaughan | .... | location auditor (2 episodes, 1987) |
|
| Jim Carberry | .... | location manager (unknown episodes) |
| Adam Hill | .... | shophand/set detail caster: CBS/MTM Studios (unknown episodes) |
| |
"Remington Steele" has become such a 'cult favorite' since it's 1982 debut that the show's many fans can recite episodes, plot lines, dialog, even the 'unrevealed' aspects of both Laura Holt and the mysterious Mr. Steele's past, and, amazingly, their futures, as well! For a show that some critics initially brushed off as a "Moonlighting" clone, the series has proved to be far more enduring, and beloved...with much of the credit going to the leads, beautiful and talented Stephanie Zimbalist, and the remarkable future 'James Bond', Pierce Brosnan. The premise of the show was clearly stated in the first season's opening credits; a brilliant young investigator, Laura Holt (Zimbalist), decides to start her own agency, but the era's chauvinistic attitude toward women prevents clients from hiring "a woman". So she invents a fictional 'boss', Remington Steele, brilliant, charismatic, but always busy on other cases, so potential clients would deal with his 'associate', Ms. Holt. The scheme works brilliantly, although, as the client list increased in stature, it became increasingly difficult to fend off their demands to meet Mr. Steele...and then HE appeared! A young, lean, enigmatic Irishman (Pierce Brosnan), initially involved in a smuggling operation (although on the "side of the Angels"), gets out of a difficult situation by declaring himself "Remington Steele", and quickly discovers the status (and available funds!) the 'Nom De Plume' gives him. Although Holt is initially furious at the pretender, an important client happily passes his business to 'Mr. Steele', and his physical 'presence', documented by the press, forces her to accept the mysterious stranger...on condition he NOT meddle in cases! Of course, the new Steele, whose passion is Classic Hollywood movies (as, indeed, Brosnan's was, as well), simply can't miss the chance to 'live out' the 'Film Noir Detective' lifestyle, creating a constant source of episode plot lines...and Holt and Steele would develop an increasingly romantic bond, as well, which would, eventually become a full-fledged romance. For many "Steele" fans, the first season's episodes are the most fun, with Brosnan less-than-competent as the master detective, Zimbalist displaying great comic timing in her reactions to his "successes", and James Read ("North and South", "Charmed"), providing a rugged sex appeal as her more dependable, skilled associate/'boyfriend'. But the Steele/Holt chemistry was so strong that Read would eventually be written out (as well as the two-dimensional secretary, Bernice Foxe, played by Janet DeMay), and a stronger character, motherly Mildred Krebs (the wonderful Doris Roberts), would be introduced as the new secretary/confidant, in the second season; her presence provided a stability that actually improved the show. So much has been written about the series, and so many legends surround it (the most famous being that NBC, on the verge of canceling the show after four seasons, upon hearing Brosnan had been chosen as the new James Bond in "The Living Daylights", quickly reprieved it for a season of 'made-for-TV' "Steele" movies, to take advantage of the publicity...costing Brosnan the 007 role, for a decade), that "Remington Steele" has achieved a fame that has far outlasted the series' five seasons. Certainly, the warmth and camaraderie of the cast and crew throughout the run made the production 'special' (unlike the frequently explosive atmosphere on the "Moonlighting" set), and there is ALWAYS talk of a 'reunion' show, reuniting Steele and Holt for a new adventure, even after a twenty-year 'retirement'! Not bad for a "Moonlighting" 'clone'!