| Photos (see all 13 | slideshow) | Videos |
Directed by | |||
| Harold Becker | |||
Writing credits(in alphabetical order) | ||
| Devery Freeman | novel "Father Sky" | |
| Robert Mark Kamen | writer | |
| James Lineberger | adaptation | |
| Darryl Ponicsan | writer | |
Produced by | |||
| Howard B. Jaffe | .... | producer | |
| Stanley R. Jaffe | .... | producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Owen Roizman | |||
Film Editing by | |||
| Maury Winetrobe | |||
Casting by | |||
| Shirley Rich | |||
Art Direction by | |||
| Stan Jolley | |||
| Alfred Sweeney | |||
Set Decoration by | |||
| Carl Biddiscombe | (as Carl Biddescombe) | ||
Makeup Department | |||
| Frank Bianco | .... | hair stylist | |
| Robert Jiras | .... | makeup artist (as Bob Jiras) | |
Production Management | |||
| Norman A. Cook | .... | production manager (as Norman Cook) | |
| Phillip M. Goldfarb | .... | production manager (as Phillip Goldfarb) | |
Second Unit Director or Assistant Director | |||
| M. James Arnett | .... | second unit director (as Jim Arnett) | |
| William M. Elvin | .... | second assistant director (as Bill Elvin) | |
| Nikita Knatz | .... | second unit director | |
| Michael Looney | .... | second assistant director | |
| Thomas J. Mack | .... | assistant director (as Tom Mack) | |
| Charles Myers | .... | first assistant director: second unit | |
Art Department | |||
| Russell Goble | .... | property master | |
| Leon Harris | .... | production illustrator | |
| Nikita Knatz | .... | production illustrator: second unit | |
| Duane R. Marion | .... | lead man | |
| Wayne Smith | .... | stand-by painter | |
| Ken Walker | .... | assistant property master (as Kenny Walker) | |
| Mickey Woods | .... | construction coordinator | |
Sound Department | |||
| Ralph Babcock | .... | boom operator | |
| Bruce Bell | .... | sound editor | |
| Gary C. Bourgeois | .... | sound re-recording mixer (as Gary Bourgeois) | |
| Gordon Daniel | .... | sound editor | |
| Greg Dillon | .... | sound editor | |
| James Fritch | .... | sound editor (as Jim Fritch) | |
| Bert Hallberg | .... | sound mixer (as Bertil Hallberg) | |
| Arthur Jackson | .... | utility sound technician (as Arthur J. Jackson) | |
| James J. Klinger | .... | sound editor (as Jim Klinger) | |
| Marvin I. Kosberg | .... | sound editor (as Marvin Kosberg) | |
| William L. McCaughey | .... | sound re-recording mixer | |
| Joe Nicolo | .... | sound recordist | |
| Anthony Palk | .... | sound editor (as Tony Palk) | |
| Gary Shepherd | .... | sound editor | |
| Howard S. Wollman | .... | sound re-recording mixer (as Howard Wollman) | |
Special Effects by | |||
| James Camomile | .... | special effects | |
| Fred Cramer | .... | special effects | |
| Dennis Dion | .... | special effects | |
| Gary Elmendorf | .... | special effects (as Garry Elmendorf) | |
| Andrew 'Sandy' Overholtzer | .... | special effects (as Andrew Overhaltzer) | |
| Paul Stewart | .... | special effects (as Paul H. Stewart) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator (as Jim Arnett) | |
| M. James Arnett | .... | stunts (as Jim Arnett) | |
| David R. Ellis | .... | stunts (as David Ellis) | |
| Gary Hymes | .... | stunts | |
| Bobby Porter | .... | stunts | |
| Anthony Redd | .... | stunts | |
| J.N. Roberts | .... | stunts | |
| R.A. Rondell | .... | stunts | |
| Reid Rondell | .... | stunts | |
| John Sherrod | .... | stunts | |
| Brett Smrz | .... | stunts | |
| Brian Smrz | .... | stunts | |
| Frank James Sparks | .... | stunts (as Frank Sparks) | |
| Reid Rondell | .... | stunt double: Tom Cruise (uncredited) | |
Camera and Electrical Department | |||
| Garrett Brown | .... | steadicam operator | |
| Ted Churchill | .... | panaglide operator | |
| James Glennon | .... | camera operator | |
| Craig Haagensen | .... | first assistant camera (as Craig Hagenson) | |
| Rob Hahn | .... | first assistant camera | |
| Gary Holt | .... | gaffer | |
| David Jarrell | .... | best boy electric | |
| Larry Orlick | .... | first assistant camera: second unit | |
| Scott Rathner | .... | second assistant camera | |
| Bob Rose | .... | key grip (as Bobby Rose) | |
| Tim Ryan | .... | dolly grip (as John 'Tim' Ryan) | |
| George Silano | .... | camera operator | |
| William H. Steiner | .... | camera operator: second unit | |
| Ladislaus Vidor | .... | director of photography: second unit (as Zoli Vidor) | |
| Ronald Vidor | .... | steadicam operator | |
| Josh Weiner | .... | still photographer | |
Casting Department | |||
| Jo Doster | .... | extras casting | |
| Darilyn Stringer | .... | extras casting | |
Costume and Wardrobe Department | |||
| Barry Kellogg | .... | costumer | |
| Michael J. Long | .... | costumer | |
| Eddie Marks | .... | costume supervisor | |
Editorial Department | |||
| Jim Faris | .... | additional editor (as James Faris) | |
| Dennis E. Lew | .... | first assistant editor | |
| Michael Luciano | .... | additional editor | |
| Saul Saladow | .... | assistant editor (as Saul R. Saladow) | |
| Eric A. Sears | .... | assistant editor | |
| Florence Williamson | .... | assistant editor (as Flo Williamson) | |
Music Department | |||
| Jerry MacDonald | .... | music editor | |
| Tommy Tedesco | .... | musician: guitar | |
| Gary Ulmer | .... | scoring mixer | |
Transportation Department | |||
| Aram Betkijian | .... | transportation captain | |
| Paul Sullivan | .... | transportation co-captain | |
Other crew | |||
| Marion Billings | .... | publicist | |
| William Chapman | .... | production coordinator (as Bill Chapman) | |
| Sara Colleton | .... | assistant: Mr. Becker | |
| Joel L. Fink | .... | cadet coordinator | |
| Harry Hauss | .... | helicopter pilot (as Harold S. Hauss) | |
| Andrea Jaffe | .... | publicist | |
| Robert A. Jaffe | .... | location coordinator | |
| Marie Kenney | .... | script supervisor | |
| Joanne Knapp | .... | production secretary | |
| Harry Litwack | .... | teaching coordinator | |
| Michelle Marchetti | .... | production secretary | |
| Michel Mention | .... | assistant: Mr. Jarre | |
| Craig Nannos | .... | technical advisor: military (as J. Craig Nannos) | |
| Kathy Rowe | .... | assistant: Mr. Jaffe | |
| Joyce Webb | .... | script supervisor: second unit | |
| Paul McKenna | .... | technical advisor: military (uncredited) | |
| Paul McKenna | .... | technical advisor: military (uncredited) | |
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TAPS was a movie about a seige at a military academy which is about to be closed. The film also meshed civilian harsh views towards the military and a freudian look at the psychological angle used to turn young men into hardend killers only to have the civilians learn they cannot be controlled. TOM CRUISE gives great range in his role as a cadet who turns psychopathic; a man who meshed a little too well with his OCS/ROTC training, into a killing machine without thought or remorse. The portrayl of cruise as this character is chilling. This is not a bad film, as it reflects the post vietnam view of civilians toward the US MILITARY. The film also focuses on the other cadets who begin to lose favor with the seige and want to end it, only to be manipulated by TOM CRUISES character and a elite group of students ear marked for special forces. The film concentrates on a command power struggle between Crusie and TIMOTHY HUTTON, who is grieving the loss of their school GENERAL played by GEORGE C. SCOTT, who is killed by angry youths; a catalyst for the takeover. As the film progresses the governor sends in RONNY COX as a national guard commander with a m-60 tank platoon to stop the problem. The film continues until the climax and we are left with a question...who watches the watchers? Ultimately who was responsible for the malfunction at this school and the LORD OF THE FLIES break up into sects within the seige group holding onto the school? Was it the system that trains a man to become a hardend killer only to say...."whoops we can't control him" or diffuse him. Or is this a commentary on a peace time initiative when there is no war to fight...perhaps a commentary on U.S. military doctrine and philosophy and ultimately psychology in the post Vietnam years with no war to fight. We train our service men and cadet for battle but do we train them on discernment on how to pick those fights? This is a question left unanswered by this film, yet undoubtedly raised by it.