| Franco Nero | ... | Carabinieri Colonel Dante Matucci | |
| Anthony Quinn | ... | Bruno Manzini | |
| Martin Balsam | ... | Captain Steffanelli | |
| Sybil Danning | ... | Lili Anders | |
| Christopher Lee | ... | Prince Baldasar, the Director of Counterintelligence | |
| Cleavon Little | ... | Major Carl Malinowski, USMC | |
| Paul L. Smith | ... | The Surgeon (as Paul Smith) | |
| John Steiner | ... | Captain Roditi | |
| Claudia Cardinale | ... | Elena Leporello | |
| Eli Wallach | ... | General Leporello | |
| Renzo Palmer | ... | Carabinieri Major Giorgione | |
| Anita Strindberg | ... | Princess Faubiani | |
| Marino Masé | ... | Captain Rigoli | |
| Jacques Herlin | ... | Woodpecker | |
| Fortunato Arena | ... | General Pantaleone | |
| John Stacy | ... | Concierge | |
| Andrea Esterhazy | ... | Minister of Defence | |
| Massimo Ciprari | ... | Assassin | |
| rest of cast listed alphabetically: | |||
| Tony Brandt | ... | Gianni Bandanelli, Pantaleone's øawyer (uncredited) | |
| Tom Felleghy | ... | Man at Pantaleone's Burial (uncredited) | |
| Margherita Horowitz | ... | Wife of Minister of Defence (uncredited) | |
| Gitte Lee | ... | Princess Baldasar (uncredited) | |
| Nello Pazzafini | ... | Manzini's Bodyguard (uncredited) | |
Directed by | |||
| Peter Zinner | |||
Writing credits(in alphabetical order) | ||
| Robert Katz | writer | |
| Rod Serling | adaptation | |
| Morris L. West | novel | |
Produced by | |||
| Erwin C. Dietrich | .... | producer | |
| William R. Forman | .... | executive producer | |
| Paul Maslansky | .... | producer | |
| Renzo Rossellini | .... | co-producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Marcello Gatti | |||
Film Editing by | |||
| Claudio M. Cutry | (as Claudio Cutry) | ||
| Katina Zinner | (co-editor) | ||
Art Direction by | |||
| Giantito Burchiellaro | |||
Costume Design by | |||
| Fabrizio Caracciolo | |||
Production Management | |||
| Joe Pollini | .... | production manager (as Guiseppe Pollini) | |
Second Unit Director or Assistant Director | |||
| Tony Brandt | .... | assistant director | |
Art Department | |||
| Fernando Valento | .... | construction manager | |
Sound Department | |||
| Tonino Testa | .... | sound | |
Stunts | |||
| Angelo Ragusa | .... | stunts | |
Camera and Electrical Department | |||
| Stefano Marino | .... | electrician | |
Editorial Department | |||
| Patrizia Ceresani | .... | assistant editor | |
Other crew | |||
| Wayne Fitzgerald | .... | title designer | |
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| Marie Galante | A Mighty Heart | Heaven | The Black Doll | The Secret of Treasure Island |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb USA section | Add this title to MyMovies |
How did it go so wrong? How can a film with such an impressive cast (Franco Nero, Christopher Lee, Eli Wallach, Sybil Danning, Claudia Cardinale, Martin Balsam, Paul Smith - the torturer in "Midnight Express" - as, you guessed it, a torturer, etc.) and such colorful location filming around Italy (Rome, Milan, Venice, etc.) be such a bore? Probably because the story is slow-moving and unengaging, and has no real climax. Another obstacle for the viewer is the difficulty to buy people like Lee and Balsam as Italians. Nero is always likable, and Danning is stunning (even if she's in completely "unrevealing" mode here), but these two are barely enough to keep you focused on what was excellently described by another reviewer as "a political thriller without thrills". (*1/2)