Directed by | |||
| Blake Edwards | |||
Writing credits(in alphabetical order) | ||
| Blake Edwards | writer | |
Produced by | |||
| Tony Adams | .... | producer | |
| Blake Edwards | .... | producer | |
| Gerald T. Nutting | .... | associate producer | |
| Michael Wolf | .... | executive producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Harry Stradling Jr. | |||
Film Editing by | |||
| Ralph E. Winters | |||
Casting by | |||
| Eileen Mack Knight | |||
| Barbara Miller | |||
Production Design by | |||
| Rodger Maus | |||
Art Direction by | |||
| William Craig Smith | |||
Set Decoration by | |||
| Jack Stevens | |||
Costume Design by | |||
| Theadora Van Runkle | |||
Makeup Department | |||
| John Isaacs | .... | hair stylist: Miss Andrews | |
| Rick Sharp | .... | makeup artist | |
| Ron Snyder | .... | makeup artist | |
| Georgina Williams | .... | hair stylist | |
Production Management | |||
| Lynn Guthrie | .... | production manager | |
| Chuck Murray | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Emmitt-Leon O'Neill | .... | second assistant director | |
| L. Andrew Stone | .... | first assistant director | |
| Yoram Ben-Ami | .... | assistant director (uncredited) | |
Art Department | |||
| Michael C. Ayers | .... | property master (as M.C. Ayers) | |
| Dominic Belmonte | .... | property master: musical sequences | |
| Craig Gentry | .... | stand-by painter | |
| David L. McGuire | .... | swing | |
| C.P. 'Cass' Quitan | .... | second property master | |
| Michael J. Smith | .... | construction coordinator | |
| Don Sutton | .... | lead man | |
Sound Department | |||
| Brydon Baker III | .... | cable person | |
| Ronald R. Cooper | .... | boom operator | |
| Gilbert D. Marchant | .... | sound effects editor | |
| Ray O'Reilly | .... | sound re-recording mixer | |
| Leonard Peterson | .... | sound re-recording mixer | |
| M. Curtis Price | .... | sound re-recording mixer | |
| Don Sharpless | .... | sound mixer | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
| Duncan McEwan | .... | sound recordist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| John Burke | .... | special effects | |
Stunts | |||
| Buzz Bundy | .... | stunts | |
| Eddy Donno | .... | stunts | |
| Joe Dunne | .... | stunt coordinator | |
| Tom Elliott | .... | stunts | |
| David R. Ellis | .... | stunts (as Dave Ellis) | |
| Mickey Gilbert | .... | stunts | |
| Carey Loftin | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Victor Paul | .... | stunts | |
| George Robotham | .... | stunts | |
| Fred M. Waugh | .... | stunts (as Fred Waugh) | |
| Glenn R. Wilder | .... | stunts (as Glen Wilder) | |
| Charlie Picerni | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Armando Contreras | .... | dolly grip | |
| Don E. FauntLeRoy | .... | second assistant camera | |
| Tom May | .... | key grip | |
| Bruce McBroom | .... | still photographer | |
| John McCoy | .... | vtr operator | |
| Jeff McGrath | .... | best boy | |
| Richard Craig Meinardus | .... | first assistant camera | |
| Ralph Nelson | .... | still photographer (as Ralph Nelson Jr.) | |
| Don Stott | .... | gaffer | |
| Richard Tim Vanik | .... | camera operator | |
| Scott C. Williman | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costumer: women | |
| Bruce R. Hogard | .... | costumer: men | |
Editorial Department | |||
| Geoffrey Edwards | .... | assistant editor | |
| Robert Pergament | .... | assistant editor | |
Music Department | |||
| Bodie Chandler | .... | music supervisor | |
| John C. Hammell | .... | music editor | |
Transportation Department | |||
| Billy G. Arter | .... | transportation coordinator | |
Other crew | |||
| Richard Baum | .... | production assistant | |
| Bea Blondell | .... | production auditor | |
| Trish Caroselli | .... | assistant to producers | |
| Danny P. Freiburn | .... | craft service | |
| Frank Inn | .... | animal trainer | |
| Leslie Johnson | .... | student intern | |
| Lindsey Jones | .... | director of publicity | |
| H. Bud Otto | .... | script supervisor | |
| Ron Rapiel | .... | production consultant | |
| Gloria Salas | .... | production auditor | |
| Debbie Smith | .... | production coordinator | |
| Paul Snider | .... | production assistant | |
| Syri Stoll | .... | assistant to producers | |
| Paddy Stone | .... | choreographer | |
| Jerry Trent | .... | assistant choreographer | |
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| Bowfinger | The Stunt Man | F/X | Slaughterhouse-Five | Used Cars |
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How rare it is to see a terrific comedy meant for adults. "S.O.B." is Blake Edwards dark look at life in Hollywood. And believe me he pulls no punches. Everyone and everything is a target and he hits it almost every time.
"S.O.B." tells the story of a big director whose latest film is the biggest flop in movie history. Despondent he spends the first half of the film trying to kill himself and the second half trying to save the film by re-shooting it as an arty porno film complete with a nude scene by the virginal female lead (played by the virginal Julie Andrews).
As I said no stone goes unturned. We get hints of drugs, death, murder, suicide, sex, homosexuality (both men and women), transvestism, back stabbing, grave robbing, and much more. But it is done in a tone that is dark but extremely funny. Watching William Holden, Robert Preston, and Robert Webber in their scenes in the third act is worth the time alone. And, yes, we do get to see Julie Andrews in a brief topless shot. It's nice if you like her but nothing special.
The only complaint is that the film runs a bit too long. Edwards would have benefited the film with a trimming of about 15 minutes. But if you like your comedy dark, this is a must see.