Directed by | |||
| Blake Edwards | |||
Writing credits(in alphabetical order) | ||
| Blake Edwards | writer | |
Produced by | |||
| Tony Adams | .... | producer | |
| Blake Edwards | .... | producer | |
| Gerald T. Nutting | .... | associate producer | |
| Michael Wolf | .... | executive producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Harry Stradling Jr. | |||
Film Editing by | |||
| Ralph E. Winters | |||
Casting by | |||
| Eileen Mack Knight | |||
| Barbara Miller | |||
Production Design by | |||
| Rodger Maus | |||
Art Direction by | |||
| William Craig Smith | |||
Set Decoration by | |||
| Jack Stevens | |||
Costume Design by | |||
| Theadora Van Runkle | |||
Makeup Department | |||
| John Isaacs | .... | hair stylist: Miss Andrews | |
| Rick Sharp | .... | makeup artist | |
| Ron Snyder | .... | makeup artist | |
| Georgina Williams | .... | hair stylist | |
Production Management | |||
| Lynn Guthrie | .... | production manager | |
| Chuck Murray | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Emmitt-Leon O'Neill | .... | second assistant director | |
| L. Andrew Stone | .... | first assistant director | |
| Yoram Ben-Ami | .... | assistant director (uncredited) | |
Art Department | |||
| Michael C. Ayers | .... | property master (as M.C. Ayers) | |
| Dominic Belmonte | .... | property master: musical sequences | |
| Craig Gentry | .... | stand-by painter | |
| David L. McGuire | .... | swing | |
| C.P. 'Cass' Quitan | .... | second property master | |
| Michael J. Smith | .... | construction coordinator | |
| Don Sutton | .... | lead man | |
Sound Department | |||
| Brydon Baker III | .... | cable person | |
| Ronald R. Cooper | .... | boom operator | |
| Gilbert D. Marchant | .... | sound effects editor | |
| Ray O'Reilly | .... | sound re-recording mixer | |
| Leonard Peterson | .... | sound re-recording mixer | |
| M. Curtis Price | .... | sound re-recording mixer | |
| Don Sharpless | .... | sound mixer | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
| Duncan McEwan | .... | sound recordist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| John Burke | .... | special effects | |
Stunts | |||
| Buzz Bundy | .... | stunts | |
| Eddy Donno | .... | stunts | |
| Joe Dunne | .... | stunt coordinator | |
| Tom Elliott | .... | stunts | |
| David R. Ellis | .... | stunts (as Dave Ellis) | |
| Mickey Gilbert | .... | stunts | |
| Carey Loftin | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Victor Paul | .... | stunts | |
| George Robotham | .... | stunts | |
| Fred M. Waugh | .... | stunts (as Fred Waugh) | |
| Glenn R. Wilder | .... | stunts (as Glen Wilder) | |
| Charlie Picerni | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Armando Contreras | .... | dolly grip | |
| Don E. FauntLeRoy | .... | second assistant camera | |
| Tom May | .... | key grip | |
| Bruce McBroom | .... | still photographer | |
| John McCoy | .... | vtr operator | |
| Jeff McGrath | .... | best boy | |
| Richard Craig Meinardus | .... | first assistant camera | |
| Ralph Nelson | .... | still photographer (as Ralph Nelson Jr.) | |
| Don Stott | .... | gaffer | |
| Richard Tim Vanik | .... | camera operator | |
| Scott C. Williman | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costumer: women | |
| Bruce R. Hogard | .... | costumer: men | |
Editorial Department | |||
| Geoffrey Edwards | .... | assistant editor | |
| Robert Pergament | .... | assistant editor | |
Music Department | |||
| Bodie Chandler | .... | music supervisor | |
| John C. Hammell | .... | music editor | |
Transportation Department | |||
| Billy G. Arter | .... | transportation coordinator | |
Other crew | |||
| Richard Baum | .... | production assistant | |
| Bea Blondell | .... | production auditor | |
| Trish Caroselli | .... | assistant to producers | |
| Danny P. Freiburn | .... | craft service | |
| Frank Inn | .... | animal trainer | |
| Leslie Johnson | .... | student intern | |
| Lindsey Jones | .... | director of publicity | |
| H. Bud Otto | .... | script supervisor | |
| Ron Rapiel | .... | production consultant | |
| Gloria Salas | .... | production auditor | |
| Debbie Smith | .... | production coordinator | |
| Paul Snider | .... | production assistant | |
| Syri Stoll | .... | assistant to producers | |
| Paddy Stone | .... | choreographer | |
| Jerry Trent | .... | assistant choreographer | |
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| Bowfinger | The Stunt Man | F/X | Slaughterhouse-Five | Used Cars |
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I discovered this film on Cable-TV on a wonderfully programmed channel called "Z" in Los Angeles in the late 80's when they had a week long Blake Edwards Director's focus. Until that time, the only thing I thought Blake Edwards did was "The Pink Panther" which was not my kind of film(s) but was okay.
S.O.B. is a funny yet sobering look at Hollywood. This is a film from a director that literally bites the hand that fed him. And as PC as we are today, a film such as this one could never be made on this scale. Many of the characters portrayed reminded you of folks who were more prominent in the 50's, 60's and 70's although it also reminded me of several people in the 80's, 90's and 2000's as well. But Edwards hits hard at it all, including the career his own wife, Julie Andrews. (And yes she does have great ta-tas under that Peter Pan suit!)
This film will be a bit uneven for those who aren't very familiar with the above the line and below the line workings of Hollywood. Edwards leaves no stone unturned from the lowley Assistants to the snazzy Producers and studios, from being on top and living high in Hollywood to what happens when you die, even your damn funeral is an Academy Award event!!!
This is about everyone that makes Hollywood tick and everyone who thinks because they work in the system -- is the system. It's over 20 years later and I think this will be one of those films that will grow better with age...and knowledge. I recommend this film as a top film to see for anyone wanting "in" in Hollywood, and for those who want to be on the outside looking in. A really talented, daring film.