| Photos (see all 3 | slideshow) |
| Sylvia Kristel | ... | Nicole Mallow | |
| Howard Hesseman | ... | Lester Lewis | |
| Eric Brown | ... | Phillip Fillmore | |
| Meridith Baer | ... | Miss Phipps | |
| Pamela Jean Bryant | ... | Joyce | |
| Peter Elbling | ... | Waiter | |
| Patrick Piccininni | ... | Sherman | |
| Ed Begley Jr. | ... | Jack Travis | |
| Ron Foster | ... | Mr. Fillmore | |
| Dan Barrows | ... | Green, The Gardener | |
| Marian Gibson | ... | Florence | |
| Judy Helden | ... | Miss Kristel's Double | |
| Dan Greenburg | ... | Hotel Owner | |
| rest of cast listed alphabetically: | |||
| David Lee Rawlings | ... | Lover boy (uncredited) | |
Directed by | |||
| Alan Myerson | |||
Writing credits(in alphabetical order) | ||
| Dan Greenburg | writer | |
Produced by | |||
| Jack Barry | .... | executive producer | |
| Steve Bassin | .... | co-executive producer | |
| R. Ben Efraim | .... | producer | |
| Dan Enright | .... | executive producer | |
| Irving Oshman | .... | co-executive producer | |
| Maurie M. Suess | .... | associate producer | |
Original Music by | |||
| Willie Nile | |||
Cinematography by | |||
| Jan de Bont | |||
Film Editing by | |||
| Fred A. Chulack | |||
Casting by | |||
| Erica Enright | |||
Art Direction by | |||
| Linda Pearl | |||
Makeup Department | |||
| Yvonne Curry | .... | makeup artist | |
| Gigi Williams | .... | makeup artist | |
Production Management | |||
| Tony Wade | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Beau Marks | .... | first assistant director | |
| Stephen Sassen | .... | second assistant director (as Steve Sassen) | |
| Russell Vreeland | .... | first assistant director | |
| Tony Wade | .... | second unit director | |
Art Department | |||
| Kathleen Hughes | .... | property master | |
| Kevin Hughes | .... | assistant property master | |
Sound Department | |||
| Andy Babbish | .... | sound | |
| Gordon L. Day | .... | re-recording mixer | |
| Michael Hilkene | .... | sound editor | |
| Mel Metcalfe | .... | re-recording mixer | |
| Rusty Tinsley | .... | sound editor (as Russ Tinsley) | |
| Stan Wetzel | .... | re-recording mixer | |
Stunts | |||
| Judy Helden | .... | stunt double: Sylvia Kristel | |
Camera and Electrical Department | |||
| Arledge Armenaki | .... | assistant camera | |
| Frank Byers | .... | gaffer | |
| Kenneth J. Jones | .... | key grip (as Ken Jones) | |
| Michael Paris | .... | still photographer | |
| Mark Wade | .... | cinematographer: second unit | |
Casting Department | |||
| Lynn Kressel | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Linda M. Bass | .... | wardrobe | |
Music Department | |||
| Robert Fawcett | .... | music editor | |
Other crew | |||
| Margaret Goldsmith | .... | production assistant | |
| Alicia Rivera Frankl | .... | production executive (as Alicia Alon) | |
| Coby Turner | .... | script supervisor | |
| James Fargo | .... | director: additional scenes (uncredited) | |
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| Paroxismus | La coda dello scorpione | Eyes Wide Shut | Beneath the Valley of the Ultra-Vixens | Basic Instinct |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Private Lessons (1981)
** 1/2 (out of 4)
The 15-year-old Phillip (Eric Brown) is starting to understand the bodies of women but he gets some "private lessons" from his maid (Sylvia Kristel). What he doesn't know is that the chauffeur (Howard Hesseman) is using her to blackmail the rich kid's father. If the visuals of an older woman having sex with a 15-year-old kid bothers you then it would be best to stay away from this film, which is without question one of the more "out there" entries in the long-running list of teen/sex comedies from the decade. I'm really not sure why anyone would take this too offensive, although I'm sure all hell would break loose if the roles were reversed and you had an older man giving private lessons to a teen girl. The film, for the most part, never takes itself too serious and instead comes off as a typical fantasy as the horny boy grows closer and closer the perfect woman. The film manages to be quite charming up until the final act, which nearly kills the things. I'm really not sure why they needed the subplot of the blackmail because it's not funny and really adds nothing to the film. The relationship between the boy and maid takes up the first hour and it actually turns into something nice but then it all gets thrown away with the blackmail. The best moments of the film happen after the boy fails to get some because he's too scared and then has to take some jokes by his friend. Brown does a pretty good job in the role of the kid and makes for a nice lead. Hesseman is good as the scumbag driver but it's Kristel's body that steals the film. She'll never be accused of being a good actress but she knows how to be sexual and that's all that is needed here. The soundtrack is also a great one as we get John Mellencamp's 'I Need a Lover', Earth Wind & Fire's 'Fantasy', Eric Clapton's 'Next Time You See Here' plus Rod Stewart's 'Hot Legs', 'Tonight's the Night' and 'You're in My Heart'. Fans of this genre will certainly find enough nudity, cheap laughs and more nudity to keep them entertained.