| Ben Vereen | ... | The Leading Player | |
| William Katt | ... | Pippin | |
| Leslie Denniston | ... | Catherine | |
| Benjamin Rayson | ... | Charlemagne | |
| Martha Raye | ... | Berthe | |
| Chita Rivera | ... | Fastrada | |
| Joanie P. Oneill | ... | Player | |
| Debra Phelan | ... | Player | |
| Linda Haberman | ... | Player | |
| Kate Wright | ... | Player | |
| Allison Williams | ... | Player | |
| John Mineo | ... | Sword Bearer | |
| Charles Lee Ward | ... | Peasant | |
| Lee Mathis | ... | Beggar | |
| Frank Mastrocola | ... | Noble | |
| Carmine Rizzo | ... | Theo | |
| Tom Batten | ... | The Baron / The Field Marshall | |
| Christopher Chadman | ... | Lewis | |
| rest of cast listed alphabetically: | |||
| David Warren Gibson | ... | Player (uncredited) | |
| Gena Ramsel | ... | Player (uncredited) | |
Directed by | |||
| David Sheehan | |||
Writing credits | ||
| Roger O. Hirson | (musical) | |
| Bob Fosse | uncredited | |
Produced by | |||
| Hillard Elkins | .... | executive producer | |
| Susan Haymer | .... | executive producer | |
| Michael Pataki | .... | associate producer | |
| Carol Scott | .... | co-producer | |
| David Sheehan | .... | producer | |
Film Editing by | |||
| Raymond M. Bush | |||
| Arden Rynew | |||
| David Sheehan | |||
Casting by | |||
| Julie Hughes | |||
| Barry Moss | |||
Production Design by | |||
| Tony Walton | |||
Costume Design by | |||
| Patricia Zipprodt | |||
Makeup Department | |||
| Patrick Moreton | .... | hair stylist | |
| Patrick Moreton | .... | makeup artist | |
Production Management | |||
| Kevin Buck | .... | post-production supervisor | |
| Keith Jernquist | .... | post-production supervisor | |
| Steve Mitchell | .... | post-production supervisor | |
Art Department | |||
| Peter Gould | .... | assistant set designer | |
| John Kasarda | .... | assistant set designer | |
Sound Department | |||
| Andy D'Addario | .... | sound assistant | |
| David Green | .... | sound designer | |
| David Green | .... | sound re-recordist | |
| Sharon McMillan | .... | sound assistant | |
Camera and Electrical Department | |||
| Alan Adelman | .... | lighting director | |
| Jules Fisher | .... | lighting designer | |
| Robby Monk | .... | stage lighting director | |
Costume and Wardrobe Department | |||
| John Glaser | .... | assistant costume designer | |
| Max Hager | .... | wardrobe master | |
Music Department | |||
| Ralph Burns | .... | music arranger | |
| Stanley Lebowsky | .... | musical director | |
Other crew | |||
| Keith Allen | .... | production executive | |
| Rick Bennewitz | .... | technical director | |
| Noel Bloom | .... | production assistant | |
| Perry Cline | .... | assistant stage manager | |
| Kathryn Doby | .... | choreographer | |
| Kathryn Doby | .... | stage director | |
| Cynthia Farar | .... | production assistant | |
| Eileen Fields | .... | production coordinator | |
| Bob Fosse | .... | choreographer: original New York production | |
| Bob Fosse | .... | stage director: original New York production | |
| Phil Friedman | .... | stage manager | |
| Barry Gremillion | .... | production assistant | |
| Kerry Levin | .... | associate director | |
| John Mineo | .... | assistant choreographer | |
| Mark Rega | .... | production assistant | |
| Skip Schultz | .... | front light co-ordinator | |
| Shannon Sheehan | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| Pippin Might End Up on the Big Screen!!! | wickywackyman135 |
| Martha Raye | georgestrum |
| Irene Ryan | bigredrecondog |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb History section | IMDb USA section |
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Those people lucky enough to see this show in it's original Broadway run saw a brilliant cast performing a brilliant show with an equally brilliant director. The original cast, Ben Vereen, Irene Ryan (of Beverly Hillbillies fame) Leland Palmer, Jill Clayburgh, John Rubinstein, and others easily outshine William Katt (of Greatest American Hero fame) Martha Raye (of denture fame) and the rest. Still, it's a very good production, and nice to see that a Broadway show can, in fact, be filmed and appreciated without paying $100 to see it! The choreography is splendid. Katt's voice isn't horrible, in fact, he sings the difficult Stephen Schwartz music with apparent ease (not to same effect that John Rubinstein had, mind you) All in all, it's a good production, but more on par with what one would expect from a regional theater or really good community theater.