3 articles from 2009
13 November 2009 2:30 PM, PST | Movieline | See recent Movieline news »
Gordon Willis is the best cinematographer America ever produced. There. I said it. If he'd only shot the Godfather trilogy, Manhattan, Zelig and All the President's Men (let alone Pennies From Heaven, Interiors, Klute and Broadway Danny Rose), he'd have at least earned consideration among the greats like Gregg Toland and Billy Bitzer and his Oscar-winning contemporaries Conrad Hall and Haskell Wexler. And very few would argue against Willis being the best American cinematographer to never win an Oscar -- until tomorrow, that is, when Willis will join Roger Corman as a recipient of a long, long over lifetime-achievement Academy Award. In a series of clips after the jump, see some of what the Academy missed (and is finally making up for) all these years. »
20 June 2009 5:40 AM, PDT | FilmExperience | See recent FilmExperience news »
Streep at 60: Let's talk each Streep nomination and its competition.
Meryl Streep won the BAFTA, Golden Globe and the Lafca prize for her two part role in The French Lieutenant's Woman (1981) but she lost the Oscar anyway. The nominees were:
Katharine Hepburn, On Golden PondDiane Keaton, RedsMarsha Mason, Only When I Laugh
Susan Sarandon, Atlantic City
Meryl Streep, The French Lieutenant's Woman
The French Lieutenant's Woman opened.
On Golden Pond made Katharine Hepburn a four-time Oscar winner. She's still far out in front of everyone in the acting Oscar derby save Jack Nicholson who has three and could conceivably join her. He is 72 and still works far more often than Hepburn was working in her 70s when she won this.
The snubbed in '81? Sissy Spacek in Raggedy Man and Sally Field in Absence of Malice were Globe Drama nominees and Bernadette Peters was the Musical/Comedy Globe winner for Pennies From Heaven. »
- NATHANIEL R
3 May 2009 | Collider.com | See recent Collider.com news »
Written by James Napoli This Week: Pennies From Heaven (1981) – Steve Martin, Herbert Ross and Dennis Potter use the musical to make art that hits where it hurts What if there was a musical that was more like one of the tough-minded independent directorial visions of late 1970’s cinema, a musical that was more like a film noir, a musical that plunged the viewer straight into a troubling dreamscape of metaphors for all the lies a nation can tell itself in order to survive? That musical has happened, though it came and went over twenty-five years ago, and it was called Pennies From Heaven. With perhaps only Cabaret as a predecessor, but distinct from that film in its strange hybrid vision (the musical numbers are all fantasy sequences and not part of the story in the traditional sense), Pennies hit screens in 1981 and ... »
3 articles from 2009
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