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| Paul Kelman | ... | Jessie 'T.J.' Hanniger | |
| Lori Hallier | ... | Sarah | |
| Neil Affleck | ... | Axel Palmer | |
| Keith Knight | ... | Hollis | |
| Alf Humphreys | ... | Howard Landers | |
| Cynthia Dale | ... | Patty | |
| Helene Udy | ... | Sylvia | |
| Rob Stein | ... | John | |
| Thomas Kovacs | ... | Mike Stavinski (as Tom Kovacs) | |
| Terry Waterland | ... | Harriet | |
| Carl Marotte | ... | Dave | |
| Jim Murchison | ... | Tommy Whitcomb | |
| Gina Dick | ... | Gretchen | |
| Peter Cowper | ... | The Miner & Harry Warden | |
| Don Francks | ... | Chief Jake Newby | |
| Patricia Hamilton | ... | Mabel Osborne | |
| Larry Reynolds | ... | Mayor Hanniger | |
| Jack Van Evera | ... | Happy | |
| Jeff Banks | ... | Young Axel | |
| Pat Hemingway | ... | Woman | |
| Graham Whitehead | ... | Mac | |
| Fred Watters | ... | Supervisor 1 | |
| Jeff Fulton | ... | Supervisor 2 | |
| Pat Walsh | ... | Harvey Smight | |
| Marguerite McNeil | ... | Mrs. Raleigh | |
| Sandy Leim | ... | Ben | |
| John MacDonald | ... | Rescuer |
Directed by | |||
| George Mihalka | |||
Writing credits | ||
| Stephen A. Miller | (story concept) (as Stephen Miller) | |
| John Beaird | (written by) | |
Produced by | |||
| John Dunning | .... | producer | |
| André Link | .... | producer (as Andre Link) | |
| Stephen A. Miller | .... | producer (as Stephen Miller) | |
| Lawrence Nesis | .... | executive producer | |
| Bob Presner | .... | line producer | |
Original Music by | |||
| Paul Zaza | |||
Cinematography by | |||
| Rodney Gibbons | |||
Film Editing by | |||
| Gérald Vansier | (as Gerald Vansier) | ||
| Rit Wallis | |||
Art Direction by | |||
| Veronica Hadfield | (as Penny Hadfield) | ||
Costume Design by | |||
| Susan Hall | |||
Makeup Department | |||
| Thomas R. Burman | .... | special makeup effects designer | |
| Ken Diaz | .... | special makeup effects designer | |
| Tom Hoerber | .... | special makeup effects designer | |
| Louise Mignault | .... | makeup artist (as Louise Rundell) | |
| Huguette Roy | .... | hair stylist | |
| Carolyn Van Gurp | .... | assistant makeup artist | |
Production Management | |||
| John Desormeaux | .... | unit manager | |
| Danny Rossner | .... | production manager | |
| Rit Wallis | .... | post-production supervisor | |
Art Department | |||
| Tina Boden | .... | assistant art director | |
| Ryal Cosgrove | .... | assistant set props | |
| Raymond Larose | .... | assistant art director | |
| Maurice Leblanc | .... | set dresser | |
| David Phillips | .... | set props | |
| Harold Thrasher | .... | construction supervisor | |
Sound Department | |||
| Jeff Bushelman | .... | sound effects | |
| Joe Grimaldi | .... | sound re-recordist | |
| Bo Harwood | .... | sound | |
| Jean-Claude Matte | .... | boom operator | |
| Pat Somerset | .... | sound effects | |
| Gérald Vansier | .... | dialogue editor | |
| Jeremy Hoenack | .... | sound effects editor (uncredited) | |
Stunts | |||
| Shelley Cook | .... | stunt double | |
| Peter Cowper | .... | stunt performer | |
| Dwayne McLean | .... | stunt coordinator | |
| Brent Meyer | .... | stunt performer | |
| Jayne Rutter | .... | stunt performer | |
| Sandy Webb | .... | stunt performer | |
Camera and Electrical Department | |||
| Jean Courteau | .... | best boy | |
| Alex Dawes | .... | generator operator | |
| Jean-Maurice de Ernsted | .... | grip | |
| Louis de Ernsted | .... | Steadicam operator | |
| Marc de Ernsted | .... | key grip | |
| Jacques Girard | .... | grip | |
| Paul Hurteau | .... | first assistant camera | |
| Daniel Jobin | .... | first assistant camera | |
| Walter Klymkiw | .... | gaffer | |
| Chuck Lapp | .... | grip | |
| Piroska Mihalka | .... | still photographer | |
| Robin Miller | .... | first assistant camera | |
| Richard Montpetit | .... | second assistant camera | |
| Jean-Pierre Plouffe | .... | second assistant camera | |
| Antonio Vidosa | .... | grip | |
Casting Department | |||
| Daniel Hausmann | .... | casting consultant | |
| Arden R. Ryshpan | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Carol Wood | .... | wardrobe assistant | |
Editorial Department | |||
| Chantal Bowen | .... | assistant editor | |
| Jean LaFleur | .... | supervising editor (as Jean Lafleur) | |
| Thomas Metzger | .... | color timer | |
Other crew | |||
| John Desormeaux | .... | location manager | |
| Lucie Drolet | .... | production accountant | |
| Joanne T. Harwood | .... | continuity | |
| Trudi Link | .... | production accountant | |
| Irene Litinsky | .... | executive assistant to producer | |
| Kathy Wolf | .... | production secretary | |
| Donna Young | .... | assistant accountant | |
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| My Bloody Valentine | Friday the 13th Part 2 | Friday the 13th | Scream | Freddy vs. Jason |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
| Add this title to MyMovies |
On Valentine's day many years ago, a miner went berserk and killed a lot of residents in a small town. Since then Valentine's Day has been ignored and not celebrated at all. Until now.
A bunch of kids eager to go partying decide to throw a Valentine's Day party and wipe out the town's tradition. One setback; a crazy dude in a miner suit starts killing people. Is it the same deranged miner from years ago or someone else?
Slasher films had their glory days in the early 80's, people simply couldn't get enough of them. By the time of this film's release, certain holidays or dates had been immortalized through horror films (Christmas in Black Christmas, Halloween, Friday the 13th to name the obvious), so why not make Valentine's Day another blood soaked day for horror fans? The film is largely successful too.
Early 80's slashers seem to creep up above later slasher entries, simply because of the era they were filmed in. The atmosphere captured in these films doesn't seem attainable in 90's slashers or thereafter. Don't really know why. Probably a bit more enthusiasm in creating these cheap flicks before they became so mainstream and age-group targeted.
Director Mihalka creates a decent amount of suspense, especially once the film enters the mine, where it becomes downright creepy as hell. Death scenes are pretty imaginative and there's also a surprise twist in the end. Unfortunately the film had the grave misfortune of being distributed by Paramount, the evil enemy to all slasher fans, and suffers badly from blatant cuts which were administered to secure an R-rating.
Despite that, My Bloody Valentine is very entertaining to fans of slasher films; the film has a creepy mood all the way, decent actors and some top notch set pieces that are sure to give you a jolt on occasion.