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| Mel Gibson | ... | 'Mad' Max Rockatansky / The Road Warrior | |
| Bruce Spence | ... | The Gyro Captain | |
| Michael Preston | ... | Pappagallo (as Mike Preston) | |
| Max Phipps | ... | The Toadie | |
| Vernon Wells | ... | Wez | |
| Kjell Nilsson | ... | Lord Humungus | |
| Emil Minty | ... | The Feral Kid | |
| Virginia Hey | ... | The Warrior Woman | |
| William Zappa | ... | Zetta | |
| Arkie Whiteley | ... | The Captain's Girl | |
| Steve J. Spears | ... | Mechanic | |
| Syd Heylen | ... | Curmudgeon | |
| Moira Claux | ... | Big Rebecca | |
| David Downer | ... | Nathan | |
| David Slingsby | ... | Quiet Man | |
| Kristoffer Greaves | ... | Mechanic's Assistant | |
| Max Fairchild | ... | Broken Victim | |
| Tyler Coppin | ... | Defiant Victim | |
| Jim Brown | ... | Golden Youth (as Jimmy Brown) | |
| Tony Deary | ... | Grinning Mohawker | |
| Kathleen McKay | ... | Victim | |
| Guy Norris | ... | Bearclaw Mohawk | |
| Anne Jones | ... | Tent Lover #1 | |
| James McCardell | ... | Tent Lover #2 | |
| Harold Baigent | ... | Narrator (voice) |
Directed by | |||
| George Miller | |||
Writing credits | ||
| Terry Hayes | (writer) & | |
| George Miller | (writer) & | |
| Brian Hannant | (writer) | |
Produced by | |||
| Byron Kennedy | .... | producer | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| Dean Semler | |||
Film Editing by | |||
| Michael Balson | |||
| David Stiven | |||
| Tim Wellburn | |||
Art Direction by | |||
| Graham 'Grace' Walker | |||
Costume Design by | |||
| Norma Moriceau | |||
Makeup Department | |||
| Bob McCarron | .... | special makeup effects | |
| Karla O'Keefe | .... | makeup artist | |
| Lesley Vanderwalt | .... | makeup supervisor | |
| Kathy Coultrup | .... | makeup artist (uncredited) | |
Production Management | |||
| Patrick Clayton | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Patrick Clayton | .... | first assistant director | |
| Brian Hannant | .... | first assistant director | |
| Brian Hannant | .... | second unit director | |
| Phillip Hurst | .... | third assistant director (as Phil Hurst) | |
| Toivo Lember | .... | second assistant director | |
| Andrew Plain | .... | additional assistant director | |
| Mark Thomas | .... | assistant director: second unit | |
Art Department | |||
| Steve Amezdroz | .... | assistant art director | |
| Melinda Brown | .... | special property designer | |
| Melinda Brown | .... | special property maker | |
| John Daniell | .... | stand-by props | |
| Peter De Bono | .... | constructor | |
| Philip Henderson-Wilson | .... | constructor | |
| Michael Lehmann | .... | constructor | |
| Frederick Santos | .... | constructor | |
| Dennis Smith | .... | construction manager | |
| Kerrin Stevens | .... | construction stand-by | |
| George Tsoutas | .... | constructor | |
| Pauline Walker | .... | art department assistant | |
| Pauline Walker | .... | property buyer | |
| Derek Wyness | .... | constructor | |
| George Zukiwskyj | .... | constructor | |
Sound Department | |||
| Anne Breslin | .... | assistant sound editor (as Anne Breslan) | |
| Lloyd Carrick | .... | sound recordist | |
| Chris Goldsmith | .... | boom operator | |
| Byron Kennedy | .... | sound mixer | |
| Bruce Lamshed | .... | sound mixer | |
| Bruce Lamshed | .... | supervising sound editor | |
| Mike O'Donnell | .... | assistant sound editor | |
| Penn Robinson | .... | sound editor | |
| Roger Savage | .... | sound mixer | |
| Andrew Steuart | .... | sound editor (as Andrew Stewart) | |
| Marc van Buuren | .... | sound editor (as Mark Van Buuren) | |
| David Watts | .... | stereo sound consultant: Dolby (uncredited) | |
Special Effects by | |||
| Mark Clayton | .... | special effects assistant | |
| Jeff Clifford | .... | special effects chief (as Jeffrey Cliffords) | |
| Steve Courtley | .... | special effects | |
| Mont Fieguth | .... | special effects (as Monte Fieguth) | |
| David Hardy | .... | special effects | |
| Brian Hunter | .... | special effects constructor | |
| Greg Mulhearn | .... | special effects constructor | |
Visual Effects by | |||
| Kim Priest | .... | optical effects | |
| Richard Wilmot | .... | optical effects operator (uncredited) | |
Stunts | |||
| Max Aspin | .... | stunt coordinator | |
| Glenn Boswell | .... | stunts (as Glen Boswell) | |
| Vern Dietrich | .... | stunt double: acrobatic stunts | |
| Gerry Gauslaa | .... | stunts | |
| Bob Hicks | .... | stunts | |
| Guy Norris | .... | stunts | |
| Kim Noyce | .... | stunts | |
| Dennis Williams | .... | stunt driver | |
Camera and Electrical Department | |||
| John Brock | .... | assistant camera: second unit | |
| Dean Bryan | .... | assistant electrician | |
| Gary Carden | .... | assistant grip (as Garry Carden) | |
| Graham Carter | .... | grip: second unit | |
| Derry Field | .... | focus puller | |
| Derry Field | .... | second assistant camera | |
| Bill Grimmond | .... | second assistant camera | |
| Carolyn Johns | .... | still photographer | |
| Andrew Lesnie | .... | documentary camera operator | |
| Peter Lipscombe | .... | additional assistant camera | |
| Graeme Mardell | .... | key grip | |
| Andrew McLean | .... | clapper loader | |
| Richard Merryman | .... | focus puller | |
| John Morton | .... | gaffer | |
| Paul Moyes | .... | best boy | |
| Geoffrey Simpson | .... | camera operator: second unit (as Geoff Simpson) | |
Costume and Wardrobe Department | |||
| Terry Lamera | .... | wardrobe machinist | |
| Shelley Lodge | .... | pre-production wardrobe assistant | |
| Pam Maling | .... | wardrobe machinist | |
| Roger Monk | .... | wardrobe master | |
| Margaret Thomas | .... | wardrobe machinist | |
Editorial Department | |||
| Ruth Beach | .... | assistant editor | |
| Arthur Cambridge | .... | color grader | |
| Margaret Cardin | .... | negative cutter | |
| Michael Chirgwin | .... | additional editor | |
| Philip Dickson | .... | assistant editor | |
| Les Fiddess | .... | assistant editor | |
| George Miller | .... | additional editor | |
| Alison Pickup | .... | assistant to editor | |
| Christopher Plowright | .... | additional editor | |
| Annabelle Sheehan | .... | assistant editor | |
Music Department | |||
| Brian May | .... | conductor | |
Transportation Department | |||
| John Brand | .... | unit driver | |
| Ralph Clark | .... | transportation manager | |
| Sue Clark | .... | unit driver | |
| Jack Skyver | .... | unit driver | |
| Dennis Williams | .... | truck precision driver | |
Other crew | |||
| Bill Anderson | .... | mechanic | |
| Rosanne Andrews-Baxter | .... | production coordinator | |
| Dale Aspin | .... | animal trainer | |
| Catherine Barber | .... | production accountant | |
| Linda Bates | .... | assistant to producer | |
| Dixie Betts | .... | office liaison: Sydney | |
| George Bischoff | .... | mechanic | |
| Barry Bransen | .... | motorcycle buyer | |
| Barry Bransen | .... | motorcycle mechanic | |
| Kevin Cross | .... | unit runner | |
| Jenny Day | .... | pre-production coordinator | |
| Harvey Else | .... | helicopter pilot | |
| Ray Fowler | .... | caterer | |
| Gerry Goodwin | .... | autogyro pilot | |
| Bill Gooley | .... | laboratory liaison | |
| Hugh Gooley | .... | security officer | |
| Sandy Gore | .... | dialogue coach | |
| Melissa Grillett | .... | feral boy acrobatic double | |
| Arthur Henley | .... | truck mechanic | |
| John Hurrel | .... | helicopter pilot | |
| David Jeffrey | .... | security officer | |
| Stuart Johnson | .... | mechanic | |
| Dean Keenan | .... | traffic supervisor | |
| Mardy Kennedy | .... | pre-production assistant to director | |
| Steve Knapman | .... | location manager | |
| Grant Larkin | .... | traffic supervisor | |
| Jennifer Lee-Lewes | .... | accounting assistant | |
| Allan Mills | .... | mechanic | |
| Ian Mitchell | .... | unit runner | |
| Peter Moyes | .... | assistant caterer | |
| John Murch | .... | mechanic | |
| Guy Norris | .... | motorcycle mechanic | |
| Gordon Parr | .... | mechanic | |
| Catherine Phillips | .... | secretary to producer | |
| Linda Ray | .... | continuity | |
| Marshall Read | .... | mechanic | |
| Clive Smith | .... | mechanic | |
| David Thomas | .... | chief car mechanic (as Dave Thomas) | |
| Reg West | .... | security officer | |
| Athnea Willcocks | .... | unit nurse | |
| Angelika Wyness | .... | unit nurse | |
| Derek Wyness | .... | security officer | |
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But most of all, I remember the Road Warrior. By this time, many people have forgotten that this set the standard for kinetic action on the roadways. The memories fade as the years go by, new action films are released, such as "Speed"(94), which seem to set new standards. But, it's not really the case. The Road Warrior has yet to be bested, and no amount of money, computer technology or loud noises will ever accomplish the deed. Nothing will ever capture the apocalyptic intensity or, most of all, the sheer elegance of combat on the roads, as depicted here. "Raiders of the Lost Ark"(81), for example, captured a more frenetic goofy-style action, also relentless, but not with the level of tension. It's exciting, sure, but it doesn't tie your stomach up in knots, leaving you drained yet begging for more.
The sequel to "Mad Max"(79) - also a unique, tense experience - begins with an unusual prologue, giving the viewers a historical background on only half the screen. We are set up for a bombastic adventure, created as a new mythology for our perusal. Iconic figures abound, beginning with Max (Gibson) himself, of course. Here is the quintessential wandering loner hero/cowboy/samurai: he is striking - damaged both physically & mentally - but an ultimate survivor. Here are his foes: a scarred, massively-muscled atomic-age conqueror and his dogs, garbed in battle-dress for instant death and destruction. Here is his conscience: the last vestiges of civilization grouped in a makeshift fort for a final gasp of decency. When these three factions clash, it's the end of the world as we know it. Welcome to the new world of The Road Warrior.
The Road Warrior influenced the sub-genre of post-holocaust science fiction throughout the eighties. There were numerous imitators, mostly low-budget efforts, and none of them came close to succeeding at this level. I hope not too many people continue to forget where it all began for this thrilling corner of the sci-fi adventure genre. It is to our downfall and regret that we forget.