Directed by | |||
| George A. Romero | |||
Writing credits | ||
| George A. Romero | (written by) | |
Produced by | |||
| Salah M. Hassanein | .... | executive producer | |
| Richard P. Rubinstein | .... | producer | |
| David E. Vogel | .... | associate producer | |
Original Music by | |||
| Donald Rubinstein | |||
Cinematography by | |||
| Michael Gornick | (director of photography) | ||
Film Editing by | |||
| Pasquale Buba | |||
| George A. Romero | |||
Production Design by | |||
| Cletus Anderson | |||
Makeup Department | |||
| Liz Augenstein | .... | makeup assistant | |
| Luigi Caesar Caruso | .... | hair stylist (as Luigi Caruso) | |
| Jeannie Jefferies | .... | makeup artist (as Jeannie Jeffries Brown) | |
| Mick Lanzino | .... | hair stylist | |
Production Management | |||
| Zilla Clinton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pasquale Buba | .... | first assistant director | |
| Clayton Hill | .... | second assistant director | |
| John Roddick | .... | second assistant director | |
Art Department | |||
| William Brewer | .... | assistant to the production designer | |
| James C. Feng | .... | set and props (as Jim Feng) | |
| Ed Fountain | .... | construction coordinator | |
| William H. Franko | .... | set and props (as William Franko) | |
| Martin Giles | .... | set and props | |
| John Ivo Gilles | .... | set and props (as John Gilles) | |
| Michael Gorman | .... | properties master | |
| Virginia Hildreth | .... | properties mistress (as Virginia E. Hildreth) | |
| Ellen Hopkins | .... | scenic painter | |
| Roderick Mayne | .... | set and props | |
| Michael McMackin | .... | set and props | |
| Bruce Miller | .... | assistant to the production designer | |
| Bruce Moore | .... | set and props | |
| Christine Oagley | .... | assistant to the production designer | |
Sound Department | |||
| Carl Augenstein | .... | sound | |
| John Butler | .... | sound mixer | |
| John Butler | .... | sound | |
| Fred Christie | .... | sound recording engineer | |
| Jim Forrester | .... | sound | |
| Don Garvin | .... | sound engineer | |
| Richard M. Sieg | .... | boom operator (as Richard Sieg) | |
| Jack Walworth | .... | boom operator | |
Special Effects by | |||
| Larry Roberts | .... | special effects | |
Stunts | |||
| Gary Davis | .... | stunt coordinator | |
| Gary Davis | .... | stunts | |
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Art E. Fredenburgh | .... | stunts (as Art Fredenburgh) | |
| Pat Green | .... | stunts | |
| John Hateley | .... | stunts (as John Hately) | |
| Freddie Hice | .... | stunts | |
| Steve Holladay | .... | stunts | |
| Richard Humphreys | .... | stunts | |
| Gary Hymes | .... | stunts | |
| John Meier | .... | stunts | |
| R.A. Rondell | .... | stunts | |
| Reid Rondell | .... | stunts | |
| Scott Wilder | .... | stunts | |
| David Zellitti | .... | stunts | |
Camera and Electrical Department | |||
| Joe Abeln | .... | grip | |
| Carl Augenstein | .... | gaffer | |
| Tom Dubensky | .... | first assistant camera | |
| Rich Dwyer | .... | grip | |
| Jim Forrester | .... | gaffer | |
| Michael Gornick | .... | camera operator | |
| James Hamilton | .... | still photographer | |
| Salah Hassanein Jr. | .... | grip | |
| Brian Haughin | .... | grip | |
| Lenny Lies | .... | grip | |
| Ed Marritz | .... | camera operator: second unit | |
| Nicholas Mastandrea | .... | key grip (as Nick Mastandrea) | |
| Richard Ricci | .... | grip | |
| John Rice | .... | second assistant camera | |
| Russell Rockwell | .... | camera operator: second unit | |
| Chad Stockdale | .... | grip | |
| Nick Tallo | .... | grip | |
Casting Department | |||
| Sharon Ceccatti | .... | local casting | |
| Jim Wilheim | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Barbara Anderson | .... | costume construction coordinator | |
| Kathy Grillo | .... | wardrobe | |
| Howard Kaplan | .... | wardrobe | |
| Elizabeth Murray | .... | wardrobe | |
| Nancy A. Palmatier | .... | wardrobe (as Nancy Palmatier) | |
| Patricia Risser | .... | wardrobe | |
| Claudia Stephens | .... | wardrobe (as Claudia Stephens Anderson) | |
| Alison Todd | .... | wardrobe | |
| David Velasquez | .... | wardrobe | |
Editorial Department | |||
| Tony Buba | .... | assistant editor | |
| Rich Dwyer | .... | assistant editor | |
| Nicholas Mastandrea | .... | assistant editor (as Nick Mastandrea) | |
Music Department | |||
| Michelle Camillo | .... | additional music arranger | |
| Eddy Daniels | .... | musician | |
| David Franco | .... | music supervisor | |
| Bill Frisell | .... | musician | |
| Peter Gordon | .... | musician | |
| Gordon Gottlieb | .... | musician | |
| Paul Johnson | .... | musician | |
| Emmanuel Vardi | .... | conductor (as Emanuel Vardi) | |
Transportation Department | |||
| P.D. Levy | .... | transportation coordinator (as Peter Levy) | |
Other crew | |||
| Leslie Chapman | .... | location manager | |
| Marie Fiduccia | .... | production coordinator | |
| Bruce Gattenbein | .... | mechanic (as Bruce Gantenbein) | |
| Sandra Jetton | .... | script supervisor | |
| Tom Madden | .... | production assistant | |
| Simon Manses | .... | motorcycle coordinator | |
| Debbie Pinthus | .... | production assistant | |
| Reid Rosefelt | .... | publicist | |
| Curtis Sayblack | .... | production controller | |
| Earl Schriver | .... | bird handler | |
| Debra Shata | .... | assistant to producers | |
| Donna Siegel | .... | assistant to producers | |
| Jim Stephenson | .... | mechanic | |
| Anne Thompson | .... | publicist | |
| Susan Vermazen | .... | location publicity | |
|
|
|
|
|
| Mad Max | The Wild Angels | Mad Max 2 | Savages from Hell | Attila |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
Why such a high score for an old low budget film? The best movies are the ones that actually have a story to tell. This one has several interwoven and all work on different levels. There is action for pure visceral entertainment. A morality tale for introspective reflection. Interesting vignettes to keep the viewer on their toes & a few fun surprises thrown in for good measure. Did I mention that there is a good story here also? This is the film in which I first discovered Ed Harris. His powerhouse performance alone is worth the price of popcorn. Then there is Brother Blue. When was the last time a movie made you FEEL something? Put this movie on your must watch list. Better yet on you must OWN list. I did. I do.