| Photos (see all 4 | slideshow) |
| Ed Harris | ... | Billy | |
| Gary Lahti | ... | Alan | |
| Tom Savini | ... | Morgan | |
| Amy Ingersoll | ... | Linet | |
| Patricia Tallman | ... | Julie | |
| Christine Forrest | ... | Angie | |
| Warner Shook | ... | Pippin | |
| Brother Blue | ... | Merlin | |
| Cynthia Adler | ... | Rocky | |
| John Amplas | ... | Whiteface | |
| Don Berry | ... | Bagman | |
| Amanda Davies | ... | Sheila | |
| Martin Ferrero | ... | Bontempi | |
| Ken Foree | ... | Little John | |
| Ken Hixon | ... | Steve | |
| John Hostetter | ... | Tuck | |
| Harold Wayne Jones | ... | Bors | |
| Randy Kovitz | ... | Punch | |
| Michael P. Moran | ... | Cook (as Michael Moran) | |
| Scott H. Reiniger | ... | Marhalt (as Scott Reiniger) | |
| Maureen Sadusk | ... | Judy Rawls | |
| Albert Amerson | ... | Indian | |
| Ronald Carrier | ... | Hector | |
| Tim DiLeo | ... | Corncook | |
| David Early | ... | Bleoboris | |
| John Harrison | ... | Pellinore | |
| Marty Schiff | ... | Ban | |
| Taso N. Stavrakis | ... | Ewain | |
| Robert Williams | ... | Kay | |
| Molly McCloskey | ... | Corncook's Woman | |
| Judith Barrett | ... | Musician Trio (as Judy Barrett) | |
| Ian Gallacher | ... | Musician Trio | |
| Donald Rubinstein | ... | Musician Trio | |
| James A. Baffico | ... | Lester Dean (as Jim Baffico) | |
| Iva Jean Saraceni | ... | Helen Dean | |
| Chris Jessel | ... | Boy Billy | |
| Bingo O'Malley | ... | Sheriff Rilly | |
| Nann Mogg | ... | Mrs. Rilly | |
| Nancy Hopwood | ... | Sam | |
| Victor Pappas | ... | Photographer | |
| Stephen King | ... | Hoagie Man | |
| Tabitha King | ... | Hoagie Man's Wife | |
| Jennifer Elizabeth Davis | ... | Baby in Stroller (as Jennifer Davis) | |
| Hugh Rose | ... | Jess | |
| William Bardwell | |||
| Greg Besnak | |||
| Nancy Blum | |||
| Elva Branson | |||
| Leilani Cataldi | |||
| Sal Carollo | ... | Mob (as Sal Carullo) | |
| Mark Carson | |||
| Nancy Chesney | |||
| Ramona Dowiak | |||
| Julia Dunster | |||
| Patrick Dunster | |||
| Cliff Forrest | ... | Mob | |
| George Jaber | |||
| Jeannie Jefferies | ... | Mob (as Jeannie Jeffries) | |
| Janet Kennedy | |||
| Louis Koepper | |||
| Tommy Lafitte | ... | Mob | |
| Gary Lee Leventhal | (as Gary Leventhal) | ||
| Tom Madden | ... | Mob | |
| Rick Marchisio | |||
| Jim McKissock | |||
| Ann Muffly | |||
| Chris O'Connor | |||
| Jeff Paul | |||
| Joseph Pilato | ... | Disgruntled fair worker (as Joseph F. Pilato) | |
| John Mark Ridings | |||
| Joe Shelby | (as Joe Shelleby) | ||
| Mark Tierno | |||
| Fred Tietz | |||
| Bobbi Van Eman | (as Bobbi VanEman) | ||
| Ramona Zini | |||
| rest of cast listed alphabetically: | |||
| Sharon Ceccatti | ... | Cameo (uncredited) | |
| Anthony Dileo Jr. | ... | (uncredited) | |
| Barry Gutterman | ... | Bemused Fan (uncredited) | |
| Clayton Hill | ... | Prison Guard (uncredited) | |
| Jeff Logan | ... | In a crowd scene (uncredited) | |
| Pat Logan | ... | In a crowd scene (uncredited) | |
| Larry Vaira | ... | Biker at Renaissance Faire (uncredited) | |
Directed by | |||
| George A. Romero | |||
Writing credits | ||
| George A. Romero | (written by) | |
Produced by | |||
| Salah M. Hassanein | .... | executive producer | |
| Richard P. Rubinstein | .... | producer | |
| David E. Vogel | .... | associate producer | |
Original Music by | |||
| Donald Rubinstein | |||
Cinematography by | |||
| Michael Gornick | (director of photography) | ||
Film Editing by | |||
| Pasquale Buba | |||
| George A. Romero | |||
Production Design by | |||
| Cletus Anderson | |||
Makeup Department | |||
| Liz Augenstein | .... | makeup assistant | |
| Luigi Caesar Caruso | .... | hair stylist (as Luigi Caruso) | |
| Jeannie Jefferies | .... | makeup artist (as Jeannie Jeffries Brown) | |
| Mick Lanzino | .... | hair stylist | |
Production Management | |||
| Zilla Clinton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pasquale Buba | .... | first assistant director | |
| Clayton Hill | .... | second assistant director | |
| John Roddick | .... | second assistant director | |
Art Department | |||
| William Brewer | .... | assistant to the production designer | |
| James C. Feng | .... | set and props (as Jim Feng) | |
| Ed Fountain | .... | construction coordinator | |
| William H. Franko | .... | set and props (as William Franko) | |
| Martin Giles | .... | set and props | |
| John Ivo Gilles | .... | set and props (as John Gilles) | |
| Michael Gorman | .... | properties master | |
| Virginia Hildreth | .... | properties mistress (as Virginia E. Hildreth) | |
| Ellen Hopkins | .... | scenic painter | |
| Roderick Mayne | .... | set and props | |
| Michael McMackin | .... | set and props | |
| Bruce Miller | .... | assistant to the production designer | |
| Bruce Moore | .... | set and props | |
| Christine Oagley | .... | assistant to the production designer | |
Sound Department | |||
| Carl Augenstein | .... | sound | |
| John Butler | .... | sound mixer | |
| John Butler | .... | sound | |
| Fred Christie | .... | sound recording engineer | |
| Jim Forrester | .... | sound | |
| Don Garvin | .... | sound engineer | |
| Richard M. Sieg | .... | boom operator (as Richard Sieg) | |
| Jack Walworth | .... | boom operator | |
Special Effects by | |||
| Larry Roberts | .... | special effects | |
Stunts | |||
| Gary Davis | .... | stunt coordinator | |
| Gary Davis | .... | stunts | |
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Art E. Fredenburgh | .... | stunts (as Art Fredenburgh) | |
| Pat Green | .... | stunts | |
| John Hateley | .... | stunts (as John Hately) | |
| Freddie Hice | .... | stunts | |
| Steve Holladay | .... | stunts | |
| Richard Humphreys | .... | stunts | |
| Gary Hymes | .... | stunts | |
| John Meier | .... | stunts | |
| R.A. Rondell | .... | stunts | |
| Reid Rondell | .... | stunts | |
| Scott Wilder | .... | stunts | |
| David Zellitti | .... | stunts | |
Camera and Electrical Department | |||
| Joe Abeln | .... | grip | |
| Carl Augenstein | .... | gaffer | |
| Tom Dubensky | .... | first assistant camera | |
| Rich Dwyer | .... | grip | |
| Jim Forrester | .... | gaffer | |
| Michael Gornick | .... | camera operator | |
| James Hamilton | .... | still photographer | |
| Salah Hassanein Jr. | .... | grip | |
| Brian Haughin | .... | grip | |
| Lenny Lies | .... | grip | |
| Ed Marritz | .... | camera operator: second unit | |
| Nicholas Mastandrea | .... | key grip (as Nick Mastandrea) | |
| Richard Ricci | .... | grip | |
| John Rice | .... | second assistant camera | |
| Russell Rockwell | .... | camera operator: second unit | |
| Chad Stockdale | .... | grip | |
| Nick Tallo | .... | grip | |
Casting Department | |||
| Sharon Ceccatti | .... | local casting | |
| Jim Wilheim | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Barbara Anderson | .... | costume construction coordinator | |
| Kathy Grillo | .... | wardrobe | |
| Howard Kaplan | .... | wardrobe | |
| Elizabeth Murray | .... | wardrobe | |
| Nancy A. Palmatier | .... | wardrobe (as Nancy Palmatier) | |
| Patricia Risser | .... | wardrobe | |
| Claudia Stephens | .... | wardrobe (as Claudia Stephens Anderson) | |
| Alison Todd | .... | wardrobe | |
| David Velasquez | .... | wardrobe | |
Editorial Department | |||
| Tony Buba | .... | assistant editor | |
| Rich Dwyer | .... | assistant editor | |
| Nicholas Mastandrea | .... | assistant editor (as Nick Mastandrea) | |
Music Department | |||
| Michelle Camillo | .... | additional music arranger | |
| Eddy Daniels | .... | musician | |
| David Franco | .... | music supervisor | |
| Bill Frisell | .... | musician | |
| Peter Gordon | .... | musician | |
| Gordon Gottlieb | .... | musician | |
| Paul Johnson | .... | musician | |
| Emmanuel Vardi | .... | conductor (as Emanuel Vardi) | |
Transportation Department | |||
| P.D. Levy | .... | transportation coordinator (as Peter Levy) | |
Other crew | |||
| Leslie Chapman | .... | location manager | |
| Marie Fiduccia | .... | production coordinator | |
| Bruce Gattenbein | .... | mechanic (as Bruce Gantenbein) | |
| Sandra Jetton | .... | script supervisor | |
| Tom Madden | .... | production assistant | |
| Simon Manses | .... | motorcycle coordinator | |
| Debbie Pinthus | .... | production assistant | |
| Reid Rosefelt | .... | publicist | |
| Curtis Sayblack | .... | production controller | |
| Earl Schriver | .... | bird handler | |
| Debra Shata | .... | assistant to producers | |
| Donna Siegel | .... | assistant to producers | |
| Jim Stephenson | .... | mechanic | |
| Anne Thompson | .... | publicist | |
| Susan Vermazen | .... | location publicity | |
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| Mad Max | The Wild Angels | Mad Max 2 | Savages from Hell | Attila |
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This, quite possibly, may be my favorite of Romero's films. I adore Night of the Living Dead and Dawn of the Dead, but this one is quite special and is a complete surprise, even to Romero's hardcore fans. I remember renting it a while back because it was by Romero (and it is pretty long, 145 minutes, and I love long films). Many reviews simply stated that it was "a change of pace" for Romero, and yes, this is true, but they missed the depth and substance that this film has. It is Romero's most moving film, completely heartfelt and sincere, one that, should I say this, stirs the soul. Romero elicits incredibly naturalistic performances from his cast. It's made up of Romero regulars, including Ken Foree from Dawn of the Dead, and Tom Savini, makeup artist extraordinare and a surprisingly good actor here. It also stars a then unknown Ed Harris, who Romero discovered. Ed shows his intensity and power early on. You really feel like you're watching real people and their traveling show. Nothing feels phony, smug, or "ironic" here. The final 20 minutes is the most stirring thing that Romero has ever done (with the best scene in a school where Ed Harris gives his sword and helmet to a young school boy he met earlier in the film. The kid's performance is wonderful in a film filled with them). So, this film is much more than just a change of pace for George A. Romero. It's a deeply moving, sad film, one that should be appreciated not only for its change of pace (which Romero succeeds wildly), but for its deep, humanistic message. A wonderful piece of film-making....