| Photos (see all 6 | slideshow) |
Directed by | |||
| George A. Romero | |||
Writing credits | ||
| George A. Romero | (written by) | |
Produced by | |||
| Salah M. Hassanein | .... | executive producer | |
| Richard P. Rubinstein | .... | producer | |
| David E. Vogel | .... | associate producer | |
Original Music by | |||
| Donald Rubinstein | |||
Cinematography by | |||
| Michael Gornick | (director of photography) | ||
Film Editing by | |||
| Pasquale Buba | |||
| George A. Romero | |||
Production Design by | |||
| Cletus Anderson | |||
Makeup Department | |||
| Liz Augenstein | .... | makeup assistant | |
| Luigi Caesar Caruso | .... | hair stylist (as Luigi Caruso) | |
| Jeannie Jefferies | .... | makeup artist (as Jeannie Jeffries Brown) | |
| Mick Lanzino | .... | hair stylist | |
Production Management | |||
| Zilla Clinton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pasquale Buba | .... | first assistant director | |
| Clayton Hill | .... | second assistant director | |
| John Roddick | .... | second assistant director | |
Art Department | |||
| William Brewer | .... | assistant to the production designer | |
| James C. Feng | .... | set and props (as Jim Feng) | |
| Ed Fountain | .... | construction coordinator | |
| William H. Franko | .... | set and props (as William Franko) | |
| Martin Giles | .... | set and props | |
| John Ivo Gilles | .... | set and props (as John Gilles) | |
| Michael Gorman | .... | properties master | |
| Virginia Hildreth | .... | properties mistress (as Virginia E. Hildreth) | |
| Ellen Hopkins | .... | scenic painter | |
| Roderick Mayne | .... | set and props | |
| Michael McMackin | .... | set and props | |
| Bruce Miller | .... | assistant to the production designer | |
| Bruce Moore | .... | set and props | |
| Christine Oagley | .... | assistant to the production designer | |
Sound Department | |||
| Carl Augenstein | .... | sound | |
| John Butler | .... | sound mixer | |
| John Butler | .... | sound | |
| Fred Christie | .... | sound recording engineer | |
| Jim Forrester | .... | sound | |
| Don Garvin | .... | sound engineer | |
| Richard M. Sieg | .... | boom operator (as Richard Sieg) | |
| Jack Walworth | .... | boom operator | |
Special Effects by | |||
| Larry Roberts | .... | special effects | |
Stunts | |||
| Gary Davis | .... | stunt coordinator | |
| Gary Davis | .... | stunts | |
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Art E. Fredenburgh | .... | stunts (as Art Fredenburgh) | |
| Pat Green | .... | stunts | |
| John Hateley | .... | stunts (as John Hately) | |
| Freddie Hice | .... | stunts | |
| Steve Holladay | .... | stunts | |
| Richard Humphreys | .... | stunts | |
| Gary Hymes | .... | stunts | |
| John Meier | .... | stunts | |
| R.A. Rondell | .... | stunts | |
| Reid Rondell | .... | stunts | |
| Scott Wilder | .... | stunts | |
| David Zellitti | .... | stunts | |
Camera and Electrical Department | |||
| Joe Abeln | .... | grip | |
| Carl Augenstein | .... | gaffer | |
| Tom Dubensky | .... | first assistant camera | |
| Rich Dwyer | .... | grip | |
| Jim Forrester | .... | gaffer | |
| Michael Gornick | .... | camera operator | |
| James Hamilton | .... | still photographer | |
| Salah Hassanein Jr. | .... | grip | |
| Brian Haughin | .... | grip | |
| Lenny Lies | .... | grip | |
| Ed Marritz | .... | camera operator: second unit | |
| Nicholas Mastandrea | .... | key grip (as Nick Mastandrea) | |
| Richard Ricci | .... | grip | |
| John Rice | .... | second assistant camera | |
| Russell Rockwell | .... | camera operator: second unit | |
| Chad Stockdale | .... | grip | |
| Nick Tallo | .... | grip | |
Casting Department | |||
| Sharon Ceccatti | .... | local casting | |
| Jim Wilheim | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Barbara Anderson | .... | costume construction coordinator | |
| Kathy Grillo | .... | wardrobe | |
| Howard Kaplan | .... | wardrobe | |
| Elizabeth Murray | .... | wardrobe | |
| Nancy A. Palmatier | .... | wardrobe (as Nancy Palmatier) | |
| Patricia Risser | .... | wardrobe | |
| Claudia Stephens | .... | wardrobe (as Claudia Stephens Anderson) | |
| Alison Todd | .... | wardrobe | |
| David Velasquez | .... | wardrobe | |
Editorial Department | |||
| Tony Buba | .... | assistant editor | |
| Rich Dwyer | .... | assistant editor | |
| Nicholas Mastandrea | .... | assistant editor (as Nick Mastandrea) | |
Music Department | |||
| Michelle Camillo | .... | additional music arranger | |
| Eddy Daniels | .... | musician | |
| David Franco | .... | music supervisor | |
| Bill Frisell | .... | musician | |
| Peter Gordon | .... | musician | |
| Gordon Gottlieb | .... | musician | |
| Paul Johnson | .... | musician | |
| Emmanuel Vardi | .... | conductor (as Emanuel Vardi) | |
Transportation Department | |||
| P.D. Levy | .... | transportation coordinator (as Peter Levy) | |
Other crew | |||
| Leslie Chapman | .... | location manager | |
| Marie Fiduccia | .... | production coordinator | |
| Bruce Gattenbein | .... | mechanic (as Bruce Gantenbein) | |
| Sandra Jetton | .... | script supervisor | |
| Tom Madden | .... | production assistant | |
| Simon Manses | .... | motorcycle coordinator | |
| Reid Rosefelt | .... | publicist | |
| Curtis Sayblack | .... | production controller | |
| Earl Schriver | .... | bird handler | |
| Debra Shata | .... | assistant to producers | |
| Donna Siegel | .... | assistant to producers | |
| Jim Stephenson | .... | mechanic | |
| Anne Thompson | .... | publicist | |
| Susan Vermazen | .... | location publicity | |
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| Mad Max | The Wild Angels | Mad Max 2 | Savages from Hell | Edge |
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This movie pretty much rocks. The only problem with it is the extras. They remind me of the Toxic Avenger movie - very low class - but the main characters are awesome. Ed Harris totally has the Right Stuff and the mystical qualities of this movie are indescribable. Much like life itself, it strives for the moon and ends up with romantic nonsense and utter disarray. It is perfect.
It is a movie about a group of renaissance festival-type motorcycle jousters who confront the possibility of commercial success - at the expense of the altruistic round-table idealism that the group was founded on. The King Arthur of the group (Ed Harris) attempts to maintain his Puritanical hold on the group. His arch-rival (Sir Gallahad?) is the major antagonist and is a poster-child for commercialism. The end result is a cataclysm of Puritinism versus Commercialism that results in the most nihilistic nirvana that the human mind can imagine. For a romantic, it is pure gold - if you can get past the gimmicks.
I actually saw this movie on cable as a boy, and I loved it. Then I bought it on DVD as a grown up and still loved it, but I also noticed the low production-quality blemishes. The director's narrative kind of makes up for it though, because you get to understand how this movie got its magical aura.