| Catherine Deneuve | ... | Hélène | |
| Patrick Dewaere | ... | Gilles Tisserand | |
| Etienne Chicot | ... | Bernard | |
| Sabine Haudepin | ... | Elise Tisserand | |
| Dominique Lavanant | ... | Jacqueline | |
| Josiane Balasko | ... | Colette | |
| François Perrot | ... | Rudel | |
| Jean-Louis Vitrac | ... | Luc | |
| Frédérique Ruchaud | ... | La mère | |
| Michèle Ban de Loménie | ... | La mère de colette | |
| Pascal Bernuchon | |||
| Catherine Carrée | |||
| Gérard Deleris | |||
| Jacques Dichamp | ... | Le client de l'hôtel | |
| Rosemary Linousy | ... | La clientèle inconnue | |
| Jacques Nolot | |||
| Francine Rabas | ... | La caissière | |
| Catherine Rethi | |||
| Claude Saubot | |||
| Michel Sauvage | ... | L'employé SNCF |
Directed by | |||
| André Téchiné | |||
Writing credits(in alphabetical order) | ||
| Gilles Taurand | writer | |
| André Téchiné | writer | |
Produced by | |||
| Alain Sarde | .... | producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Bruno Nuytten | |||
Film Editing by | |||
| Claudine Merlin | |||
Production Design by | |||
| Jean-Pierre Kohut-Svelko | |||
Costume Design by | |||
| Christian Gasc | |||
Makeup Department | |||
| Jean-Pierre Berroyer | .... | hair stylist | |
| Jacky Reynal | .... | key makeup artist | |
Production Management | |||
| Christine Gozlan | .... | production manager | |
| François Menny | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Martine Alleton | .... | trainee assistant director | |
| Bruno Boucher | .... | third assistant director | |
| Alain Centonze | .... | assistant director | |
| Michel d'Arcangues | .... | trainee assistant director | |
| Bernard Debargue | .... | trainee assistant director | |
| Maryse Morel | .... | trainee assistant director | |
| Charlotte Trench | .... | assistant director | |
Art Department | |||
| Pierre Gompertz | .... | assistant set designer | |
| Geoffroy Larcher | .... | set dresser | |
| Jean-Marie Selle | .... | set design trainee | |
Sound Department | |||
| Jean Duguet | .... | foley artist | |
| Paul Lainé | .... | sound | |
| Jean-Pierre Lelong | .... | foley artist | |
| Jacques Lévy | .... | post-synchronisation | |
| Jacques Maumont | .... | sound mixer | |
| Mario Melchiorri | .... | foley artist | |
Camera and Electrical Department | |||
| Jean-Luc Bezeau | .... | grip | |
| Bernard Brégier | .... | key grip | |
| Gerard Buffard | .... | grip | |
| Franck Coquet | .... | chief electrician | |
| Gilbert Duhalde | .... | assistant camera | |
| Eugène Fabcic | .... | best boy | |
| Alain Fillon | .... | gaffer | |
| Idislawe Kielar | .... | camera operator | |
| Pascal Marti | .... | camera operator | |
| Christian Thurot | .... | best boy | |
| Serge Valézy | .... | gaffer | |
| Christian Weyers | .... | gaffer | |
Costume and Wardrobe Department | |||
| Christiane Fageol | .... | wardrober | |
| Claire Fraisse | .... | assistant costumer | |
Editorial Department | |||
| Jeanne Kef | .... | trainee | |
| Sylvie Quester | .... | assistant editor | |
Music Department | |||
| William Flageollet | .... | music engineer (uncredited) | |
| Peter Knight | .... | orchestrator (uncredited) | |
| The London Symphony Orchestra | .... | orchestra (uncredited) | |
| Howard Shelley | .... | musician: piano (uncredited) | |
Transportation Department | |||
| Raymond Borne | .... | production driver | |
| Roland Godard | .... | production driver | |
Other crew | |||
| Michèle Andreucci | .... | script supervisor | |
| Agnès Chaulier | .... | production administrator | |
| Claude Davy | .... | press relations | |
| Jacques Delor | .... | location manager | |
| Louis Grau | .... | general administration | |
| Nicole Souchal | .... | production secretary | |
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| Ridicule | Le mari de la coiffeuse | Les témoins | Les roseaux sauvages | Sous le sable |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
Wow, did I have a bad night. I usually love French films and was excited to watch a DVD with two of Catherine Deneuve's films ("Le Sauvage" and "Hôtel des Amériques"). Amazingly, both of the films were among the least interesting films I have seen in some time--mostly because of the terrible writing. This is sad because one of the big reasons I usually prefer French films to recent Hollywood films is the writing, but in these two films they simply created characters that were hard to care about or understand.
Deneuve plays Hélène, a lady who obviously is in mourning for a dead lover. She can't get on with her life. However, when she meets Gilles (Patrick Dewaere), they become lovers--even though there really is absolutely no chemistry between them...none!
As for Gilles, he seems very moody and is good friends with a guy who loves to steal and beat up gay people. Now this could have been interesting, as this gay protest could have been an indication that Gilles and his male friend were lovers or harbored sexual feelings for each other. This may have turned off some viewers, but it really would have seemed plausible and interesting. Instead, however, you just assume that since Gilles likes such an evil man that he, too, is a jerk. And, through the course of the film, he does nothing to change that opinion. In fact, as the film progresses he gets moodier and moodier--until you are ready to shout at the screen for him to get over it and stop sulking and be a man!
Deneuve's character is rather interesting at first. The idea of her having all this emotional baggage and being constricted when it came to love was interesting. However, she is so distant and so moody that you wonder why Gilles puts up with her. Sure, he's pretty but this is the only thing he could see in her. Heck, their sex lives weren't even good...so why does he stay? And, why doesn't she either grow or simply reject him completely because she refuses to give in to love? Instead, she and the audience are stuck in limbo. While the movie is only 93 minutes long, it seems like a lifetime, as these two just exist and the relationship is stuck in neutral--and there is absolutely no coherent reason for them to be together in the first place or remain together.
Overall, impossible to believe and dull. I can think of many, many films Ms. Deneuve made that are better...and none, off the top of my head, that were worse.