| Photos (see all 21 | slideshow) | Videos (see all 3 NEW) |
Directed by | |||
| Rick Rosenthal | |||
Writing credits(in alphabetical order) | ||
| John Carpenter | writer | |
| Debra Hill | writer | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Dean Cundey | |||
Film Editing by | |||
| Mark Goldblatt | |||
| Skip Schoolnik | |||
Casting by | |||
| Mary Gail Artz | |||
Production Design by | |||
| J. Michael Riva | |||
Set Decoration by | |||
| Peg Cummings | |||
Makeup Department | |||
| Frankie Bergman | .... | hair stylist | |
| John Chambers | .... | makeup technician | |
| Michael Germain | .... | makeup artist | |
Production Management | |||
| Jeffrey Chernov | .... | production manager | |
| Nancy Platt Jacoby | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| William S. Beasley | .... | first assistant director | |
| John Carpenter | .... | director, additional scenes | |
| Duncan Henderson | .... | second assistant director | |
Art Department | |||
| Kevin Conlin | .... | property master | |
| Michael Diersing | .... | construction foreman | |
| Terry Feller | .... | propmaker (as Terry G. Feller) | |
| Andrew P. Flores | .... | labor foreman | |
| Matt Furginson | .... | swing gang (as Frank M. Furginson) | |
| Serge Genitempo | .... | stand-by painter | |
| Walton D. Hadfield | .... | construction coordinator | |
| Darrell Huntsman | .... | greensman | |
| Jerry Palermo | .... | construction painter | |
| James A. Rathbun | .... | assistant property master | |
| Eugene J. Reed | .... | property master | |
| Richard M. Sternbach | .... | production illustrator | |
| Daniel Stoltenberg | .... | property master | |
| Jerry T. Tirado | .... | lead man | |
Sound Department | |||
| Joseph F. Brennan | .... | boom operator | |
| Thomas Causey | .... | sound mixer | |
| Carl Fischer | .... | boom operator | |
| Michael C. Gutierrez | .... | sound editor | |
| Warren Hamilton Jr. | .... | sound editor (as Warren Hamilton) | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Steve Purvis | .... | assistant dialogue editor | |
| David E. Stone | .... | sound editor | |
| Bill Varney | .... | sound re-recording mixer | |
| Gene Wahrman | .... | dialogue editor | |
| David Lewis Yewdall | .... | supervising sound editor | |
Special Effects by | |||
| Lawrence J. Cavanaugh | .... | special effects supervisor | |
| Frank 'Paco' Munoz | .... | special effects | |
Visual Effects by | |||
| Sam Nicholson | .... | visual effects (uncredited) | |
Stunts | |||
| Hill Farnsworth | .... | stunts | |
| Donna Garrett | .... | stunts | |
| Glynn Rubin | .... | stunt double | |
| Dick Warlock | .... | stunt coordinator | |
| Jesse Wayne | .... | stunts | |
Camera and Electrical Department | |||
| Dic Alexander | .... | grip (as Richard Alexander) | |
| Jon Antunovich | .... | electrician | |
| Bobby W. Brown | .... | electrician | |
| Clyde E. Bryan | .... | first assistant camera | |
| Norris L. Essex | .... | electrician | |
| Kim Gottlieb | .... | still photographer | |
| Laszlo Horvath | .... | grip | |
| Kris Krosskove | .... | dolly grip | |
| Walter Rexford Allen Lott | .... | electrician | |
| Drain M. Marshall | .... | rigging gaffer | |
| Terry Marshall | .... | electrician | |
| Thomas Marshall | .... | best boy electric | |
| Steve Mathis | .... | electrician | |
| Mark Pearson | .... | best boy grip | |
| Patrick G. Ralston | .... | electrician | |
| Joe A. Salamdino | .... | grip | |
| Dennis E. Shelton | .... | electrician | |
| Raymond Stella | .... | camera operator | |
| Raymond Stella | .... | panaglide operator | |
| Ray Thomas | .... | electrician | |
| Mark Walthour | .... | gaffer | |
| Ronald Woodward | .... | key grip | |
| Douglas Olivares | .... | camera operator (uncredited) | |
Casting Department | |||
| Susie Johnson | .... | extras casting | |
Costume and Wardrobe Department | |||
| Frances Vega Aubrey | .... | costumer | |
| Jane Ruhm | .... | wardrobe supervisor | |
Editorial Department | |||
| Michael D. Ornstein | .... | associate film editor | |
| Brian Ralph | .... | negative cutter | |
| Kimberly Ray | .... | assistant film editor | |
| José Antonio Torres | .... | assistant film editor | |
Transportation Department | |||
| Ray Appel | .... | driver | |
| Larry L. Berneau | .... | driver | |
| Alan Broberg | .... | driver | |
| Denny Caira | .... | driver | |
| Raymond Claridge | .... | driver | |
| James M. Downs | .... | driver | |
| Gary Hardman | .... | driver | |
| Bruce Hauer | .... | driver | |
| William Charles Hauer | .... | driver | |
| Bob Hendrix | .... | driver | |
| Mark Jackson | .... | driver | |
| Gary Kincaid | .... | driver | |
| James A. Lundin | .... | driver | |
| Jerry N. Marsh | .... | driver | |
| Kenny Moore | .... | driver (as Kenneth James Moore) | |
| Dave Pierce | .... | driver | |
| Wayne Roberts | .... | transportation captain | |
| Joe Sawyers | .... | driver | |
| Mario Simon | .... | driver | |
| Jim Sprayberry | .... | driver | |
| Andy Straub | .... | driver | |
| Gary Vermillion | .... | driver | |
| Thomas Vilardo | .... | driver (as Tommy G. Vilardo) | |
| Eddie Lee Voelker | .... | transportation coordinator | |
Other crew | |||
| Lynne Birdt | .... | production coordinator | |
| Andy Bonin | .... | technical advisor | |
| Bob Burris | .... | craft service (as Robert C. Burris) | |
| Steve Burris | .... | craft service | |
| Maurice Costello | .... | registered nurse | |
| Bernie Granados | .... | first aid: construction | |
| Egbert W. Jetter | .... | caterer | |
| Patrice J. Klinger | .... | accounting assistant | |
| Deborah D. Lee | .... | first aid | |
| Don Post | .... | mask maker | |
| Geoffrey Ryan | .... | key production assistant | |
| Art Schaeffer | .... | production accountant (as Arthur C. Schaefer) | |
| James Shourt | .... | title designer | |
| Candy Artmont | .... | script supervisor (uncredited) | |
| Geoffrey Ryan | .... | location scout (uncredited) | |
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| Halloween | La coda dello scorpione | L'uccello dalle piume di cristallo | La tarantola dal ventre nero | Cosa avete fatto a Solange? |
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Considering what this film had to live up to, considering the standards set by the first, which was, and is, definitely the best slasher movie I've ever seen, this film wasn't too bad. Whereas the first had little to no gore and blood, this one has a pretty standard amount of it. Of course, that was to be expected, since there was no way that they could beat or even match the first, so instead they went for the easy way out; continue the story and fill it up with blood and guts. This turns the film into a more standardized slasher film, but since it still keeps very much to the ways of the first film, with plenty of atmosphere and a decent amount of build-up before giving you shocks. The plot is about as good as it can be; picking up exactly, and I do mean exactly, where the first one left off. The acting ranges from atrocious to very good. The characters are pretty much the same as the first, a lot of characters and scenes seem to have been reused in this. I didn't mind that too much though, as they worked perfectly in the first, and they're good enough in this one. I don't think they could have done a direct follow-up to the first much better than this. Overall, even though it's far more gory and bloody, it still has the great atmosphere of the first, which is something that most of the other sequels lacked. In conclusion, it's a pretty good sequel to a fantastic movie. I recommend this to fans of the first Halloween, and fans of the entire franchise. Don't miss it if you enjoy a good, moody scare. 7/10