| Photos (see all 28 | slideshow) |
| Laurence Olivier | ... | Zeus | |
| Claire Bloom | ... | Hera | |
| Maggie Smith | ... | Thetis | |
| Ursula Andress | ... | Aphrodite | |
| Jack Gwillim | ... | Poseidon | |
| Susan Fleetwood | ... | Athena | |
| Pat Roach | ... | Hephaestus | |
| Harry Hamlin | ... | Perseus | |
| Judi Bowker | ... | Andromeda | |
| Burgess Meredith | ... | Ammon | |
| Siân Phillips | ... | Cassiopeia | |
| Flora Robson | ... | Stygian Witch | |
| Anna Manahan | ... | Stygian Witch | |
| Freda Jackson | ... | Stygian Witch | |
| Tim Pigott-Smith | ... | Thallo | |
| Neil McCarthy | ... | Calibos | |
| Donald Houston | ... | Acrisius | |
| Vida Taylor | ... | Danae | |
| Harry Jones | ... | Huntsman | |
| rest of cast listed alphabetically: | |||
| Ferdinando Poggi | ... | Guard (uncredited) | |
Directed by | |||
| Desmond Davis | |||
Writing credits | ||
| Beverley Cross | (written by) | |
Produced by | |||
| Ray Harryhausen | .... | producer | |
| John Palmer | .... | associate producer | |
| Charles H. Schneer | .... | producer | |
Original Music by | |||
| Laurence Rosenthal | |||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
Film Editing by | |||
| Timothy Gee | |||
Casting by | |||
| Joyce Agu | (as Joyce Robinson) | ||
| Sam Christensen | |||
| Irene Lamb | |||
Production Design by | |||
| Frank White | |||
Art Direction by | |||
| Giorgio Desideri | |||
| Fernando Gonzalez | |||
| Peter Howitt | |||
| Don Picton | |||
Costume Design by | |||
| Emma Porteus | |||
Makeup Department | |||
| Colin Arthur | .... | masks | |
| Stephanie Kaye | .... | hair stylist | |
| Basil Newall | .... | makeup artist | |
| Connie Reeve | .... | makeup artist | |
Production Management | |||
| Mario Pisani | .... | production supervisor: Italy | |
| Luis Roberts | .... | production supervisor: Spain | |
Second Unit Director or Assistant Director | |||
| Gerry Gavigan | .... | second assistant director | |
| Terry Madden | .... | second assistant director | |
| Anthony Waye | .... | first assistant director | |
Art Department | |||
| Colin Chilvers | .... | model maker | |
| Harry Cordwell | .... | set dresser | |
| Bob Cross | .... | construction manager (as Robert Cross) | |
| David Lusby | .... | production buyer | |
| Bill McLaren | .... | construction manager | |
| Janet Stevens | .... | model maker | |
| Cathy Hill | .... | painter: production paintings (uncredited) | |
Sound Department | |||
| Robin Gregory | .... | sound mixer | |
| Graham V. Hartstone | .... | dubbing mixer | |
| Nicolas Le Messurier | .... | dubbing mixer | |
| Gordon K. McCallum | .... | chief dubbing mixer | |
| Terry Poulton | .... | sound effects editor | |
| Terry Sharratt | .... | boom operator | |
Visual Effects by | |||
| Dennis Bartlett | .... | blue screen technician | |
| Cliff Culley | .... | special miniatures | |
| Roy Field | .... | special opticals | |
| Ray Harryhausen | .... | special visual effects creator | |
| Frank Van der Veer | .... | special opticals (as Frank Van Der Veer) | |
| Martin Body | .... | rostrum/matte cameraman (uncredited) | |
Stunts | |||
| Ferdinando Poggi | .... | stunt coordinator | |
| Ralph Faulkner | .... | fight choreographer (uncredited) | |
Camera and Electrical Department | |||
| Mike Bulley | .... | clapper loader | |
| Anthony Gaudioz | .... | focus puller (as Tony Gaudioz) | |
| Keith Hamshere | .... | still photographer | |
| John May | .... | chief electrician | |
| Mike Roberts | .... | camera operator | |
| Jimmy Spoard | .... | camera grip | |
| Egil S. Woxholt | .... | underwater and aerial camera operator | |
| Costas Charitou | .... | titles & opticals: Camera Effects Ltd (uncredited) | |
| David Johnson | .... | second assistant camera (uncredited) | |
| Marc Wolff | .... | camera pilot (uncredited) | |
Animation Department | |||
| Jim Danforth | .... | animator (uncredited) | |
Costume and Wardrobe Department | |||
| Keith Denny | .... | wardrobe supervisor | |
| Helen Gill | .... | wardrobe mistress | |
| Yvonne Zarb Cousin | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Christopher Thompson | .... | assistant editor | |
Music Department | |||
| Robin Clarke | .... | music editor | |
| Herbert W. Spencer | .... | orchestrator | |
| Gordon Langford | .... | orchestrator (uncredited) | |
Other crew | |||
| Steven Archer | .... | assistant: Ray Harryhausen | |
| Bryan Coates | .... | location manager | |
| Jim Danforth | .... | assistant: Ray Harryhausen | |
| Norma Hazelden | .... | production assistant | |
| George Marshall | .... | production accountant | |
| Brian Smithies | .... | floor/physical effects | |
| Doreen Soan | .... | continuity | |
| Ann Tasker | .... | unit publicist | |
| Nick Maley | .... | prosthetics technician (uncredited) | |
| Enzo Sisti | .... | accountant (uncredited) | |
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| Jason and the Argonauts | Pirates of the Caribbean: Dead Man's Chest | Hercules | Stardust | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
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It's always difficult to review something in 1999 which was made 18 years earlier. The first thing that people do is to criticize the special effects. Does this mean that every movie made before computer graphics should be rejected out of hand. Should we start by throwing out The Wizard of Oz because the flying monkeys used piano wires? It ultimately gets down to whether there is a story worth telling and how well that story is told. Clash of the Titans is not a masterpiece. It does, however, tell a pretty good story. The characters are interesting and the thread of mythology is interesting enough to carry it to its conclusion. The special effects are the stop action kind that were the only thing available at this time. Believe me, they were a lot of fun when the movie first came out.
This tells the story of Perseus who is not as well known in mythology as say Hercules, Theseus, or Jason, but his story is a fun one. The quest for the evil Medusa, the need to figure out a way to defeat her without being turned to stone, the evil Calibos (a complete creation), and, of course, the beautiful Andromenda (Judi Bowker, who is absolutely stunning) is the prize. It is paced nicely and the scenery is pretty breathtaking. The music is also very nice. I enjoyed the creatures. I liked the boatman and the river of death. I liked Pegasus, I liked the sound effects. But I don't mind suspending my disbelief.
The downsides are numerous but I think they have more to do with what the director chose to do. The gods and goddesses are stiff and uninteresting, including Laurence (anything for a buck) Olivier. Some pretty important actors to throw away at these Olympian debriefings. They could have lost the owl. He is a mini version of R2-D2 with his silly metallic bleeps and erratic actions. I'm sure they did this for the kids but it really diminished the integrity of the story. Still, if you allow yourself, you can have a lot of fun with this film.