| Videos (see all 3) |
| William Hurt | ... | Ned Racine | |
| Kathleen Turner | ... | Matty Walker | |
| Richard Crenna | ... | Edmund Walker | |
| Ted Danson | ... | Peter Lowenstein | |
| J.A. Preston | ... | Oscar Grace | |
| Mickey Rourke | ... | Teddy Lewis | |
| Kim Zimmer | ... | Mary Ann | |
| Jane Hallaren | ... | Stella | |
| Lanna Saunders | ... | Roz Kraft | |
| Carola McGuinness | ... | Heather Kraft | |
| Michael Ryan | ... | Miles Hardin | |
| Larry Marko | ... | Judge Costanza | |
| Deborah Lucchesi | ... | Beverly | |
| Lynn Hallowell | ... | Angela | |
| Thom Sharp | ... | Michael Glenn (as Thom J. Sharp) | |
| Ruth Thom | ... | Mrs. Singer | |
| Diane Lewis | ... | Glenda | |
| Robert Traynor | ... | Prison Trustee | |
| Meg Kasdan | ... | Nurse | |
| Ruth P. Strahan | ... | Betty the Housekeeper | |
| Filomena Triscari | ... | Hostess at Tulio's | |
| Bruce A. Lee | ... | Man on Beach | |
| Ramiro Velasco | ... | Cuban Trio | |
| Tomas Choy | ... | Cuban Trio | |
| Servio T. Moreno | ... | Cuban Trio |
Directed by | |||
| Lawrence Kasdan | |||
Writing credits | ||
| Lawrence Kasdan | (written by) | |
Produced by | |||
| Fred T. Gallo | .... | producer | |
| Robert Grand | .... | associate producer | |
| George Lucas | .... | executive producer (uncredited) | |
Original Music by | |||
| John Barry | (music composed by) | ||
Cinematography by | |||
| Richard H. Kline | (director of photography) | ||
Film Editing by | |||
| Carol Littleton | |||
Casting by | |||
| Wallis Nicita | (as Wally Nicita) | ||
Production Design by | |||
| Bill Kenney | |||
Set Decoration by | |||
| Rick Gentz | (as Rick T. Gentz) | ||
Costume Design by | |||
| Renié | (as Renie Conley) | ||
Makeup Department | |||
| Robert Sidell | .... | makeup artist (as Robert A. Sidell) | |
| Adele Taylor | .... | hair stylist | |
Production Management | |||
| Robert Grand | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jeffrey Chernov | .... | second assistant director | |
| Michael Grillo | .... | first assistant director | |
| Bruce Humphrey | .... | directors guild trainee | |
Art Department | |||
| Robert L. Anderson | .... | construction coordinator | |
| Dennis Butterworth | .... | greens foreman | |
| Ray Jarvis | .... | stand-by painter | |
| Richard McKenzie | .... | set designer | |
| Robert Planck | .... | leadman | |
| Sig Tingloff | .... | set designer (as Sig Tinglof) | |
| Sonny Van Hecke | .... | assistant property master | |
| Robert J. Visciglia Sr. | .... | property master (as Robert Visciglia Sr.) | |
| Doug Wilson | .... | paint foreman | |
| Joseph Musso | .... | production illustrator (uncredited) | |
Sound Department | |||
| Jim Cook | .... | re-recording mixer (as James Cook) | |
| Patrick Drummond | .... | sound editor | |
| Robert Grieve | .... | sound editor | |
| Maury Harris | .... | production sound mixer | |
| Chris Jenkins | .... | re-recording mixer (as Christopher Jenkins) | |
| Richard Portman | .... | re-recording mixer | |
| David Sanucci | .... | boom man | |
Special Effects by | |||
| Hal Bigger | .... | special effects man | |
| Howard Jensen | .... | special effects supervisor | |
Stunts | |||
| William H. Burton | .... | stunt coordinator (as Bill Burton) | |
| Steven Chambers | .... | stuntman (as Steve Chambers) | |
| Gary Combs | .... | stuntman | |
| James M. Halty | .... | stuntman (as Jim Halty) | |
| Ron Stein | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator | |
| Eric Engler | .... | camera assistant | |
| Larry D. Howard | .... | gaffer | |
| Pat King | .... | second grip | |
| Michael McGowan | .... | camera operator | |
| John Monte | .... | still photographer | |
| Ted Morris | .... | electrical best boy | |
| Ron Phillips | .... | still photographer | |
| Robert Sordal | .... | key grip | |
| William Tobin | .... | camera assistant (as Bill Tobin) | |
| Robert A. Wise | .... | camera assistant | |
Casting Department | |||
| Pearl Kempton | .... | extras casting | |
| Deborah Lucchesi | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costumer (as Winnie Brown) | |
| Barbara Siebert | .... | costume supervisor (as Barbara Siebert Bolticoff) | |
Editorial Department | |||
| Bruce Cannon | .... | second assistant editor | |
| Mia Goldman | .... | assistant editor | |
| Robert Raring | .... | color timer | |
Music Department | |||
| John Barry | .... | conductor | |
| Cliff Kohlweck | .... | music editor (as Clifford C. Kohlweck) | |
| Dan Wallin | .... | scoring mixer | |
Transportation Department | |||
| James Antúnez | .... | transportation coordinator (as James Antunez) | |
| Michael Antunez | .... | transportation captain | |
| Sam Segal | .... | transportation captain | |
Other crew | |||
| Pamela Alch | .... | script supervisor | |
| Celeste Angiolillo | .... | assistant: Mr. Kasdan | |
| Lynne Birdt | .... | production coordinator | |
| Wayne Fitzgerald | .... | title designer | |
| Mark Indig | .... | location manager: Florida | |
| Art Schaeffer | .... | production accountant (as Art Schaefer) | |
| Daniel Schneider | .... | location manager | |
| Peter J. Silbermann | .... | unit publicist (as Peter Silbermann) | |
| Bernard S. Styles | .... | production assistant | |
| Tad Tadlock | .... | choreographer | |
| Jim Bigham | .... | location manager (uncredited) | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Shawn McAllister | .... | stand-in (uncredited) | |
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| American Psycho | The Last Seduction | Poodle Springs | La coda dello scorpione | Fatal Attraction |
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Usually I find movies date really badly. For instance, John Carpenter's Halloween from 1978 is my favorite horror movie and although I like it a lot, I must admit it's dated badly over the years. No doubt due to the literally graphic changes in horror movies. I was thinking the same thing of Body Heat before I stepped into it. I was aware of such blessings it had been given, but kept in mind it was a product of the early 80's. Surely I thought this must be dated by today's standard of erotic dramas & thrillers. This was not the case.
This movie has somehow managed to bypass the aging mechanism that movies succumb to. Twenty years after it's debut it still packs it's erotic punch and twisted bag of lies and William Hurt and Kathleen Turner are still the premiere duo of 'hot legs and ultra cool sleaze bags'. I won't bother giving even a morsel of the story to you - this is one you should walk into completely blind to better you viewing experience. If you need more, check out the plot summary or read the back of the movie box.
What I will talk about is the sex scenes. Erotica at it's cinematic best without being crude or pornographic. In today's age of softcore flicks on the video shelves and hardcore pornography conquering new territory every day it's a refreshing change of pace to look back to a movie made in the early 80's and witness such steaminess and tasteful erotica. Not to misdirect your thoughts. This movie isn't solely about sex, but it's a big part in a story of manipulation, money and deceit. The story, the direction and the cast are fit for a picture frame with Ted Danson and Mickey Rourke standing out amongst the supporting cast. A highly recommended view.