| Bette Davis | ... | Mrs. Aylwood | |
| Lynn-Holly Johnson | ... | Jan Curtis | |
| Kyle Richards | ... | Ellie Curtis | |
| Carroll Baker | ... | Helen Curtis | |
| David McCallum | ... | Paul Curtis | |
| Benedict Taylor | ... | Mike Fleming | |
| Frances Cuka | ... | Mary Fleming | |
| Richard Pasco | ... | Tom Colley | |
| Ian Bannen | ... | John Keller | |
| Katharine Levy | ... | Karen Aylwood (uncredited in the shortened 1981 release) | |
| Eleanor Summerfield | ... | Mrs. Thayer | |
| Georgina Hale | ... | Young Mrs. Aylwood | |
| rest of cast listed alphabetically: | |||
| Dominic Guard | ... | Young John Keller (uncredited) | |
Directed by | |||
| John Hough | |||
| Vincent McEveety | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Brian Clemens | screenplay | |
| Gerry Day | uncredited | |
| Florence Engel Randall | novel "A Watcher in the Woods" | |
| Rosemary Anne Sisson | screenplay | |
| Harry Spalding | screenplay | |
Produced by | |||
| Hugh Attwooll | .... | associate producer | |
| Tom Leetch | .... | co-producer | |
| Ron Miller | .... | producer | |
Original Music by | |||
| Stanley Myers | |||
Cinematography by | |||
| Alan Hume | |||
Film Editing by | |||
| Geoffrey Foot | |||
Casting by | |||
| Maude Spector | |||
Production Design by | |||
| Elliot Scott | |||
Art Direction by | |||
| Alan Cassie | |||
Set Decoration by | |||
| Ian Whittaker | |||
Costume Design by | |||
| Emma Porteus | |||
Makeup Department | |||
| Jill Carpenter | .... | makeup artist | |
| Eileen Fletcher | .... | makeup artist | |
| Ernest Gasser | .... | makeup director | |
| Joyce James | .... | hair stylist | |
| Betty Sherriff | .... | hair stylist | |
| Bobbie Smith | .... | hair stylist | |
Production Management | |||
| Steve Lanning | .... | production manager | |
| Basil Rayburn | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Richard Hoult | .... | assistant director | |
| Michael Murray | .... | second assistant director | |
| Paul Tivers | .... | third assistant director | |
Art Department | |||
| John B. Mansbridge | .... | art director: Other World sequence | |
| Bryn Siddall | .... | property buyer | |
| Barry Wilkinson | .... | property master | |
Sound Department | |||
| Keith Batten | .... | boom operator | |
| Claude Hitchcock | .... | sound recordist | |
| Gerry Humphreys | .... | sound recordist | |
| Jim Shields | .... | sound editor (as Jimmy Shields) | |
Special Effects by | |||
| Danny Lee | .... | special mechanical effects: other world sequence | |
| John Richardson | .... | special effects | |
| Neil Corbould | .... | special effects assistant (uncredited) | |
| Tony Dunsterville | .... | trainee pyrotechnician (uncredited) | |
| Ricky Farns | .... | special effects technician (uncredited) | |
| Garth Inns | .... | special effects technician (uncredited) | |
| John Pohl | .... | special effects artist (uncredited) | |
| Ken Speed | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Jack Boyd | .... | animation effects: Other World sequence | |
| Jane Boyd | .... | animation effects: Other World sequence | |
| Bob Broughton | .... | special photographic effects: Other World sequence | |
| Bob Broughton | .... | special photographic effects: final sequence | |
| Robin Browne | .... | photographic processes | |
| Art Cruickshank | .... | special photographic effects: final sequence | |
| Harrison Ellenshaw | .... | designer: final sequence | |
| John Emerson | .... | alien designer: Other World sequence | |
| Andy Gaskill | .... | alien designer: Other World sequence (as Andrew Gaskill) | |
| Joe Hale | .... | alien designer: Other World sequence | |
| Joe Hale | .... | animation supervisor: Other World sequence | |
| Rick Heinrichs | .... | alien designer: Other World sequence | |
| Don Henry | .... | visual effects: final sequence | |
| Dick Kendall | .... | visual effects: final sequence | |
| Brian Longbotham | .... | kinetic light: Other World sequence | |
| David Mattingly | .... | matte artist: Other World sequence (as David B. Mattingly) | |
| David Mattingly | .... | visual effects: final sequence | |
| Sam Nicholson | .... | kinetic light: Other World sequence | |
| Henry Selick | .... | alien designer: Other World sequence (as C. Henry Selick) | |
| Tad Krzanowski | .... | model effects (uncredited) | |
| Jon Sorensen | .... | visual effects camera (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | stunt supervisor | |
Camera and Electrical Department | |||
| Kevin Brookner | .... | assistant camera | |
| Godfrey A. Godar | .... | additional photography | |
| Jack Lowin | .... | camera operator | |
| Malcolm MacIntosh | .... | camera operator | |
Other crew | |||
| Peter Bennett | .... | location manager | |
| Rita Davison | .... | location manager | |
| Kay Fenton | .... | continuity | |
| Leon Harris | .... | creator: Other World sequence (as Leon R. Harris) | |
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| The Legend of Hell House | The Haunting in Connecticut | The Haunting | Stir of Echoes | Kaidan |
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| News articles | IMDb Family section | IMDb UK section |
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This is a movie I'll always remember as one of the ones that sparked my interest for the horror genre, and yet, I only saw it just now from start to finish for the very first time. There's a nice (albeit totally irrelevant) story behind that. Back in my grade school years, it was tradition for the entire class to watch a movie on the Fridays before each major school holiday. After enduring multiple gentle Disney movies, like "Snow White and the Seven Dwarfs", "Robin Hood" and "Mary freaking Poppins", our second grade teacher suggested to watch a slightly more mature and serious film, this being "The Watcher in the Woods". Personally I was very enthusiast, but several of my wimpy classmates got too scared during the opening credits already and the teacher decided it would be better to turn it off. Darn soft kids! The atmospheric and unsettling opening sequences (showing images of a forest guided by remotely eerie music) were exactly what fascinated me, and I'm sure these brief images contributed a lot to my current obsession with everything that involves horror. For some reason I never saw it again until now, nearly 20 years later, and that's quite a shame because "The Watcher in the Woods" is a movie you're supposed to see at young age. It's primarily a fantasy film, and those are far more appropriate for child-audiences because their imagination is far more vivid and the substantial defects are easier to overlook.
These are two fundamentally required characteristics when watching the movie, by the way. You need to have a vivid imagination and complete the story in your own mind (because the script is full of holes and suffered from drastic re-writes) and you definitely need to look past a lot of shortcomings. It's basically an ordinary supernaturally themed mystery, but obviously without shocking death sequences and complex undertones because it's a Disney film. The model Curtis family moves into an ancient English countryside mansion bordering on an immense forest. The owner, the peculiarly behaving Mrs. Aylwood, is very strict regarding her tenants, but she welcomes the Curtis family because the teenage daughter Jan reminds her of her own daughter Karen, who inexplicably disappeared nearly 30 years ago. Almost promptly, the youngest girl Ellie starts hearing silent voices and Jan notices a frightening presence as if someone's constantly watching her from within the woods. Jan develops the impression that Mrs. Aylwood daughter might still be around and that her spirits is trapped in the woods.
The finished product clearly suffers under the massive amount of re-edits, re-shoots and re-writes of the script. It looks as if the creators realized at a certain point that the movie was too sentimental and/or not suspenseful enough, so the quickly added improperly elaborated hints towards alternate dimensions, solar eclipses and bizarre initiation rites. The last 15-20 minutes are a messy hodgepodge of ideas and, eventually, you're left to your own devices to copy and paste the conclusion together. "The Watcher in the Woods" is at its most effective when talented director John Hough uncannily trolleys his camera through the thick and sinister woods, or when Bette Davis gives a one-woman-show as the intriguing Mrs. Aylwood. The music is excellent and the special effects showcased during the finale are guaranteed to astound young viewers with a healthy interest in the macabre.