| Photos (see all 53 | slideshow) | Videos (see all 8 NEW) |
| Jack Nicholson | ... | Jack Torrance | |
| Shelley Duvall | ... | Wendy Torrance | |
| Danny Lloyd | ... | Danny Torrance | |
| Scatman Crothers | ... | Dick Hallorann | |
| Barry Nelson | ... | Stuart Ullman | |
| Philip Stone | ... | Delbert Grady | |
| Joe Turkel | ... | Lloyd the Bartender | |
| Anne Jackson | ... | Doctor | |
| Tony Burton | ... | Larry Durkin | |
| Lia Beldam | ... | Young Woman in Bath | |
| Billie Gibson | ... | Old Woman in Bath | |
| Barry Dennen | ... | Bill Watson | |
| David Baxt | ... | Forest Ranger #1 | |
| Manning Redwood | ... | Forest Ranger #2 | |
| Lisa Burns | ... | Grady Twin Daughter | |
| Louise Burns | ... | Grady Twin Daughter | |
| Robin Pappas | ... | Nurse | |
| Alison Coleridge | ... | Secretary | |
| Burnell Tucker | ... | Policeman | |
| Jana Shelden | ... | Stewardess | |
| Kate Phelps | ... | Receptionist | |
| Norman Gay | ... | Injured Guest | |
| rest of cast listed alphabetically: | |||
| Vivian Kubrick | ... | Smoking Guest on Ballroom Couch (uncredited) | |
| Derek Lyons | ... | Overlook Hotel Bellhop (uncredited) | |
| Glenn Rinker | ... | Himself / Television news anchor (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stephen King | (novel) | |
| Stanley Kubrick | (screenplay) & | |
| Diane Johnson | (screenplay) | |
Original Music by | |||
| Wendy Carlos | |||
| Rachel Elkind | |||
Cinematography by | |||
| John Alcott | (photographed by) | ||
Film Editing by | |||
| Ray Lovejoy | |||
Casting by | |||
| James Liggat | |||
Production Design by | |||
| Roy Walker | |||
Art Direction by | |||
| Leslie Tomkins | (as Les Tomkins) | ||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Barbara Daly | .... | makeup artist | |
| Leonard | .... | hair stylist | |
| Tom Smith | .... | makeup artist | |
Production Management | |||
| Douglas Twiddy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian W. Cook | .... | assistant director (as Brian Cook) | |
| Terry Needham | .... | assistant director | |
| Michael Stevenson | .... | assistant director | |
Art Department | |||
| Barry Arnold | .... | property man | |
| Michael Boone | .... | draughtsman | |
| Karen Brookes | .... | property buyer | |
| Tessa Davies | .... | set dresser | |
| John Fenner | .... | draughtsman | |
| Len Furey | .... | construction manager (as Len Fury) | |
| Fred Gunning | .... | head carpenter | |
| Peter Hancock | .... | property master | |
| Michael Lamont | .... | draughtsman | |
| Philip McDonald | .... | property man | |
| Edward Rodrigo | .... | property buyer | |
| Del Smith | .... | head painter | |
| Peter Spencer | .... | property man | |
| Thomas Tarry | .... | master plasterer (as Tom Tarry) | |
| Bob Walker | .... | decor artist (as Robert Walker) | |
| Barry Wilson | .... | drapes | |
| Norman Dorme | .... | additional art director (uncredited) | |
| Vivian Kubrick | .... | art department (uncredited) | |
Sound Department | |||
| Michael Charman | .... | boom operator | |
| Richard Daniel | .... | sound recordist | |
| Dino Di Campo | .... | sound editor | |
| Jack T. Knight | .... | sound editor (as Jack Knight) | |
| Bill Rowe | .... | dubbing mixer | |
| Ivan Sharrock | .... | sound recordist | |
| Ken Weston | .... | boom operator | |
| Rodney Glenn | .... | assistant sound editor (uncredited) | |
| Winston Ryder | .... | sound editor (uncredited) | |
| Lionel Strutt | .... | foley mixer (uncredited) | |
Stunts | |||
| Jack Cooper | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Maurice Arnold | .... | focus puller | |
| Lou Bogue | .... | gaffer | |
| Garrett Brown | .... | Steadicam operator | |
| James Devis | .... | camera operator | |
| Dan Grimmel | .... | video operator | |
| Jim Kelly | .... | head rigger | |
| Martin Kenzie | .... | assistant camera | |
| Dennis Lewis | .... | grip | |
| Douglas Milsome | .... | focus puller | |
| Douglas Milsome | .... | photographer: second unit | |
| Kelvin Pike | .... | camera operator | |
| Peter Robinson | .... | assistant camera | |
| Danny Shelmerdine | .... | assistant camera | |
| Larry Smith | .... | gaffer | |
| Ray Andrew | .... | Steadicam operator (uncredited) | |
| Ted Churchill | .... | Steadicam operator (uncredited) | |
| Paul Kenward | .... | assistant camera (uncredited) | |
| Greg MacGillivray | .... | helicopter photographer (uncredited) | |
| Jimmy Worley | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrobe supervisor | |
| Ken Lawton | .... | wardrobe supervisor | |
| Veronica McAuliffe | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Eddie Gordon | .... | color grader | |
| Steve Pickard | .... | second assistant editor | |
| Gill Smith | .... | assistant editor | |
| Gordon Stainforth | .... | assistant editor | |
| Adam Unger | .... | second assistant editor | |
| George Akers | .... | assistant editor (uncredited) | |
Music Department | |||
| Brian Rust | .... | music advisor: 20's music | |
| John Wadley | .... | music advisor: 20's music | |
| Jorge Calandrelli | .... | orchestrator (uncredited) | |
Other crew | |||
| Margaret Adams | .... | secretary to producer | |
| Marlene Butland | .... | production secretary | |
| Murray Close | .... | location researcher | |
| Emilio D'Alessandro | .... | production assistant | |
| Andros Epaminondas | .... | assistant to producer | |
| Giancarlo Giannini | .... | voice dubbing: : Jack Nicholson | |
| Jo Gregory | .... | production accountant | |
| Katharina Kubrick | .... | location researcher | |
| Tad Michel | .... | hotel consultant | |
| Pat Pennelegion | .... | production secretary | |
| June Randall | .... | continuity | |
| Jan Schlubach | .... | location researcher | |
| Leon Vitali | .... | personal assistant to director | |
| Paul Cadiou | .... | assistant production accountant (uncredited) | |
| Anthony Frewin | .... | assistant: Stanley Kubrick (uncredited) | |
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I can't praise this film long enough!
The Shining is, without doubt, one of Stanley Kubrick's undisputed masterpieces and a true classic in horror cinema. It is a film that, over the course of the years, has managed to scare the living hell out of its audiences (and still does). The film is an adaptation of Stepehen King's original novel, written in the late '70s, and although the film is not very loyal to the book, it still stands as a thing of its own.
Right from the beginning, as we contemplate the car going to the hotel from those stunning aerial shots, deeply inside us we know that something in the film, somehow, sometime is going to go wrong. As we obtain that severe warning, an almost inaudible voice gently whispers to us 'sit tight', a sense of unexpectedness invades us all, and it is that very same feeling that makes our hair stand on end throughout out the entire movie.
The plot is simple: Jack Torrance (Jack Nicholson) becomes the caretaker of the Overlook Hotel in up in the secluded mountains of Colorado. Jack, being a family man, takes his wife (Shelley Duvall) and son (Danny Lloyd) to the hotel to keep him company throughout the long, isolated nights. During their stay, strange things occur when Jack's son Danny sees gruesome images powered by a force called 'the shining' and Jack is heavily affected by this. Along with writer's block and the demons of the hotel haunting him, Jack has a complete mental breakdown and the situation takes a sinister turn for the worse.
The film, unlike many horror-oriented films nowadays, doesn't only rely on stomach-churning and gory images (which it does contain, anyway) but on the incredibly scary music based on the works of Béla Bartók and on the excellent cinematography (the Steadicam is superbly used, giving us a sense of ever-following evil), as well. The terrifying mood and atmosphere of the film is carefully and masterfully woven by Kubrick, who clearly knows how to really make a horror movie.
Jack Nicholson's powerful performance as the mad father and husband is as over the top as it is brilliant. Shelley Duvall, who plays the worrying wife who tries to help her son, is also a stand out; she shows a kind of trembling fear in many scenes and is able to display weakness and vulnerability in a very convincing way. Undoubtedly, The Shining is full of memorable moments (the elevator scene or the 'Heeeeeere's Johnny' one-liner for instance) and, simply put, it's flawlessly brilliant.
Stanley Kubrick's direction is pure excellence, giving the whole film a cold and atmospheric look, thus creating an unbearable sense of paranoia and terror. There are moments of sheer brilliance and exquisite perfection in this film; the horrifying maze chase is a perfect example. Every single shot is masterfully created and there are some genuinely scary scenes which will make you sit on the edge of your seat.
The Shining is, in my opinion, a special landmark in horror cinema which will always be regarded as one of the scariest movies in film history. Since I saw it last year, when I was 13, I have rarely been able to have a bath in my bathtub.Just in case, ya know. Overall, The Shining is incomparably the scariest film I've ever seen in my whole life (and I can tell you I've seen a great deal of horror films).
It is an unforgettable, chilling, majestic and truly, profoundly scary film crafted by an eccentric genius who wants to show that the impossible can be done. The Shining is a sublime, hauntingly intriguing and endlessly watchable film that shows Kubrick at his best.