Paura nella città dei morti viventi (1980)

Director:

Lucio Fulci

Writers:

Lucio Fulci (story)
Dardano Sacchetti (story)
(more)

Release Date:

May 1983 (USA)

Genre:

Horror

Tagline:

And the dead shall rise and walk the earth!

Plot:

A reporter and a psychic race to close the Gates of Hell after the suicide of a clergyman caused them to open, allowing the dead to rise from the grave.

Plot Keywords:

Priest | Suicide | Reporter | Psychic | Death

Cast

Christopher George	...	Peter Bell
Catriona MacColl	...	Mary Woodhouse (as Katriona MacColl)
Carlo De Mejo	...	Gerry
Antonella Interlenghi	...	Emily Robbins
Giovanni Lombardo Radice	...	Bob
Daniela Doria	...	Rosie Kelvin
Fabrizio Jovine	...	Father William Thomas
Luca Venantini	...	John-John Robbins (as Luca Paisner)
Michele Soavi	...	Tommy Fisher
Venantino Venantini	...	Mr. Ross
Enzo D'Ausilio	...	Sheriff Russell's deputy
Adelaide Aste	...	Theresa
Luciano Rossi	...	Policeman in apartment
Robert Sampson	...	Sheriff Russell
Janet Agren	...	Sandra
rest of cast listed alphabetically:
Lucio Fulci	...	Dr. Joe Thompson (uncredited)
Michael Gaunt	...	Gravedigger (uncredited)
Aldo Massasso	...	Mr. Robbins (uncredited)
Perry Pirkanen	...	Blonde gravedigger (uncredited)
James Sampson	...	James McLuhan - séance member (uncredited)
Martin Sorrentino	...	Sgt. Clay (uncredited)
Robert Spafford	...	Junie the bartender (voice: English version) (uncredited)
Susan Spafford	...	Sandra (voice: English version) (uncredited)
Pat Starke	...	Emily Robbins (voice: English version) (uncredited)
Frank von Kuegelgen	...	Gerry (voice: English version) (uncredited)

Directed by
Lucio Fulci

Writing credits (in alphabetical order)
Lucio Fulci		story and screenplay
H.P. Lovecraft		inspiration (uncredited)
Dardano Sacchetti		story and screenplay

Produced by
Lucio Fulci	....	producer
Giovanni Masini	....	producer
Robert E. Warner	....	executive producer
Robert E. Warner	....	producer: USA

Original Music by
Fabio Frizzi

Cinematography by
Sergio Salvati

Film Editing by
Edoardo Brizio		(making of editor)
Vincenzo Tomassi

Production Design by
Massimo Antonello Geleng

Costume Design by
Massimo Antonello Geleng

Makeup Department
Rosario Prestopino	....	assistant makeup artist
Franco Rufini	....	makeup artist
Franco Rufini	....	special makeup effects artist
Luciano Vito	....	hair stylist

Production Management
Franco Coduti	....	unit manager (as Giannfranco Coduti)

Second Unit Director or Assistant Director
Roberto Giandalia	....	assistant director

Art Department
Giacomo Caló Carducci	....	set dresser
Rodolfo Ruzza	....	props
Ovidio Taito	....	assistant set designer

Sound Department
Ugo Celani	....	sound engineer
Eros Giustini	....	boom operator
Bruno Moreal	....	sound mixer
Marco Streccioni	....	sound engineer

Special Effects by
Gino De Rossi	....	special effects
Franco Rufini	....	special effects

Stunts
Nazzareno Cardinali	....	stunt coordinator

Camera and Electrical Department
Roberto Belli	....	chief electrician
Roberto Forges Davanzati	....	camera operator
Giorgio Garibaldi Schwarze	....	still photographer
Maurizio Lucchini	....	first assistant camera
Giancarlo Serravalli	....	key grip

Costume and Wardrobe Department
Luciana Morosetti	....	assistant costume designer

Editorial Department
Armando Pace	....	assistant editor
Pietro Tomassi	....	assistant editor
Luciano Vittori	....	color consultant

Music Department
Fabio Frizzi	....	conductor
Maurizio Guarini	....	musician

Other crew
Rita Agostini	....	continuity
Donatella Botti	....	continuity
Cimino	....	furniture
Alfredo Fornacini	....	assistant production secretary
Franco Galizi	....	production secretary
E. Rancati	....	furniture (as Rancati)

Production Companies

• Dania Film
• Medusa Distribuzione
• National Cinematografica

Distributors

• Motion Picture Marketing (MPM) (1983) (USA) (theatrical) (dubbed)
• Paragon Video Productions (1983) (USA) (VHS)
• Sony Pictures Video (1988) (Japan) (video) (laserdisc)
• Anchor Bay Entertainment (2000) (USA) (DVD)
• Anchor Bay Entertainment (2000) (USA) (VHS)
• Astro Distribution (2001) (Germany) (DVD)
• VCI Home Video (2001) (USA) (VHS)
• Video Instant Picture Company (VIPCO) (2001) (UK) (VHS)
• Anchor Bay Entertainment (2002) (USA) (DVD)
• DMEG (2004) (Sweden) (VHS)
• Siren Visual Entertainment (2005) (Australia) (DVD)
• Alemannia/Arabella Filmverleih GmbH (1980) (Germany) (theatrical) (dubbed)
• Medusa Distribuzione (1980) (Italy) (theatrical)
• Another World Entertainment (2006) (Denmark) (DVD)
• Avo Film Edizioni (????) (Italy) (VHS)
• Blue Underground (2007) (USA) (DVD)
• Carrere Video Distribution (????) (France) (VHS)
• Dado Group (????) (Brazil) (VHS)
• Dutch FilmWorks (DFW) (2005) (Netherlands) (DVD)
• EC Entertainment (1998) (Netherlands) (DVD)
• Embassy Home Entertainment (????) (USA) (VHS)
• EuroVideo (????) (West Germany) (VHS)
• European Video Corporation (EVC) (1984) (Belgium) (video)
• Firebox (2006) (Finland) (DVD)
• Infinity Video Sales (????) (Australia) (VHS)
• Inter-Light Video (????) (UK) (VHS)
• K & C Video (????) (Australia) (VHS)
• New Vision (????) (USA) (VHS)
• Number One Video (????) (Italy) (VHS)
• Pacesetter Video (????) (USA) (VHS)
• René Chateau Video (????) (France) (VHS)
• Threat Theatre (????) (USA) (VHS)
• Video Action (????) (Denmark) (VHS)
• Video Invest AB (????) (Sweden) (VHS)

Also Known As:

City of the Living Dead (International: English title)
Fear in the City of the Living Dead (Italy) (literal English title)
Pater Thomas (Europe) (bootleg title)
The Gates of Hell (USA)
Twilight of the Dead (USA) (pre-release title)

Runtime:

93 min | Australia:90 min (cut)

Country:

Italy

Language:

English | Italian

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Denmark:16 | Germany:16 (cut) | Germany:18 (SPIO/JK) (uncut version) | UK:18 (re-rating: 1986) (cut) (re-rating: 2001) (uncut) | UK:X (original rating: 1981) (cut) | Finland:(Banned) (1985) | Finland:K-18 (2001) | Netherlands:16 | New Zealand:R16 | Canada:16+ (Quebec) | Norway:18 (re-rating) (uncut) (2007) | West Germany:18 (heavily cut) | Italy:VM14 (DVD rating) | Sweden:18 (video rating) | Argentina:18 | Australia:R | France:-16 (cut) | Italy:VM18 | USA:Unrated | Germany:BPjM Restricted

Filming Locations:

New York City, New York, USA

Company:

Dania Film

Trivia:

When theatrically released in the United States in 1983, the original title was Twilight of the Dead. Due to the fact that both the title and poster art were derivative of Dawn of the Dead (1978), United Film Distribution Company filed a cease and desist order against Motion Picture Marketing. Posters and prints of the movie bearing the title Twilight of the Dead were pulled, altered and sent back out with the new title The Gates of Hell.

Goofs:

Continuity: In the close-up of the priest putting the noose over his head, he would have had to have been standing on a chair, ladder or gravestone in order to reach the noose. But in the long shot, when he's hanging, there is no ladder, chair or any other item in view on which he could have been standing.

Quotes:

[examining the dead body of Emily Robbins]
Dr. Joe Thompson: Well, she certainly wasn't strangled. There doesn't seem to be any kind of physical abuse.
Sheriff Russell: Well, what was the cause of her death then?
Dr. Joe Thompson: Some kind of cardiac arrest. Only that expression on her face is like pure fear, like something scared her to death.
Sheriff Russell: Scared her?
Dr. Joe Thompson: [to Emily's father] Excuse me, Mr. Robbins, do you know if your daughter had a heart condition?
Mr. Robbins: No... no...
Sheriff Russell: Well, what's our procedure?
Dr. Joe Thompson: Sit tight. Everything depends on the autopsy.
Sheriff Russell: All right, I'll sit tight. But what am I supposed to do in the meantime?
[...]

Movie Connections:

Referenced in Kill Bill: Vol. 2 (2004)

Nightmarish Vision

Paura Nella Citta Dei Morti Viventi/City of the Living Dead(1980) was Lucio Fulci's followup to his international breakthrough and ultra violent zombie classic Zombie Flesh Eaters(1979). Fulci ups the ante in violent imagery compared to Zombie(1979). Unlike Zombie(1979), The Gates of Hell(1980) focuses more on atmosphere and dreamy landscapes then on story. The film begins and ends with the scream of the main actress. The opening scene is done with some skill.

The scene where the hanged priest is superimposed between the iris of Mary Woodhouse is brilliant. There is a medical element that is prominent in all of the director's horror films. After all, Lucio Fulci at one point studied to be a doctor and spent some time in Medical school. Lucio Fulci has a small cameo as a hospital examiner. The zombies look cool and creepy.

The Gates of Hell(1980) has some flaws in it. one flaw is the sometimes erratic editing. Another flaw is that there are a few dull moments that offset the film's brilliance. Also, it has the look of a film that went through a rushed production. Finally, the ending seems as if it was put together in the last second.

Sergio Salvati did an excellent job as the director of photography. Although some scenes are too dark, most of the film is still well photographed. The scenes with the camera moving around town are eerie with its light blue white fog and empty streets. The shots of the underground cemetery is one of the film's eeriest parts. The camera in The Gate of Hell(1980) as in Fulci's other horror films forces the audience to take a hard long look at the carnage occuring on the big screen.

The make up effects are done with flamboyance by Gino De Rossi as Gianetto De Rossi was not available to do the effects. The Gates of Hell(1980) would be the first in a three film series of gothic horror that included L'Aldila/The Beyond(1981), and Quella Villa Accanto al Cimitero/The House by the Cemetery(1981). Anchor Bay Entertainment did the best job they could possibly do with what seemed to be an average print. The Gates of Hell(1980) like many gothic novels were thought of as barbarous and crude. Lucio Fulci's next feature, The Beyond(1981) would focus more completely and fully on atmosphere and pure imagery then The City of the Living Dead(1980).

Paura Nella Citta Dei Morti Viventi(1980)'s refusal to have a linear plot and its violence are some of the things that divide audiences and critics like with many of Lucio Fulci's work. After the success of Inferno(1980) in Italy, there were many people who would use the film's non linear structure as a guide line for their films. Fear is the main theme of The Gates of Hell. It is fear that brings about the demise of different characters from the film. The movie was a way for the audience to attempt to overcome their own perosnal fears.

There are four outstanding set pieces in this flick. First, the semi realistic sequence where a woman pukes out her guts. Second, the drill through the head scene. Third, the buried alive sequence which pumps the tension like a ballion until its pops. Finally, the rising of the dead in the underground cemetery.

Catriona MacColl does a good job in what was the first of three films that she would do for Lucio Fulci. This is the third film along with The Exterminator(1980) and Enter the Ninja(1981) that Christopher George suffers a violent death. Christopher George adds a sense of humor to the film's gloomy landscape. Daniela Doria really was puking out something out of her mouth as you watch that infamous sequence(this makes her a brave actress for doing this scene). The drill scene is one of the most cruel and realistic death scenes that the director has ever filmed.

City of the Living Dead(1980) has many things in common with Don't Torture A Duckling(1972). One, the murderers in the two films are priest. Two, the non conformist are blamed and brutally murdered by the victim's family or friends. Three, the film takes place in a desolated and isolated town. Four, in both films a reporter and a blonde woman are the main protagonist.

The Gates of Hell(1980) also has some similar qualities with Phantasm(1979). First, the cemetery is the main source of evil. Second, a member of the local church is the cause of the evil doings around town. Third, the two films focus more on set pieces then on character and plot. Finally, The Gates of Hell(1980) and Phantasm(1979) are played out like a nightmare where a person has entered and is unable to exit.