| Photos (see all 4 | slideshow) |
| Alan Bates | ... | Sergei Diaghilev | |
| George De La Pena | ... | Vaslav Nijinsky | |
| Leslie Browne | ... | Romola de Pulsky | |
| Alan Badel | ... | Baron de Gunzburg | |
| Carla Fracci | ... | Tamara Karsavina | |
| Colin Blakely | ... | Vassili | |
| Ronald Pickup | ... | Igor Stravinsky | |
| Ronald Lacey | ... | Leon Bakst | |
| Vernon Dobtcheff | ... | Sergei Grigoriev | |
| Jeremy Irons | ... | Mikhail Fokine | |
| Frederick Jaeger | ... | Gabriel Astruc | |
| Anton Dolin | ... | Maestro Cecchetti | |
| Janet Suzman | ... | Emilia Marcus | |
| Stephan Chase | ... | Adolph Bolm | |
| Hetty Baynes | ... | Magda | |
| Siân Phillips | ... | Lady Ripon | |
| Charles Kay | ... | Argentine Ambassador | |
| Tomaso Milian Jr. | ... | Young Boy on Beach (as Tomas Milian Jr) | |
| Monica Mason | ... | Maria Piltz | |
| Valerie Aitken | ... | Lydia Nelidova | |
| Genesia Rosato | ... | Ludmilla Schollar | |
| June Brown | ... | Maria Stepanova | |
| Blaise Mills | ... | Lisl | |
| Kim Miller | ... | Marie Rambert | |
| Dean McMillan | ... | Page | |
| Mart Crowley | |||
| Olga Lowe | ... | Signora Cecchetti | |
| Geoffrey Hughes | ... | Gavrilov | |
| Patricia Ruanne | ... | Doil | |
| Ben Van Cauwenbergh | ... | Max Froman |
Directed by | |||
| Herbert Ross | |||
Writing credits | ||
| Hugh Wheeler | (screenplay) | |
| Romola Nijinsky | (book "Nijinsky") | |
| Vaslav Nijinsky | (diary) | |
Produced by | |||
| Nora Kaye | .... | producer | |
| Stanley O'Toole | .... | producer | |
| Harry Saltzman | .... | executive producer | |
Cinematography by | |||
| Douglas Slocombe | |||
Film Editing by | |||
| William Reynolds | |||
Casting by | |||
| Rose Tobias Shaw | (as Rose Tobias-Shaw) | ||
Production Design by | |||
| John Blezard | |||
Art Direction by | |||
| George Richardson | |||
Set Decoration by | |||
| Peter James | |||
Costume Design by | |||
| Alan Barrett | |||
Makeup Department | |||
| Pat Hay | .... | hair stylist | |
| Meinir Jones-Lewis | .... | hair stylist | |
| Ken Lintott | .... | makeup designer (as Kenneth Lintott) | |
| Joan Mills | .... | makeup artist | |
Production Management | |||
| Al Burgess | .... | production supervisor | |
| Bernard Mazauric | .... | production manager: Monaco | |
| Luciano Pesciaroli | .... | production manager: Sicily | |
| Danilo Sabatini | .... | production liaison: Sicily | |
| Scott Wodehouse | .... | production manager | |
| Lindsley Parsons Jr. | .... | executive production manager: Paramount (uncredited) | |
Art Department | |||
| Pier Luigi Basile | .... | art director: Sicily (as Pierluigi Basile) | |
| Tessa Davies | .... | set dresser | |
| Nicholas Georgiadis | .... | ballet scenary: after the originals by | |
| Geoffrey Guy | .... | sets: for "Scheherazade" and "La Spectre de la Rose" after Leon Bakst by | |
| Michael Murchan | .... | construction manager | |
| Ron Quelch | .... | production buyer | |
| Tony Roman | .... | art director: Monaco | |
| John Rose | .... | sketch artist | |
Sound Department | |||
| Bill Barringer | .... | assistant sound (as William Barringer) | |
| William Hartman | .... | sound editor | |
| Godfrey Marks | .... | dialogue editor | |
| Theodore Soderberg | .... | sound re-recording mixer | |
| Richard Sperber | .... | sound editor | |
| Cyril Swern | .... | sound recordist | |
| Paul Wells | .... | sound re-recording mixer | |
| Douglas O. Williams | .... | sound re-recording mixer | |
| Colin Wood | .... | boom operator | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Camera and Electrical Department | |||
| Bert Cann | .... | still photographer | |
| David Hersey | .... | theatrical lighting designer | |
| Colin Manning | .... | chief grip | |
| Danny Shelmerdine | .... | assistant camera | |
| John Tythe | .... | gaffer | |
| Robin Vidgeon | .... | assistant camera | |
| Chic Waterson | .... | camera operator | |
| Cedric James | .... | focus puller: second camera (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | wardrobe supervisor | |
| Austin Cooper | .... | wardrobe master | |
| Nicholas Georgiadis | .... | ballet costumes: after the originals by | |
| Ken Lawton | .... | wardrobe master (as Kenneth Lawton) | |
Editorial Department | |||
| Chris Barnes | .... | editorial associate | |
| Michael E. Polakow | .... | assistant editor (as Michael Polokow) | |
Music Department | |||
| George Korngold | .... | music editor | |
| John Lanchbery | .... | conductor | |
| John Lanchbery | .... | music adaptor | |
| John Neal | .... | scoring mixer | |
| James Walker | .... | musician: flute solo | |
| Sidney Weiss | .... | concert master | |
Other crew | |||
| Irina Baronova | .... | ballet mistress | |
| Nicholas Beriosoff | .... | restaging: of "Scheherazade" and "Prince Igor | |
| Isabel Borwn | .... | assistant: Nora Kaye | |
| Isabel Brown | .... | assistant: Nora Kaye | |
| William Chappell | .... | restaging: of "L'Après-midi d'un faune" (as William Chapell) | |
| Hunt Downs | .... | publicist | |
| Ottó Elek | .... | studio manager: Hungary | |
| Wayne Fitzgerald | .... | title designer | |
| Mikhail Fokin | .... | choreographer (as Mikhail Fokine) | |
| William Griffith | .... | ballet coach | |
| Louise Jaffe | .... | script supervisor | |
| Allan James | .... | location manager | |
| Peter Lancaster | .... | head accountant | |
| Kenneth MacMillan | .... | choreographer: "Jeux" and "Le Sacre du printemps" | |
| Vaslav Nijinsky | .... | choreographer | |
| Pat Pennelegion | .... | assistant: Al Burgess | |
| Lily Poyser | .... | unit publicist | |
| Mary Richards | .... | assistant: Herbert Ross | |
| Danilo Sabatini | .... | production liaison: Sicily | |
| John Sargent | .... | accountant | |
| Elisabeth Schooling | .... | restaging: of "L'Après-midi d'un faune" | |
| Vincent Winter | .... | location manager | |
Thanks | |||
| David Bees | .... | grateful acknowledgment: administrative director of the London Festival Bellet | |
| Beryl Grey | .... | grateful acknowledgment: artistic director of the London Festival Bellet (as Beryl Grey CBE) | |
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Purportedly factual biography of head strong and gay ballet dancer Nijinsky (George De La Pena). It deals with his slow descent into madness and his love for his manager (Alan Bates).
Lavish, well-done movie. I saw it way back in 1980 on opening night in a huge theatre in Boston. It was virtually empty. It was publicized to the hilt but it seems nobody had an interest in a ballet movie. Too bad.
It was well-acted and the dancing by Pena was just superb.
My only complaint is the ridiculous R rating. It was given that because of a few (mild) kisses between Pena and Bates. Back in 1980 male on male kisses was enough to give a film an R rating and Hollywood wouldn't go any farther in portraying a gay relationship (purportedly Pena, who is straight, was petrified of doing these scenes). Everything else is PG material here. The rating really should be lowered for wider acceptance.
Worth catching.