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La mort en direct (1980)
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Overview
User Rating:
Release Date:
April 1982 (USA) moreTagline:
She's the target of every eye...including eyes only science could create.Plot:
Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine... more | add synopsisAwards:
1 win & 6 nominations moreNewsDesk:
James Russo to star in 'Dark Woods'(From The Hollywood News. 15 September 2008, 8:48 AM, PDT)
User Comments:
cult movie shot in Glasgow- Scotland in 1979 moreCast
(Cast overview, first billed only)| Romy Schneider | ... | Katherine Mortenhoe | |
| Harvey Keitel | ... | Roddy | |
| Harry Dean Stanton | ... | Vincent Ferriman | |
| Thérèse Liotard | ... | Tracey | |
| Max von Sydow | ... | Gerald Mortenhoe (as Max Von Sydow) | |
| Caroline Langrishe | ... | Girl in the Bar | |
| William Russell | ... | Dr.Mason (as William Russel) | |
| Vadim Glowna | ... | Harry Graves | |
| Eva Maria Meineke | ... | Dr.Klausen | |
| Bernhard Wicki | ... | Katherine's Dad (as Bernard Wicki) | |
| Freddie Boardley | ... | Technician | |
| Robbie Coltrane | ... | Limosine driver | |
| Julian Hough | ... | Young doctor | |
| Peter Kelly | ... | Technician | |
| Boyd Nelson | ... | Policeman |
Additional Details
Also Known As:
Death Watch (UK) (USA)Death Watch - Der gekaufte Tod (West Germany)
Death in Full View
Deathwatch (USA)
Der gekaufte Tod (West Germany)
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Parents Guide:
Add content advisory for parentsRuntime:
128 minColor:
Color (Eastmancolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
MonoCertification:
Iceland:L | Argentina:13 | Finland:K-12 | UK:15 (video rating) (1988) | UK:AA (original rating) | USA:PG | West Germany:16Fun Stuff
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This is Robbie Coltrane's first motion picture. moreFAQ
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This film was shot in my home town, Glasgow, in 1979. Since then it has rarely been seen and indeed I only saw it myself for the first time this year. Our local arthouse cinema, the Glasgow Film Theatre, screened a one off presentation of what was alleged to be the last print in existence. Though the print itself was old and worn the film blew me away with its futuristic storyline, fantastic cast and phenomenal locations. It captures Glasgow as it was in the late 70's just before a period of great changes in the landscape of the city. Tavernier skillfully uses an environment that is full of eery imagery - graveyards, cranes and an industrial landscape that is grinding to a halt. The film also depicts a society fascinated with death. Harvey Keitel is excellent as the human camera that allows society the ultimate act of voyeurism - watching someone die on TV. Awesome. Someone, somewhere please commission