| Bruce Davison | ... | George Orr | |
| Peyton E. Park | ... | Mannie Ahrens (as Peyton Park) | |
| Niki Flacks | ... | Penny Crouch | |
| Kevin Conway | ... | Dr. William Haber | |
| Vandi Clark | ... | Aunt Ethel | |
| Bernadette Whitehead | ... | George's Mother | |
| Jo Livingston | ... | George's Father | |
| Jane Roberts | ... | Grandmother | |
| Tom Matts | ... | Grandfather | |
| Frank Miller | ... | Parole Officer | |
| Joye Nash | ... | Woman on Subway | |
| Gena Sleete | ... | Woman on Subway | |
| Margaret Avery | ... | Heather LeLache | |
| Ben McKinley III | ... | Orderlie | |
| R.A. Mihailoff | ... | Orderlie | |
| rest of cast listed alphabetically: | |||
| James Bodean | ... | Guard | |
| Ben Stephenson | ... | Scientist | |
Directed by | |||
| Fred Barzyk | |||
| David R. Loxton | (as David Loxton) | ||
Writing credits(in alphabetical order) | ||
| Diane English | writer | |
| Ursula K. Le Guin | novel | |
| Roger Swaybill | writer (as Roger E. Swaybill) | |
Produced by | |||
| Fred Barzyk | .... | producer | |
| Carol Brandenburg | .... | associate producer | |
| David R. Loxton | .... | executive producer (as David Loxton) | |
| David R. Loxton | .... | producer (as David Loxton) | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Robbie Greenberg | |||
Film Editing by | |||
| Dick Bartlett | |||
Casting by | |||
| Scott Rudin | |||
Art Direction by | |||
| John Wright Stevens | |||
Set Decoration by | |||
| Robert J. Franco | |||
| John Shaffner | |||
Costume Design by | |||
| Laura Crow | |||
Makeup Department | |||
| Tonga Knight | .... | hair stylist | |
| Jim Nielsen | .... | makeup artist (as James Nielsen) | |
Production Management | |||
| Darlene Mastro | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lisa Rich | .... | assistant director | |
Art Department | |||
| John T. Boz Jr. | .... | art department assistant | |
| Dan Orlandi | .... | set dresser | |
| Brian Reynolds | .... | art department assistant | |
| Joe Stewart | .... | assistant art director | |
| Richard Tautkus | .... | alien construction | |
Sound Department | |||
| Lee Dichter | .... | sound mixer | |
| John Fundus | .... | boom operator | |
| Dennis Maitland | .... | sound | |
Special Effects by | |||
| Jack Bennett | .... | special effects | |
| Ed Emshwiller | .... | special effects | |
| Peter Emshwiller | .... | special effects assistant | |
| Laurie Spiegel | .... | audio special effects | |
Visual Effects by | |||
| Edmond S. Alexander | .... | special visual effects | |
| Gordon Blocker | .... | special visual effects | |
| Tex Frossard | .... | augmentor effects | |
| Steve Jander | .... | laser effects | |
| George H. Joblove | .... | computer displays (as George Joblove) | |
| Douglas S. Kay | .... | computer displays (as Douglas Scott Kay) | |
| Charles B. Rubenstein | .... | computer animator | |
| Lillian Schwartz | .... | Computer Animation | |
| Mary Snyder | .... | augmentor effects | |
Camera and Electrical Department | |||
| Jeff E. Blosser | .... | gaffer (as Jeff Blosser) | |
| Robert Decker | .... | key grip | |
| Chris Hayes | .... | assistant camera (as Christopher Hayes) | |
| Tom Leitner | .... | camera operator: second unit | |
| Gary McClendon | .... | electrician | |
| Derek W. Muirden | .... | camera operator: second unit | |
| J. Michael Popovich | .... | grip (as Mike Popovich) | |
| Josh Rich | .... | grip | |
| Scott M. Robinson | .... | best boy (as Scott Robinson) | |
| Michael Sibley | .... | camera operator: second unit | |
| Mike Townsend | .... | assistant camera | |
| Wynn Winberg | .... | still photographer | |
Casting Department | |||
| Taira Rosales | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Julianne Dechaine | .... | wardrobe supervisor | |
| Columbia Dowell | .... | wardrobe assistant | |
Editorial Department | |||
| Alfredo Portilla | .... | assistant editor | |
Music Department | |||
| John O. Adams | .... | music producer | |
| Rosemary Fischel | .... | music supervisor | |
| Bob Freedman | .... | orchestrator (as Robert M. Freedman) | |
| Frank Kulaga | .... | music recording mixer | |
| Sam Levitan | .... | orchestra coordinator | |
Other crew | |||
| Christena Alcorn | .... | production assistant (as Christine Alcorn) | |
| John Anthes | .... | title designer | |
| Evelyn Behr | .... | production secretary | |
| Anne Fischel | .... | film researcher | |
| Helen Gilbert | .... | location coordinator | |
| Walter Holland | .... | production secretary | |
| Mona Kligman | .... | production controller | |
| Chris Kogler | .... | title designer | |
| Ursula K. Le Guin | .... | creative consultant | |
| Ruby Merjan | .... | production aide | |
| Vicki L. Metz | .... | production secretary | |
| Henry Paper | .... | assistant to producer | |
| Kenn Rabin | .... | production aide | |
| Olivia Tappan | .... | production associate | |
| Jenny Townsend | .... | script supervisor | |
| Victoria Trostle | .... | production assistant | |
| Wynn Winberg | .... | production assistant | |
Thanks | |||
| Ed Borgan | .... | thanks | |
| William C. Dement | .... | thanks | |
| Gary Hahn | .... | thanks | |
| Matthew H. Herman | .... | thanks | |
| Rosemary Ingham | .... | thanks | |
| Mike Monroe | .... | thanks | |
| Stephen C. Rosen | .... | thanks | |
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| The Matrix Reloaded | A Scanner Darkly | Requiem for a Dream | Invasion of the Body Snatchers | Vana espuma |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section | Add this title to MyMovies |
I seen this movie when it first came out and couldn't remember the title for over 20 years yet its content and story stuck with me all these years. I was given the name of if it when I described the story premise on Sci-fi Channels Bboard web page and a member wrote back what it was. I was quite please since now I know what to look for.
This movie is true classic Science Fiction right up there with Forbidden Planet and many others and has had a profound effect on my concepts and perception of reality and recommend it not only to sci-fi enthusiasts but people who are into psychology studies too. Movies like The Lathe of Heaven, Brazil, and other such psycho-dramas can help us to understand ourselves in very unconventional ways.