| Videos (see all 2) |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Masato Ide | writer | |
| Akira Kurosawa | writer | |
Produced by | |||
| Audie Bock | .... | assistant producer | |
| Francis Ford Coppola | .... | executive producer: international version | |
| Akira Kurosawa | .... | executive producer | |
| Akira Kurosawa | .... | producer | |
| George Lucas | .... | executive producer: international version | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Shôji Ueda | (as Shoji Ueda) | ||
Art Direction by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Seiichiro Hagakusawa | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Shigeo Tamura | .... | hair stylist | |
| Junjiro Yamada | .... | hair stylist | |
Production Management | |||
| Akira Fujita | .... | unit production manager | |
| Toshiaki Hashimoto | .... | production manager | |
| Toshiaki Hashimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ishirô Honda | .... | second unit director | |
| Hideyuki Inoue | .... | assistant director | |
| Takashi Koizumi | .... | assistant director | |
| Fumiryo Okada | .... | chief assistant director | |
| Takao Okawara | .... | assistant director | |
Art Department | |||
| Aki Saburagi | .... | assistant art director | |
| Hatsumi Yamamoto | .... | property master | |
Sound Department | |||
| Ichirô Minami | .... | sound effects editor | |
| Mamoru Yamada | .... | assistant sound recordist | |
| Fumio Yanoguchi | .... | sound recordist | |
Camera and Electrical Department | |||
| Naomi Hashiyama | .... | still photographer | |
| Satoshi Kurikihara | .... | assistant lighting technician | |
| Tamio Matsuo | .... | assistant camera | |
| Kazuo Miyagawa | .... | consultant: photography | |
| Asakazu Nakai | .... | consultant: photography | |
| Takeji Sano | .... | lighting technician | |
Editorial Department | |||
| Yoshihiro Iwatani | .... | assistant editor | |
| Tome Minami | .... | negative cutter | |
Music Department | |||
| Kotaro Saito | .... | conductor | |
Transportation Department | |||
| Isamu Miwano | .... | transportation | |
Other crew | |||
| Audie Bock | .... | assistant to producer (international version) | |
| Francis Ford Coppola | .... | presenter | |
| Masa Furugawara | .... | scene shifter | |
| Toshi Hasegawa | .... | horseback riding instructor | |
| Shinobu Hashimoto | .... | production advisor | |
| Hiroaki Honda | .... | acting office | |
| Ishirô Honda | .... | directorial advisor | |
| Ishirô Honda | .... | production coordinator | |
| Ryu Kuze | .... | instructor: samurai etiquette | |
| George Lucas | .... | presenter | |
| Teruyo Nogami | .... | assistant to producer | |
| Teruyo Nogami | .... | script supervisor | |
| Donald Richie | .... | subtitle supervisor (US version) | |
| Donald Richie | .... | subtitler (international version) | |
| Takao Saitô | .... | production advisor | |
| Tamihei Shirai | .... | horseback riding instructor | |
| Ishirô Honda | .... | creative consultant (uncredited) | |
| Michael Rich | .... | assistant to director (uncredited) | |
|
|
|
|
|
| Shichinin no samurai | Ran | Kaidan | The Last Samurai | Mononoke-hime |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
| Add this title to MyMovies |
What happens to the doppelganger when the original dies? Does he flitter out of existence or does he find his own. Kagemusha (shadow warrior in Japanese) is the story of a thief who is to be hanged, but is saved by a warlord's brother, Katsuyori Takeda, because of a peculiar resemblance to the king Shingen Takeda. Tatsuya Nakadai brilliantly plays both roles of Shingen and the thief. The thief is trained to fill in as Shingen's double, a position previously played by his brother Katsuyori. Shingen receives a mortal wound during a siege and the Takeda Clan retreat. His dying wish is that he wants his death not to be known for at least three years. Kagemusha eventually acquiesces to the role of not just doubling for the king, but being a figurehead twenty-four hours a day.
The intimate circle of Shingen's family and guard knows about the double. They advise him about how to be like Shingen. He plays the part well. Shingen's son Nobukado, who knows that he is the double, is convinced that his father did this to spite him. Nobukado was passed over as king and that position was granted to Shingen's grandson and Nobukado's son Takemaru as soon as he reaches of mature age. Later in the film, we realize that Shingen did this because Nobukado is too aggressive and is not leader material, not to spite him. The backing of Kagemusha helped Nobukado's one great military victory. Nobukado would forever be in Shingen's shadow.
The relationships between the thief and the Lord's men make this a fascinating film. There is a rich tapestry of multidimensional characters. To some critics the action was too slow. It was not as fast paced as The Seven Samurai or Yojimbo. I think it is a mature film from a maturing director who would go on to direct another of my favorite films Ran. This film was nominated for two academy awards and would co-win the grand prize at the Cannes Film Festival. The juxtaposition between the titanic and minute is a favorite concept of Kurosawa. Stolid men have tragic faults. Beggars can be kings.
Kurosawa is one of the world's most famous directors. Yet in the 1980's, he did not get much respect from his home country Japan. He had not had released a film since 1975 -- the beautiful and brilliant Dersu Uzala and he was reportedly suicidal. This film would not have been made if it were not for George Lucas and Francis Ford Coppola whom helped finance this film. Lucas has always been a big fan of Kurosawa. Star Wars was partially influenced by Kurosawa's film The Hidden Fortress. I am a big fan of Kurosawa too. His films always have the most beautiful cinematography, intricate plots and grand characters. Kagemusha is no exception.